People thirst for it; the entire country is mad with desire for it...” A dying man’s cryptic letter to an enigmatic professor launches student Steven Roberts on an unwitting quest, shrouded in mystery, into the war-torn labyrinth of a disintegrating Eastern European country. Steven plunges into the maelstrom to unearth long-forgotten documents holding clues to an ancient Emperor’s deeply buried secret, an inconceivable and long-forgotten evil that has slumbered for centuries. Steven’s perilous journey stretches from Southern California’s sunny beaches, to the exotically dystopian city-scapes of Budapest, Belgrade, and Bosnia, as it plays out against a backdrop of events that occurred centuries before in the Balkans.Kirkus Reviews wrote: “In the glut of vampire-themed novels now on the market, Lyon’s debut stands out… skillful… authentic… fascinating… inspired… Lyon executes it perfectly... vivid... engaging... highly promising... sophisticated...”Meticulously researched and set against the background of collapsing Yugoslavia, “Kiss of the Butterfly” weaves Balkan folklore together with intricate historical threads from the 15th, 18th and 20th centuries to create a rich phantasmagorical tapestry of allegory and reality. It is about passion and betrayal, obsession and desire, the thirst for life and the hunger for death. And vampires – which have formed an integral part of Balkan folklore for over a thousand years – are portrayed in their original folkloric form, which differs dramatically from today’s pop culture creations.“Kiss of the Butterfly” is based on true historical events. In the year of his death, 1476, the Prince of Wallachia -- Vlad III (Dracula) -- committed atrocities under the cloak of medieval Bosnia’s forested mountains, culminating in a bloody massacre in the mining town of Srebrenica. A little over 500 years later, in July 1995, history repeated itself in Srebrenica, when nearly 8,000 people were slaughtered, making it the worst massacre Europe had seen since the Second World War. For most people, the two events seemed unconnected…From Kirkus ReviewsAs Yugoslavia disintegrates, an American bent on investigating Balkan vampire folklore becomes caught up in evils both supernatural and political.In Yugoslavia on a scholarship to study Balkan ethnography, graduate student Steven Roberts finds his research being directed toward vampires, which have a rich folkloric history in the region. Vampires, he learns, aren’t what Bram Stoker, Anne Rice and Hollywood said they were. For example, the folklore suggests that only newly made vampires are nocturnal, meaning that older ones should be harder to spot—though one of Steven’s professors notes that in 1992 Yugoslavia, it might be hard to tell the vampires from the thugs: “Haven’t you seen all the black jeeps and limousines with darkened windows? If I were a vampire, that would be the ideal way to travel around during daytime.” As Steven delves further into crumbling archives and into an underground labyrinth hiding vampiric secrets, he and his friends get caught up in a perilous confluence of events. Steven must confront his past, his loss of faith and how he might regain it, and his attraction to a mysterious, dangerous woman. He learns the truth about his professor Slatina, who in turn faces a crucial decision that will affect not just vampires but all of the Balkans. In the glut of vampire-themed novels now on the market, Lyon’s debut stands out for its skillful integration of authentic, fascinating myth with the political events of the early 1990s. Linking the horror of the supernatural with the horror of human violence is an inspired idea, and Lyon executes it perfectly. He evidently knows the area, its history and its languages, giving the reader vivid details not just of long-ago history but of the 1990s Balkans: socialist-chic shabbiness, ever-present cigarette smoke, the way every Serb that Steven meets has a cousin in Chicago, and the corrupt Milosevic government. “Slobo keeps prices low so people won’t complain,” a character nicknamed Bear says. “It’s okay if we don’t have gas, just so the gas we don’t have is cheap.” Steven can be irritatingly slow on the uptake, and the ending is less satisfying than it could be, since Lyon is apparently leaving room for sequels. Still, it’s a highly promising start with an engaging cast of characters.No capes, no glitter: a vampire novel for readers who value sturdy mythology and a sophisticated understanding of history, along with warmblooded, human connections.ReviewPublishers Weekly"A fast-pacedadventure into a modern heart of Balkan darkness... A truly original take on theblood-sucking undead." -Publishers Weekly "In the glut ofvampire-themed novels now on the market, Lyon's debut stands out... skillful... authentic...fascinating... inspired... Lyon executes it perfectly... vivid... engaging... sophisticated.... No capes, no glitter: a vampire novel for readers who value sturdymythology and a sophisticated understanding of history, along withwarmblooded, human connections." -Kirkus Reviews "A wonderfulsurprise...the modern day vampire mythos is completely shattered and restructuredas a truth, backed by historical fact...My heart and spirit stirred." -Horror-Web "A denouement ofaction and heart-pounding resolution... It was a wild ride to the ending,... If youliked "The Historian", you'll love Kiss of the Butterfly." -Vampire Romance Books"Immediately gratifying...a worthy addition to any vampire enthusiast's collection." -Vampires.com

