Her new guardian, her uncle Sir Benjamin, is kind and funny; the Manor itself feels like home right away; and every person and animal she meets is like an old friend. But there is something incredibly sad beneath all of this beauty and comfort, that shadowing Moonacre Manor and the town around it. Maria is determined to learn about it, change it, and give her own life story a happy ending.The enchanted valley of Moonacre is shadowed by a tragedy that happened years ago, and the memory of the Moon Princess and the mysterious little white horse. Determined to restore peace and happiness to the whole of Moonacre Valley, Maria finds herself involved with an ancient feud, and she discovers it is her destiny to end it and right the wrongs of her ancestors. Maria usually gets her own way. But what can one solitary girl do?A new-fashioned fantasy story that is as wonderful as the best classic fairy tales.(The 1994 mini-series "Moonacre" and 2008 movie "The Secret of Moonacre" and the are both based on this book.)

    Vicky Austin and her siblings must adjust to the presence of a new member of the household-Maggy Hamilton, who is orphaned when her father is killed in a plane crash. Maggy is at first petulant and spoiled, but gradually opens her heart to the Austins to become one of the family.

    Four years later, Alfie doesn't know where his father might be, other than that he's away on a special, secret mission.Then, while shining shoes at King's Cross Station, Alfie unexpectedly sees his father's name - on a sheaf of papers belonging to a military doctor. Bewildered and confused, Alfie realises his father is in a hospital close by - a hospital treating soldiers with an unusual condition. Alfie is determined to rescue his father from this strange, unnerving place . . .

    When diphtheria strikes the village and the children of Clifton start dying, Jessie's mother sends her on a dangerous mission to bring back help. But beyond the walls of Clifton, Jessie discovers a world even more alien and threatening than she could have imagined, and soon she finds her own life in jeopardy. Can she get help before the children of Clifton, and Jessie herself, run out of time?

    In Greenmarsh, Massachusetts, in 1774, thirteen-year-old Prudence keeps a diary of the troubles she and her family face as Tories surrounded by American patriots at the start of the American Revolution.

    In an adventure equal to any a storyteller might relate, a crippled serving girl faces the intrigues of the harem, the dangers of the streets, and the anger of the Sultan himself to find the needed ending to an incomplete story.

    But Sara is much missed - and most acutely by best friend Ermengarde, who laments that 'nothing is the same as it was before'. But life must go on at Miss Minchin's as new friendships are made, rivalries continued, lessons learned and, most importantly, fairytale endings are had.

    I have the whole night ahead of me, and I won't waste a single moment of it . . . I want tonight to be long, as long as my life . . ." For young Private Peaceful, looking back over his childhood while he is on night watch in the battlefields of the First World War, his memories are full of family life deep in the countryside: his mother, Charlie, Big Joe, and Molly, the love of his life. Too young to be enlisted, Thomas has followed his brother to war and now, every moment he spends thinking about his life, means another moment closer to danger.

    749, through the eyes of Princess Green Jay, Lady of Palenque.A political marriage is arranged between the thirty-three-year-old king of Xukpip and Princess Green Jay, the thirteen-year-old daughter of the king of Lakamha. The two are paired because of similar horoscopes -- and Green Jay possesses skills that will be valuable to her husband-to-be: She can read and write. Author Anna Kirwan relates fascinating aspects of ancient Mayan culture as she shares the young princess's physical and emotional state from the betrothal, with its distressing rituals, through her arduous journey to a foreign land and people, and a husband who is a complete stranger.

    That is, until the day a strange green sprite leads him to Gawain, King Arthur's nephew, who is on his way to Camelot hoping to be knighted. Trevisant can see the future and knows that Terence must leave to serve as Gawain's squire. From that moment on, Terence's life is filled with heart-stopping adventure as he helps damsels-in-distress, fights battles with devious men, and protects King Arthur from his many enemies. Along the way, Terence is amazed at his skills and new-found magical abilities. Were these a gift from his unknown parents? As Gawain continues his quest for knighthood, Terence searches for answers to the riddles in his own past.

    The pilgrims -- called Coat-men by the Wampanoag -- have settled here in the natives' territory at Patuxit, a place that the Pilgrims have renamed Plymouth. Weetamoo's father, Corbitant, is sachem, or chief, of the Pocassets. He is mistrustful of the colonists and imparts his beliefs about them to his daughter, who is next in line to become chief. Weetamoo must learn the fundamental values and disciplines of a true Pocasset chief.

