This alone could have got him burned at the stake, but he was also a student of occult philosophies and magic. In S.J. Parris's gripping novel, Bruno's pursuit of this rare knowledge brings him to London, where he is unexpectedly recruited by Queen Elizabeth I and is sent undercover to Oxford University on the pretext of a royal visitation. Officially Bruno is to take part in a debate on the Copernican theory of the universe; unofficially, he is to find out whatever he can about a Catholic plot to overthrow the queen. His mission is dramatically thrown off course by a series of grisly murders and a spirited and beautiful young woman. As Bruno begins to discover a pattern in these killings, he realizes that no one at Oxford is who he seems to be. Bruno must attempt to outwit a killer who appears obsessed with the boundary between truth and heresy. Like The Dante Club and The Alienist, this clever, sophisticated, exceptionally enjoyable novel is written with the unstoppable narrative propulsion and stylistic flair of the very best historical thrillers.

    For Frances Grey, increasingly alienated from her husband and her brilliant but arrogant daughter Lady Jane, it means that she—and the Lady Jane—are one step closer to the throne of England.Then the young king falls deathly ill. Determined to keep England under Protestant rule, he concocts an audacious scheme that subverts his own father’s will. Suddenly, Jane Dudley and Frances Grey are reluctantly bound together in a common cause—one that will test their loyalties, their strength, and their faith, and that will change their lives beyond measure.

    England loved her; Henry loved, respected, and finally feared her. Wolsey hated her. Twice she saved England, once from invasion, once from Civil War. Here is one of those rare books, brilliantly readable and buttressed by scholarship and research, which make you see history through new eyes.

    The photographs are richly supplemented by detailed commentary and illustrations.

    Drawn from the Victoria and Albert Museum's world-famous collection, these garments display skills that are now lost, yet continue to inspire today's leading designers.Much of the finery seen here is too fragile to be on permanent display, or its detail too intricate to be captured in conventional photography. Jacobean blackwork, neoclassical tambour work, exquisite stitching, and knife-sharp pleats are pictured in stunning photographs, alongside such unusual techniques as stamping, pinking, and slashing--many of which are rarely employees in the modern world, as they require labor-intensive handwork impossible to replicate by machine.With line drawings showing the construction of the complete garment and a text that sets each in the context of its time, this book is a visual feast for all fashion lovers, and an essential resource for curators, collectors, students, costumers and designers.

    P. Verneuil, Alphonse Mucha, and other Art Nouveau masters, 31 elegant designs celebrate the sensuous Art Nouveau style. The imaginative illustrations feature patterns of graceful swans, peacocks, butterflies, and other creatures, as well as intertwined vines, flowers, and other plant life. Pages are perforated and printed on one side only for easy removal and display. Specially designed for experienced colorists, Art Nouveau Animal Designs and other Creative Haven® adult coloring books offer an escape to a world of inspiration and artistic fulfillment. Previously published as Art Nouveau Animal Designs Coloring Book. Each title is also an effective and fun-filled way to relax and reduce stress.

    Three of them, (Henry VII, Henry VIII and Elizabeth I) played important roles in transforming England from a comparatively weak European backwater into a powerful state that in the coming centuries would dominate much of the world.

    But beyond these familiar images, which have come to define our perception of the age, Holbein was a multifaceted genius: a humanist, satirist, and political propagandist, and a deft man whose work was rich in layers of symbolism and allusion. In The King’s Painter, biographer Franny Moyle traces and analyzes the life and work of an extraordinary artist against the backdrop of an era of political turbulence and cultural transformation, to which his art offers a subtle and endlessly refracting mirror. It is a work of serious scholarship written for a wide audience.

    The concluding chapter by Amy de la Haye, covering the second half of the twentieth century, has now been updated by Andrew Tucker. He discusses the reinvention in the 1990s of the luxury label Gucci, the rise of houses such as Prada and Tommy Hilfiger, and the appointments of relatively avant-garde British, American, and European designers to head classic French houses. All the late-twentieth-century and turn-of-the-century style innovations are included, such as the appropriation of utility clothing by designers like Helmut Lang—who spearheaded the predominantly unisex urban sportswear look—and the impact of workplace dressing down on masculine fashion. The phenomenon of the must-have accessory—the pashmina shawl and the Fendi baguette, for example—is also considered.

