She dreams of becoming a full-fledged Magus and pursuing magic as her calling as men do, but her family has staked everything to equip her for Bargaining Season, when young men and women of means descend upon the city to negotiate the best marriages. The Clayborns are in severe debt, and only she can save them, by securing an advantageous match before their creditors come calling. In a stroke of luck, Beatrice finds a grimoire that contains the key to becoming a Magus, but before she can purchase it, a rival sorceress swindles the book right out of her hands. Beatrice summons a spirit to help her get it back, but her new ally exacts a price: Beatrice’s first kiss . . . with her adversary’s brother, the handsome, compassionate, and fabulously wealthy Ianthe Lavan. The more Beatrice is entangled with the Lavan siblings, the harder her decision becomes: If she casts the spell to become a Magus, she will devastate her family and lose the only man to ever see her for who she is; but if she marries—even for love—she will sacrifice her magic, her identity, and her dreams. But how can she choose just one, knowing she will forever regret the path not taken?

    It's been five years since Wendy and her two brothers went missing in the woods, but when the town’s children start to disappear, the questions surrounding her brothers’ mysterious circumstances are brought back into light. Attempting to flee her past, Wendy almost runs over an unconscious boy lying in the middle of the road, and gets pulled into the mystery haunting the town.Peter, a boy she thought lived only in her stories, claims that if they don't do something, the missing children will meet the same fate as her brothers. In order to find them and rescue the missing kids, Wendy must confront what's waiting for her in the woods.

    One day, Heloise tells her son the truth about his father, a knight in King Arden’s court; about an older brother he never knew existed; about his father’s destructive love for King Arden’s queen; and, Heloise’s decision to raise her younger son alone.As Pierce journeys to Severluna, he learns that things are changing in that kingdom. Ancient magic is on the rise. The immensely powerful artifact of an ancient god has come to light, and the king is gathering his knights to quest for this profound mystery, which may restore the kingdom to legendary glory—or destroy it.

    She can’t imagine how waiting tables at a 24-hour pancake diner and moving in with too many weird roommates could possibly change that. And there’s certainly no chance of her subway commute being anything more than a daily trudge through boredom and electrical failures.But then, there’s this gorgeous girl on the train.Jane. Dazzling, charming, mysterious, impossible Jane. Jane with her rough edges and swoopy hair and soft smile, showing up in a leather jacket to save August’s day when she needed it most. August’s subway crush becomes the best part of her day, but pretty soon, she discovers there’s one big problem: Jane doesn’t just look like an old school punk rocker. She’s literally displaced in time from the 1970s, and August is going to have to use everything she tried to leave in her own past to help her. Maybe it’s time to start believing in some things, after all.Casey McQuiston’s One Last Stop is a magical, sexy, big-hearted romance where the impossible becomes possible as August does everything in her power to save the girl lost in time.

    Ever since she was a kid, Sal has been plagued by false visions of rain, and though people think she's a liar, she knows she's a leader. Even the arrival of enigmatic outsider Asa-a human-obsessed demon in disguise-doesn't shake her confidence in her ability. Until a terrible mistake results in both Sal and Asa's exile into the Desert of Dust and Steel.Face-to-face with a brutal, unforgiving landscape, Sal and Asa join a gang of girls headed by another Elysium exile-and young witch herself-Olivia Rosales. In order to atone for their mistake, they create a cavalry of magic powered, scrap metal horses to save Elysium from the coming apocalypse. But Sal, Asa, and Olivia must do more than simply tip the scales in Elysium's favor-only by reinventing the rules can they beat the Life and Death at their own game.

    But no one will admit that his death wasn't an accident—or that Mahit might be next to die, during a time of political instability in the highest echelons of the imperial court.Now, Mahit must discover who is behind the murder, rescue herself, and save her Station from Teixcalaan's unceasing expansion—all while navigating an alien culture that is all too seductive, engaging in intrigues of her own, and hiding a deadly technological secret—one that might spell the end of her Station and her way of life—or rescue it from annihilation.

       When Mrs. Sorensen’s husband dies, she rekindles a long-dormant love with an unsuitable mate in “Mrs. Sorensen and the Sasquatch.” In “Open the Door and the Light Pours Through,” a young man wrestles with grief and his sexuality in an exchange of letters with his faraway beloved. “Dreadful Young Ladies” demonstrates the strength and power—known and unknown—of the imagination.  In “Notes on the Untimely Death of Ronia Drake,” a witch is haunted by the deadly repercussions of a spell. “The Insect and the Astronomer” upends expectations about good and bad, knowledge and ignorance, love and longing. The World Fantasy Award–winning novella The Unlicensed Magician introduces the secret magical life of an invisible girl once left for dead—with thematic echoes of Barnhill’s Newbery Medal–winning novel, The Girl Who Drank the Moon.