There’s . . . Jessica, the new girl, smart and perceptive, who’s having a hard time fitting in; Alexia, a bully, your friend one second, your enemy the next; Peter, class prankster and troublemaker; Luke, the brain; Danielle, who never stands up for herself; shy Anna, whose home situation makes her an outcast; and Jeffrey, who hates school.Only Mr. Terupt, their new and energetic teacher, seems to know how to deal with them all. He makes the classroom a fun place, even if he doesn’t let them get away with much . . . until the snowy winter day when an accident changes everything—and everyone.--jacket description

    Children, he said, were like starlings, and one was better off without them.But the children who lived under the bridge recognized a true friend when they met one, even if the friend seemed a trifle unwilling at the start. And it did not take Armand very long to realize that he had gotten himself ready-made family; one that he loved with all his heart, and one for whom he would have to find a better home than the bridge.Armand and the children's adventures around Paris -- complete with gypsies and a Santa Claus -- make a story which children will treasure.

    They've known each other for practically forever, sit next to each other in class, help each other with homework, and always stick up for each other. Justin never says things like, "Amber Brown is not a crayon." Amber never says, "Justin Time." They're a great team—until disaster strikes. Justin has to move away, and now the best friends are fighting. Will they be able to work it out before it's too late?

    Whether Fudge is throwing a temper tantrum in a shoe store, smearing mashed potatoes on the walls at Hamburger Heaven, or trying to fly, he's never far from trouble. He's an almost three-year-old terror who gets away with everything, and Peter's had it up to here! When Fudge walks off with Dribble, Peter's pet turtle, it's the last straw. Peter has put up with Fudge for too long. Way too long! How can he get his parents to pay attention to him for a change?

    Their goal is to stay together, and in the process they find a grandfather.

    Everyone shudders in horror--delicious horror--whenever the Megrimum's unearthly wail floats down to the village. Before long, Egan is climbing the Rise to find a practical explanation for those wails.

    But a sudden tragedy forces Esperanza and Mama to flee to California during the Great Depression, and to settle in a camp for Mexican farm workers. Esperanza isn't ready for the hard labor, financial struggles, or lack of acceptance she now faces. When their new life is threatened, Esperanza must find a way to rise above her difficult circumstances--Mama's life, and her own, depend on it.

    Basic etiquette is presented in a practical way. Berenstain illustrations add humor and understanding."--School Library Journal.

    What other granddaughter-grandmother duo could successfully drive the getaway car for chickens rescued from a journey to the slaughterhouse, paint a whole house shocking pink, and operate their own personal secret-letter post office? So, when Miss Eula leaves for Hawaii to visit her new grandbaby, Ruby is sure that she will have a lonely, empty, horrible summer in boring old Halleluia, Mississippi. What happens instead? She makes a new friend, saves the school play, writes plenty of letters to her favorite (and only) grandmother...and finally learns to stop blaming herself for her grandfather's death. Not too bad, for a nine-year-old.

    Samantha's stories describe her life during this important period of change. Her own world is filled with frills and finery, parties and play. But Samantha sees that times are not good for everybody. That's why she tries to make a difference in the life of her friend Nellie, a servant girl whose world is nothing like Samantha's Samantha befriends a servant girl named Nellie who moves in next door. The girls become fast friends, though their lives are different.

    There was no dessert in his lunch bag. And, on top of all that, there were lima beans for dinner and kissing on TV!This handsome new edition of Judith Viorst's classic picture book is sure to charm readers of all ages.

    Nothing much has changed in the dollhouse during that time, except for the fact that 45 years ago, Annabelle's Auntie Sarah disappeared from the dollhouse without a trace. After all this time, restless Annabelle is becoming more and more curious about her aunt's fate. And when she discovers Auntie Sarah's old diary, she becomes positively driven. Her cautious family tries to discourage her, but Annabelle won't be stopped, even though she risks Permanent Doll State, in which she could turn into a regular, nonliving doll. And when the "Real Pink Plastic" Funcraft family moves in next door, the Doll family's world is turned upside down--in more ways than one! Fans of The Borrowers and Stuart Little will love this exciting story of adventure and mystery. The relationship between the two doll families, one antique, one modern, is hilariously, wonderfully drawn. The Funcrafts are reckless and raucous, with fearlessness born of their unbreakable plastic parts. The Doll family is reserved and somewhat prim, even though they occasionally break into '60s tunes like "Respect" in their sing-alongs. Annabelle is a heroine with integrity and gumption. Ann Martin (The Babysitters Club series) and Laura Godwin create a witty, intriguing tale, illustrated with humor and a clever eye for detail by Brian Selznick. (Ages 7 to 11) --Emilie Coulter

    She cannot walk or talk, but she has a photographic memory; she can remember every detail of everything she has ever experienced. She is smarter than most of the adults who try to diagnose her and smarter than her classmates in her integrated classroom - the very same classmates who dismiss her as mentally challenged because she cannot tell them otherwise. But Melody refuses to be defined by cerebral palsy. And she's determined to let everyone know it - somehow.

    When she is eventually spotted on an unpopulated island off Cuba, she is an adolescent and seems hardly human to her rescuers. Mila is taken to a child study center in Boston. Eager to please, she makes rapid progress in language and social skills. With her recorder, Mila finds she can even make music like the dolphin songs she yearningly remembers. But the more Mila discovers about what it means to be human--the locked doors, the rules, the betrayals--the more she longs for her watery home and gentle dolphin family. In an emotionally wracking conclusion, she returns to the world where her ears never want for song. Where, although she cannot stand on her tail or jump the waves, she is part of the music of dolphins.

    But when Rowley's star starts to rise, Greg tries to use his best friend's popularity to his own advantage. Recorded in his diary with comic pictures and his very own words, this test of Greg and Rowley's friendship unfolds with hilarious results.