Set to open in New York in the fall of 2001, this work focuses on fifteen-year-old Lisa, the daughter of a prostitute, and Clint, the car thief she runs away with to escape the misery of life with her mother. But the happier times that sullenly childlike Lisa yearns for never materialize, as Clint orders her to procure young runaways for him. No one notices that these teenage girls are missing until an anonymous call to the police reports their murders. Could the caller--and the killer--be Lisa? Rebecca Gilman has created a riveting, unsentimental portrait of a young woman whose most striking quality is not her capacity for evil but the depth of her emptiness, in an environment as harsh and unyielding as the contours of her life

    Set in downtown New York City, Whores of Lost Atlantis features Julian Young, a performer and playwright who tells the story of his acting troupe's hilarious struggle to assemble an Off-Broadway production of Julian's play, Whores of Lost Atlantis, in which Julian acts in drag. The novel's unforgettable cast of characters includes Joel, a perfect English gentleman from Indiana; Roxie, an actress/librarian with moxie; Buster, a voluptuous young alcoholic; Camille, the fiery wig designer Julian considers having an affair with; Perry, Julian's best friend, with a weakness for plastic surgery and peroxide; and Kiko, the wonderfully wicked performance artist who tries to sabotage Julian's career. Getting his play produced proves to be a picaresque adventure with plenty of surprises, leaving the reader feverishly turning pages to see if the show can go on.

    Lemon tells the audience about the overwhelming influence in her life of her parents' friend "Aunt Dan," an eccentric, passionate professor whose stories and seductive opinions enthrall Lemon from the time she is a young girl. The relationship that develops between Lemon and Aunt Dan and the conversations that went on in a small house on the bottom of an English garden form the focus of this play about political orientation and the allure of certain ideas-even if they lead to murder. A forceful play exposing the banality of society's evil, Aunt Dan & Lemon explores the ease with which good and bad become reconciled in the human mind.

    Unlike Drummond, Carter believes there's more to starting a revolution than claiming the credit every time trouble breaks out on the rundown inner city London estates. Soon Drummond finds himself drawn into a local conflict between a crew of anarchists and a fascist fringe where events start to get murderously personal. As the tempo of bombings and assassinations speeds up all across London, from Whitehall to Brixton, it becomes increasingly difficult to distinguish the warring parties. Finally, as the plot races to its cataclysmic conclusion, anarchism and fascism are revealed as mirror images of each other. Stewart Home's ongoing satire of urban subcultures has never been so fierce, furious or entertaining.

    Theatre script, playbook

    (doubling possible.) / 5 ints. or unit set. Recently revived on Broadway to great acclaim, this is the rollicking tale of three down and out troupers who decide to head for Hollywood and try their luck with the newly invented talkies. Due to a series of consistent blunders, the most stupid of the three is carried to pinnacles of fame and fortune until he's literally made a god of the industry. It's a fast paced and wild romp and a marvelous spoof of tinsel land.

    

    He has two manuscripts but lacks the funds to publish both. His difficult decision--whether to publish his lover's memoir or the novel written by his best friend--is further complicated by the arrival of a mysterious machine that produces pages predicting the future of the play's protagonists, affecting their lives and relationships in haunting and unexpected ways. "The Violet Hour" opened on Broadway on November 6, 2003, starring Robert Sean Leonard.

    S. Eliot's last play, drafted originally in 1955 but not completed until three years later. Lord Claverton, an eminent former cabinet minister and banker, is helped to confront his past by the love of his daughter, his Antigone.The dialogue in The Elder Statesman, the love scenes in particular, contain some of Eliot's most tender and expressive writing for the theatre. The play was first performed at the Edinburgh Festival in 1958.

    Now she thought she knew who her hidden benefactor was -- John Grant, whom she loved at her first sight of him. But her heart betrayed her into a torment of indecision...of clouded love.

    One of his best-loved and most famous plays, it exposes the lies plaguing the family of a wealthy Southern planter of humble origins.

    I referred them to Doctor Who's Tardis.'Frank Skinner wants you to read more poetry. Wait, wait - don't stop reading. Whether you're a frequent poetry reader or haven't read any since sixth form, Frank's infectious passion for language, rhythm and metre will win you over and provide you with the basic tools you need to tackle any poem.In this short, easy-to-digest and delightful book, Frank guides us through the twists and turns of 'Pad, pad' by Stevie Smith, a short, seemingly simple poem that contains multitudes of meaning and a deceptive depth of emotion. Revel in the mastery of Stevie Smith's choice of words, consider the eternal mystery of the speaker of the poem and be moved by rhyming couplets like you never have before.Give it a go. You never know, you might even enjoy it.

    Her boss made a pass at her and she said no so she got a pink slip with her check. Julie's broke and disillusioned, so she drinks and turns on the stereo full blast to make the pain go away. Then her roommate comes home in the midst of an eating frenzy; her boyfriend has gone back to his wife so Alice has turned to food to forget. Julie suggests another way to vent their man

    Grace, a Native girl adopted by a White family, is asked by her birth sister to return to the Reserve for their mother’s funeral. Afraid of opening old wounds, Grace must find a place where the culture of her past can feed the truth of her present.

    This play, first staged at the Leicester Haymarket Theatre, is based on a tenth-century Jain myth about a king who finds his queen involved with an elephant-keeper.