    Reminiscent of the illustrated tales of old, here is a lyrical, atmospheric novel of the paranormal—and a chilling allegory for the nature of war. “Why do dead men rise up to torment the living?” Captain Henry Baltimore asks the malevolent winged creature. The vampire shakes its head. “It was you called us. All of you, with your war. The roar of your cannons shook us from our quiet graves…. You killers. You berserkers…. You will never be rid of us now.”When Lord Henry Baltimore awakens the wrath of a vampire on the hellish battlefields of World War I, the world is forever changed. For a virulent plague has been unleashed—a plague that even death cannot end.Now the lone soldier in an eternal struggle against darkness, Baltimore summons three old friends to a lonely inn—men whose travels and fantastical experiences incline them to fully believe in the evil that is devouring the soul of mankind.As the men await their old friend, they share their tales of terror and misadventure, and contemplate what part they will play in Baltimore’s timeless battle. Before the night is through, they will learn what is required to banish the plague—and the creature who named Baltimore his nemesis—once and for all.

    This spare, piercing, and unforgettable novel bridges two centuries and two intense love stories as Hannah and Conary's fate is interwoven with the tale of a marriage that took place in Dundee a hundred years earlier.

    You don't just kill vampires for the money, you do it for the satisfaction. You do it because somebody has to. You do it no matter what it does to you. And you drink'a lot. Some jobs just suck. This one bites.But nobody does it better than Jack Crow, the leader of VAMPIRE$ Inc. His crack team of hunters takes down the blood suckers with a lethal combination of cojones and crossbows.After members of Jack's team are ambushed and slaughtered; however, the survivors need to rethink their strategy. With a new recruit from the Vatican? A priest who's not afraid to wield a stake'and a sharpshooter loaded up with silver bullets, it's payback time. The only problem is that the vampires have no intention of going down easy. They have their own hit list, and Jack Crow's name is scrawled in blood right at the top.

    She's sixteen years old. She's the object of one man's ultimate fantasy. And she's one of the most "uniquely sensual and provocative" heroines to emerge from the "fearless" imagination of New York Times bestselling author Anne Rice.

    Some call her a witch. Others call her an angel. Even Mouse doesn’t know who—or what—she is. But she means to find out.When young King Ottakar shows up at the Abbey wounded by a traitor's arrow, Mouse breaks church law to save him and then agrees to accompany him back to Prague as his personal healer. Caught in the undertow of court politics at the castle, Ottakar and Mouse find themselves drawn to each other as they work to uncover the threat against him and to unravel the mystery of her past. But when Mouse's unusual gifts give rise to a violence and strength that surprise everyone—especially herself—she is forced to ask herself: Will she be prepared for the future that awaits her?A heart-thumping, highly original tale in the vein of Elizabeth Kostova's The Historian, Bohemian Gospel heralds the arrival of a fresh new voice for historical fiction.

    "Exquisitely suspenseful, beautifully written, and highly recommended."-Lee Child "Visually acute, skillfully written; it won't easily erase its tracks in the reader's mind."- Hilary Mantel"Wolf winter,'" she said, her voice small. "I wanted to ask about it. You know, what it is."He was silent for a long time. "It's the kind of winter that will remind us we are mortal," he said. "Mortal and alone."Swedish Lapland, 1717. Maija, her husband Paavo and her daughters Frederika and Dorotea arrive from their native Finland, hoping to forget the traumas of their past and put down new roots in this harsh but beautiful land. Above them looms Blackåsen, a mountain whose foreboding presence looms over the valley and whose dark history seems to haunt the lives of those who live in its shadow.While herding the family's goats on the mountain, Frederika happens upon the mutilated body of one of their neighbors, Eriksson. The death is dismissed as a wolf attack, but Maija feels certain that the wounds could only have been inflicted by another man. Compelled to investigate despite her neighbors' strange disinterest in the death and the fate of Eriksson's widow, Maija is drawn into the dark history of tragedies and betrayals that have taken place on Blackåsen. Young Frederika finds herself pulled towards the mountain as well, feeling something none of the adults around her seem to notice.As the seasons change, and the "wolf winter," the harshest winter in memory, descends upon the settlers, Paavo travels to find work, and Maija finds herself struggling for her family's survival in this land of winter-long darkness. As the snow gathers, the settlers' secrets are increasingly laid bare. Scarce resources and the never-ending darkness force them to come together, but Maija, not knowing who to trust and who may betray her, is determined to find the answers for herself. Soon, Maija discovers the true cost of survival under the mountain, and what it will take to make it to spring.

