The very wide audience which Rilke’s work commands today will welcome the reissue in paperback of this extremely perceptive translation of the Notebooks by M. D. Herter Norton. A masterly translation of one of the first great modernist novels by one of the German language's greatest poets, in which a young man named Malte Laurids Brigge lives in a cheap room in Paris while his belongings rot in storage. Every person he sees seems to carry their death within them and with little but a library card to distinguish him from the city's untouchables, he thinks of the deaths, and ghosts, of his aristocratic family, of which he is the sole living descendant. Suffused with passages of lyrical brilliance, Rilke's semi-autobiographical novel is a moving and powerful coming-of-age story.

    A German cruise ship turned refugee carrier, it was attacked by a Soviet submarine in January 1945. Some 9,000 people went down in the Baltic Sea, making it the deadliest maritime disaster of all time. Born to an unwed mother on a lifeboat the night of the attack, Paul Pokriefke is a middle-aged journalist trying to piece together the tragic events. While his mother sees her whole existence in terms of that calamitous moment, Paul wishes their life could have been less touched by the past. For his teenage son, who dabbles in the dark, far-right corners of the Internet, the Gustloff embodies the denial of Germany's wartime suffering. "Scuttling backward to move forward," Crabwalk is at once a captivating tale of a tragedy at sea and a fearless examination of the ways different generations of Germans now view their past.Winner of the Nobel Prize

    First, there are Kafka's own commentaries and entries in his diary. When he re-read the story, for instance, he noted that only he could penetrate to the core of the story which, much like a newborn child, "was covered with dirt and mucus as it came out of him"; he also commented in his diary that he wanted to write down all possible relationships within the story that were not clear to him when he originally wrote it. This is not surprising for a highly introverted writer like Kafka, but it does illustrate the enormous inner pressure under which he must have written "The judgment."

    In this novel, Wolf explodes the myth, offering modern readers a portrayal of a fiercely independent woman ensnared in a political battle.

    Plunging toward its riveting finale, Malina brutally lays bare the struggle for love and the limits of discourse between women and men.

    English translations of several of his works have appeared, but none hitherto of Cecile (1887), first of a brilliant trio of female portraits culminating in Effi Briest (1895). The Baroness von St Arnaud; a delicate beauty married to a retired army officer who neglects her, is a tantalising mystery to the much-travelled civil engineer von Gordon who makes her acquaintance at the fashionable spa of Thale in the Harz Mountains. The reader's curiosity, too, is more and more strongly aroused as a story of mutual sexual attraction unfolds. When the scene shifts to the bustling world of the capital and the sharply caricatured reactionary high society in which the St Arnauds move, Cecile's admirer's discovery of her past precipitates a grim climax. Fontane was in love with his female characters 'for their human qualities, that is, for their weaknesses and sins', as he put it. His commitment to female values in a changing but still starkly male-dominated society is conveyed in virtuoso handling of conversation and endlessly subtle and ironic depiction of Prussian attitudes.

    Unlike an earlier version adapted for the English-language stage, this translation adheres faithfully to the author's original play as it was published and performed in German.The action of The Visit takes place in the small town of Guellen, "somewhere in Central Europe." An elderly millionairesse, Claire Zachanassian, returns to Guellen, her home town, after an absence of many years. Merely on the promise of her millions, she shortly turns what has been a depressed area into a boom town. But there is a condition attached to her largess, which the natives of Guellen realize only after they have become enmeshed in her vengeful plot: murder. Out of these elements, Durrenmatt has fashioned a many-leveled play which is at once a macabre parable, a deeply moving tragedy, and a scathing indictment of the power of greed.

    It provides a vivid, poignant picture of life in Germany just before Hitler's takeover and focuses on a young married couple struggling to survive in the country's nightmarish inflation.

    We follow him from an orphaned childhood to the casual atrocities of occupying troops, through his own soldiering adventures, and up to his final vocation as a hermit alone on an island. Mike Mitchell's superb translation allows readers to enjoy more fully one of the great masterpieces of European literature and the first German bestseller.

    Soon Siggi is stealing the paintings to keep them safe from his father. Against the great brooding northern landscape. Siggi recounts the clash of father and son, of duty and personal loyalty, in wartime Germany. “I was trying to find out,” Lenz says, "where the joys of duty could lead a people"

    Kipphardt uses the facts taken from the published transcript to present some fundamental issues which face the world today--the conflict between the responsibility of the individual to his country and to humanity as a whole, the right of the patriot to express views at odds with those of his government without his loyalty being called into question.

    It is the only story in which Zweig looks at Nazism, and he does so with characteristic emphasis on the psychological.Travelers by ship from New York to Buenos Aires find that on board with them is the world champion of chess, an arrogant and unfriendly man. They come together to try their skills against him and are soundly defeated. Then a mysterious passenger steps forward to advise them and their fortunes change. How he came to possess his extraordinary grasp of the game of chess and at what cost lie at the heart of Zweig's story.This new translation of Chess Story brings out the work's unusual mixture of high suspense and poignant reflection.

    The guest of honor, an actor from the Burgtheater, is late. As the other guests wait impatiently, they are seen through the critical eye of the narrator, who begins a silent but frenzied, sometimes maniacal, and often ambivalent tirade against these former friends, most of whom were brought together by the woman whom they had buried that day. Reflections on Joana's life and suicide are mixed with these denunciations until the famous actor arrives, bringing a culmination to the evening for which the narrator had not even thought to hope."Mr. Bernhard's portrait of a society in dissolution has a Scandinavian darkness reminiscent of Ibsen and Strindberg, but it is filtered through with a minimalist prose. . . . Woodcutters offers an unusually strange, intense, engrossing literary experience."—Mark Anderson, New York Times Book Review"Musical, dramatic and set in Vienna, Woodcutters. . . .resembles a Strauss operetta with a libretto by Beckett."—Joseph Costes, Chicago Tribune"Thomas Bernhard, the great pessimist-rhapsodist of German literature . . . never compromises, never makes peace with life. . . . Only in the pure, fierce isolation of his art can he get justice."—Michael Feingold, Village Voice"In typical Bernhardian fashion the narrator is moved by hatred and affection for a society that he believes destroys the very artistic genius it purports to glorify. A superb translation."—Library Journal

    Everyone must submit medical data and sleep records to the authorities on a monthly basis, and regular exercise is mandatory. Mia is young and beautiful, a successful scientist who is outwardly obedient but with an intellect that marks her as subversive. Convinced that her brother has been wrongfully convicted of a terrible crime, Mia comes up against the full force of a regime determined to control every aspect of its citizens' lives.The Method, set in the middle of the twenty-first century, deals with pressing questions: to what extent can the state curtail the rights of the individual? And does the individual have a right to resist? Juli Zeh has written a thrilling and visionary book about our future, and our present.

    It follows Parzival from his boyhood and career as a knight in the court of King Arthur to his ultimate achievement as King of the Temple of the Grail, which Wolfram describes as a life-giving Stone. As a knight serving the German nobility in the imperial Hohenstauffen period, the author was uniquely placed to describe the zest and colour of his hero's world, with dazzling depictions of courtly luxury, jousting and adventure. Yet this is not simply a tale of chivalry, but an epic quest for spiritual education, as Parzival must conquer his ignorance and pride and learn humility before he can finally win the Holy Grail.