    The latest in the best-selling Isms series, which includes Isms: Understanding Art, Isms: Understanding Architectural Styles and Isms: Understanding Religion, is Isms: Understanding Fashion. Concisely written, this book packs loads of detail into a handy small format, tracing the evolution of costume history and fashion through a series of interconnected trends and movements (a.k.a. "isms") from the Greco-Roman toga and the antebellum hoop skirt to the latest from the runway. This guide is organized chronologically and covers the evolution of costume, the beginning of haute couture, and the rise of fashion as we know it— documented throughout with a combination of line drawings, costume illustration, and fashion photography. It includes an overview of designers from the classic—Coco Chanel, Dior—to the contemporary design greats, such as Tom Ford and Marc Jacobs. While the book traces the influences and links between designers, it also includes patrons, from Marie-Antoinette to Jackie Kennedy and Princess Diana, as well as fashion muses from Sarah Bernhardt to Sarah Jessica Parker. Related topics such as accessories and accoutrements are included as well. Anyone interested in costume and fashion will delight in this book.

    A definitive study featuring each epoch and region, clearly discussed so that the novice can enjoy this volume as well as the scholar. A must for any student of the arts or anyone interested in how fashion has evolved.

    An alternative title, All is True, is recorded in contemporary documents, the title Henry VIII not appearing until the play's publication in the First Folio of 1623. Stylistic evidence indicates that individual scenes were written by either Shakespeare or his collaborator and successor, John Fletcher. It is also somewhat characteristic of the late romances in its structure. It is noted for having more stage directions than any of Shakespeare's other plays.[1]During a performance of Henry VIII at the Globe Theatre in 1613, a cannon shot employed for special effects ignited the theatre's thatched roof (and the beams), burning the original building to the ground.

    It is 1497. The news of the survival of Richard Plantagenet, Duke of York, has set royal houses ablaze with intrigue and rocked the fledgling Tudor dynasty. With the support of Scotland's King James IV, Richard-known to most of England as Perkin Warbeck-has come to reclaim his rightful crown from Henry Tudor. Stepping finally onto English soil, Lady Catherine Gordon has no doubt that her husband will succeed in his quest.But rather than assuming the throne, Catherine would soon be prisoner of King Henry VII, and her beloved husband would be stamped as an imposter. With Richard facing execution for treason, Catherine, alone in the glittering but deadly Tudor Court, must find the courage to spurn a cruel monarch, shape her own destiny, and win the admiration of a nation.

    She was never brought up to be a queen yet out of many possible choices, she was the bride Henry VIII chose as his fourth wife. Yet from their first meeting the king decided he liked her not and sought an immediate divorce. After just six months their marriage was annulled, leaving Anne one of the wealthiest women in England. This is the story of Anne's marriage to Henry, how the daughter of Cleves survived him and her life afterwards.

    For twenty-five years she had struggled to assert her authority over advisers, who pressed her to marry and settle the succession; now, she was determined not only to reign but to rule. In this magisterial biography, John Guy introduces us to a woman who is refreshingly unfamiliar: at once powerful and vulnerable, willful and afraid. We see her confronting challenges at home and abroad: war against France and Spain, revolt in Ireland, an economic crisis that triggers riots in the streets of London, and a conspiracy to place her cousin Mary Queen of Scots on her throne. For a while she is smitten by a much younger man, but can she allow herself to act on that passion and still keep her throne?  For the better part of a decade John Guy mined long-overlooked archives, scouring handwritten letters and court documents to sweep away myths and rumors. This prodigious historical detective work has enabled  him to reveal, for the first time, the woman behind the polished veneer: determined, prone to fits of jealous rage, wracked by insecurity, often too anxious to sleep alone. At last we hear her in her own voice expressing her own distinctive and surprisingly resonant concerns. Guy writes like a dream, and this combination of groundbreaking research and propulsive narrative puts him in a class of his own.