    In Norse Mythology, Gaiman stays true to the myths in envisioning the major Norse pantheon: Odin, the highest of the high, wise, daring, and cunning; Thor, Odin’s son, incredibly strong yet not the wisest of gods; and Loki—son of a giant—blood brother to Odin and a trickster and unsurpassable manipulator.Gaiman fashions these primeval stories into a novelistic arc that begins with the genesis of the legendary nine worlds and delves into the exploits of deities, dwarfs, and giants. Through Gaiman’s deft and witty prose, these gods emerge with their fiercely competitive natures, their susceptibility to being duped and to duping others, and their tendency to let passion ignite their actions, making these long-ago myths breathe pungent life again.

    In the isolated Cape Cod village of Prospect, the Gilly sisters are as different as can be. Jo, a fierce and quiet loner, is devoted to the mysteries of her family's salt farm, while Claire is popular, pretty, and yearns to flee the salt at any cost. But the Gilly land hides a dark legacy that proves impossible to escape. Although the community half-suspects the Gilly sisters might be witches, it doesn't stop Whit Turner, the town's wealthiest bachelor, from forcing his way into their lives. It's Jo who first steals Whit's heart, but it is Claire--heartbroken over her high school sweetheart--who marries him. Years later, estranged from her family, Claire finds herself thrust back onto the farm with the last person she would have chosen: her husband's pregnant mistress. Suddenly, alliances change, old loves return, and new battle lines are drawn. What the Gilly sisters learn about each other, the land around them, and the power of the salt, will not only change each of their lives forever, it will also alter Gilly history for good.

    The truth about that summer, no one else knows.In the summer of 1862, a group of young artists led by the passionate and talented Edward Radcliffe descends upon Birchwood Manor on the banks of the Upper Thames. Their plan: to spend a secluded summer month in a haze of inspiration and creativity. But by the time their stay is over, one woman has been shot dead while another has disappeared; a priceless heirloom is missing; and Edward Radcliffe’s life is in ruins.Over one hundred and fifty years later, Elodie Winslow, a young archivist in London, uncovers a leather satchel containing two seemingly unrelated items: a sepia photograph of an arresting-looking woman in Victorian clothing, and an artist’s sketchbook containing the drawing of a twin-gabled house on the bend of a river.Why does Birchwood Manor feel so familiar to Elodie? And who is the beautiful woman in the photograph? Will she ever give up her secrets?

    For two hundred years he has wandered the world, enslaved by his lunatic appetites and tormented by the memory of his first and most monstrous crime. Now, the last of his kind, he knows he cannot go on.But as Jake counts down to suicide, a violent murder and an extraordinary meeting plunge him straight back into the desperate pursuit of life — and love.Sexy, smart, bloody and heartbreaking, The Last Werewolf takes literature by the throat.

    Now, after his death, his sons have taken up his work. But what they discover is beyond what they could have expected. For the Wood is a realm where myths gain flesh and blood, tapping primal fears and desires subdued through the millennia. A realm where love and beauty haunt your dreams -- and may drive you insane. Mythago Wood won the World Fantasy Award on its first publication in 1984, and secured Robert Holdstock's reputation as one of the major fantasy writers of our time. Now it returns to print in America for the first time in nearly a decade.

    Each story contains the common elements of the gothic tale--a warped sense of time, a claustrophobic setting, a link to archaic modes of thought, and the impression of a descent into disintegration. Yet taken together, they reveal the progression of the genre from stories of feudal villains amid crumbling ruins to a greater level of sophistication in which writers brought the gothic tale out of its medieval setting, and placed it in the contemporary world. Bringing together the work of such writers as Eudora Welty, Thomas Hardy, Edgar Allan Poe, William Faulkner, Arthur Conan Doyle, Joyce Carol Oates, and Jorge Luis Borges, The Oxford Book of Gothic Tales presents a wide array of the sinister and unsettling for all lovers of ghost stories, fantasy, and horror.

    Unsettled by a sense of intense evil within the house, she soon becomes obsessed with the belief that malevolent forces are stalking the children in her care. Obsession of a more worldly variety lies at the heart of The Aspern Papers, the tale of a literary historian determined to get his hands on some letters written by a great poet-and prepared to use trickery and deception to achieve his aims. Both works show James's mastery of the short story and his genius for creating haunting atmosphere and unbearable tension.Anthony Curtis's wide-ranging introduction traces the development of the two stories from initial inspiration to finished work and examines their critical reception.

    The Guild, a secretive fraternity of time travellers, informs him that there is no return. But Nick yearns for the beautiful Julia Percy, who remains in 1815. As fate and the fraying fabric of time draw Nick and Julia together once again, the lovers must match wits and gamble their hearts against the rules of time itself.  Rich in romance and historical detail, Bee Ridgway’s debut is a thrilling, fast-paced narrative evocative of Deborah Harkness’s time-bending bestsellers.