    But though the lake is long gone and the resort faded away, the houses still hold a secret life: two people who have never left Gone-Away...and who can tell the story of what happened there.

    She knows about the young girl who burned at the stake--and the bloody feud between two families that caused the unspeakable horror that has lasted 300 years!She knows, and she wants to tell.Are you sure you want to hear it?

    Unfortunately, she left no provision for their guardianship in her will. Her solicitor comes up with a preposterous plan: he will arrange for the children to join a group of schoolchildren who are being evacuated to a village in the country, where they will live with families for the duration of the war. He also hopes that whoever takes the children on might end up willing to adopt them and become their new family--providing, of course, that the children can agree on the choice.Moving from one family to another, the children suffer the cruel trickery of foster brothers, the cold realities of outdoor toilets, and the hollowness of empty tummies. They seek comfort in the village lending library, whose kind librarian, Nora Muller, seems an excellent candidate--except that she has a German husband whose whereabouts are currently unknown. Nevertheless, Nora's cottage is a place of bedtime stories and fireplaces, of vegetable gardens and hot, milky tea. Most important, it's a place where someone thinks they all three hung the moon. Which is really all you need in a mom, if you think about it.Fans of The War That Saved My Life and other World War II fiction will find an instant classic in A Place to Hang the Moon.

    Consisting of a series of episodes in the story of the English outlaw Robin Hood and his band of Merry Men, the novel compiles traditional material into a coherent narrative in a colorful, invented "old English" idiom that preserves some flavor of the ballads, and adapts it for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century.[1]Pyle had been submitting illustrated poems and fairy tales to New York publications since 1876, and had met with success. The Merry Adventures of Robin Hood was the first novel he attempted. He took his material from Middle Age ballads and wove them into a cohesive story, altering them for coherence and the tastes of his child audience. For example, he included "Robin Hood and the Curtal Friar" in the narrative order to reintroduce Friar Tuck. He needed a cooperative priest for the wedding of outlaw Allan a Dale (Pyle's spelling of the original Alan-a-Dale) to his sweetheart Ellen. In the original "A Gest of Robyn Hode", the life is saved of an anonymous wrestler who had won a bout but was likely to be murdered because he was a stranger. Pyle adapted it and gave the wrestler the identity of David of Doncaster, one of Robin's band in the story "Robin Hood and the Golden Arrow." In his novelistic treatment of the tales, Pyle thus developed several characters who had been mentioned in only one ballad, such as David of Doncaster or Arthur a Bland. Pyle's book continued the 19th-century trend of portraying Robin Hood as a heroic outlaw who robs the rich to feed the poor; this portrayal contrasts with the Robin Hood of the ballads, where the protagonist is an out-and-out crook, whose crimes are motivated by personal gain rather than politics or a desire to help others.[1] For instance, he modified the ballad "Robin Hood's Progress to Nottingham", changing it from Robin killing fourteen foresters for not honoring a bet to Robin defending himself against a band of armed robbers. Pyle has Robin kill only one man, who shoots at him first. Tales are changed in which Robin steals all that an ambushed traveler carried, such as "Robin Hood and the Bishop of Hereford", so that the victim keeps a third and another third is dedicated to the poor. Pyle did not have much concern for historical accuracy, but he renamed the queen-consort in the story "Robin Hood and Queen Katherine" as Eleanor (of Aquitaine). This made her compatible historically with King Richard the Lion-Hearted, with whom Robin eventually makes peace. The novel was first published by Scribner's in 1883, and met with immediate success,[1] ushering in a new era of Robin Hood stories. It helped solidify the image of a heroic Robin Hood, which had begun in earlier works such as Walter Scott's 1819 novel Ivanhoe. In Pyle's wake, Robin Hood has become a staunch philanthropist protecting innocents against increasingly aggressive villains.[1] Along with the publication of the Child Ballads by Francis James Child, which included most of the surviving Robin Hood ballads, Pyle's novel helped increase the popularity of the Robin Hood legend in the United States. The Merry Adventures also had an effect on subsequent children's literature. It helped move the Robin Hood legend out of the realm of penny dreadfuls and into the realm of respected children's books.[2] After Pyle, Robin Hood became an increasingly popular subject for children's books: Louis Rhead's Bold Robin Hood and His Outlaw Band (1912) and Paul Creswick's Robin Hood (1917), illustrated by Pyle's pupil N. C.