Rutherford Calhoun, a newly freed slave and irrepressible rogue, is desperate to escape unscrupulous bill collectors and an impending marriage to a priggish schoolteacher. He jumps aboard the first boat leaving New Orleans, the Republic, a slave ship en route to collect members of a legendary African tribe, the Allmuseri. Thus begins a daring voyage of horror and self-discovery.Peopled with vivid and unforgettable characters, nimble in its interplay of comedy and serious ideas, this dazzling modern classic is a perfect blend of the picaresque tale, historical romance, sea yarn, slave narrative, and philosophical novel.

    In classic Western style Larry McMurtry illustrates the timeless conflict between the modernity and the Old West through the eyes of Texas cattlemen.Horseman, Pass By tells the story of Homer Bannon, an old-time cattleman who epitomizes the frontier values of honesty and decency, and Hud, his unscrupulous stepson. Caught in the middle is the narrator, Homer's young grandson Lonnie, who is as much drawn to his grandfather’s strength of character as he is to Hud's hedonism and materialism. When first published in 1961, Horseman, Pass By caused a sensation in Texas literary circles for its stark, realistic portrayal of the struggles of a changing West in the years following World War II. Never before had a writer managed to encapsulate its environment with such unsentimental realism. Today, memorable characters, powerful themes, and illuminating detail make Horseman, Pass By vintage McMurtry.

    She is an artist who evokes the wonder, terror, and heartache of her native Haiti--and the enduring strength of Haiti's women--with a vibrant imagery and narrative grace that bear witness to her people's suffering and courage.When Haitians tell a story, they say "Krik?" and the eager listeners answer "Krak!" In Krik? Krak! Danticat establishes herself as the latest heir to that narrative tradition with nine stories that encompass both the cruelties and the high ideals of Haitian life. They tell of women who continue loving behind prison walls and in the face of unfathomable loss; of a people who resist the brutality of their rulers through the powers of imagination. The result is a collection that outrages, saddens, and transports the reader with its sheer beauty.

    At once a love story & a harrowing account of one man’s long walk home, Cold Mountain introduces a new talent in American literature.Based on local history & family stories passed down by Frazier’s great-great-grandfather, Cold Mountain is the tale of a wounded Confederate soldier, Inman, who walks away from the ravages of the war & back home to his prewar sweetheart, Ada. His odyssey thru the devastated landscape of the soon-to-be-defeated South interweaves with Ada’s struggle to revive her father’s farm, with the help of an intrepid young drifter named Ruby. As their long-separated lives begin to converge at the close of the war, Inman & Ada confront the vastly transformed world they’ve been delivered.Frazier reveals insight into human relations with the land & the dangers of solitude. He also shares with the great 19th century novelists a keen observation of a society undergoing change. Cold Mountain recreates a world gone by that speaks to our time.

    In it Malamud, usually appreciated for his unerring portrayals of postwar Jewish life, took on very different material—the story of a superbly gifted "natural" at play in the fields of the old daylight baseball era—and invested it with the hardscrabble poetry, at once grand and altogether believable, that runs through all his best work. Four decades later, Alfred Kazin's comment still holds true: "Malamud has done something which—now that he has done it!—looks as if we have been waiting for it all our lives. He has really raised the whole passion and craziness and fanaticism of baseball as a popular spectacle to its ordained place in mythology."

    Carefully (and also illegally), he tapped into the main irrigation channel. And so began-though few knew it at the time-the Milagro beanfield war. But like everything else in the dirt-poor town of Milagro, it would be a patchwork war, fought more by tactical retreats than by battlefield victories. Gradually, the small farmers and sheepmen begin to rally to Joe's beanfield as the symbol of their lost rights and their lost lands. And downstate in the capital, the Anglo water barons and power brokers huddle in urgent conference, intent on destroying that symbol before it destroys their multimillion-dollar land-development schemes. The tale of Milagro's rising is wildly comic and lovingly ter, a vivid portrayal of a town that, half-stumbling and partly prodded, gropes its way toward its own stubborn salvation.

    In it, he shares acrid and poignant stories of blacks colliding--sometimes humorously, but often tragically--with whites throughout the 1920s and 1930s.The book consists of fourteen moving stories:"Cora Unashamed""Slave on the Block""Home""Passing""A Good Job Gone""Rejuvenation Through Joy""The Blues I'm Playing""Red-Headed Baby""Poor Little Black Fellow""Little Dog""Berry""Mother and Child""One Christmas Eve""Father and Son"

    Sir Gawain is a romance, a fairy-tale for adults, full of life and colour; but it is also much more than this, being at the same time a powerful moral tale which examines religious and social values.Pearl is apparently an elegy on the death of a child, a poem pervaded with a sense of great personal loss: but, like Gawain it is also a sophisticated and moving debate on much less tangible matters.Sir Orfeo is a slighter romance, belonging to an earlier and different tradition. It was a special favourite of Tolkien's. The three translations represent the complete rhyme and alliterative schemes of the originals.

    Malory interprets existing French and English stories about these figures and adds original material (e.g., the Gareth story). Le Morte d'Arthur was first published in 1485 by William Caxton, and is today one of the best-known works of Arthurian literature in English. Many modern Arthurian writers have used Malory as their principal source, including T. H. White in his popular The Once and Future King and Tennyson in The Idylls of the King.

    Like his other works, Arms and the Man questions conventional values and uses war and love as his satirical targets.This edition of Arms and the Man is in the form of a paperback book.

    A general introduction providing historical and cultural background, a chronology of Davis' life and times, an introduction to each thematic group of documents, headnotes, extensive annotations, a generous selection of illustrations, and a selected bibliography make this volume the definitive scholarly text of this classic work of industrial fiction.---- Life in the iron-mills: the complete text --Introduction: cultural and historical background --A note on the text --Life in the iron-mills (1861 Atlantic Monthly edition) --Life in the iron-mills: cultural context --Work and class --The village blacksmith / Henry Wadsworth Longfellow --That aristocracy may be engendered by manufactures / Alexis de Tocqueville --Iron interests of wheeling / A.W. Campbell --Senate testimony from iron foundry proprietor / John Roach --In Soho on Saturday night (song) / Anonymous --Perils- immigration / Josiah Strong --The Anglo-Saxon and the world's future / Josiah Strong --Senate testimony on the kitchen garden movement / Anna Gordon --Ten nights in a bar-room (excerpt) / T.S. Arthur --The Quaker of the olden time / John Greenleaf Whittier --The Quaker settlement (from uncle tom's cabin) / Harriet Beecher Stowe --Looking Backward: 2000-1887 (excerpt) / Edward Bellamy --Art and artists --An inquiry into the art-conditions and prospects of America / James Jackson Jarves --Art thoughts (excerpt) / James Jackson Jarves --Hints to American artists / Anonymous --Conversations in a studio (excerpt)William Wetmore Story --The Stewart art gallery / Anonymous --The process of sculpture / Anonymous --The Greek slave / Anonymous --A sculptor's studio (from the marble faun) / Nathaniel Hawthorne --Roderick Hudson (excerpt) / Henry James --/ Senate testimony on the arts and art education in the United States / Wilson McDonald --Senate testimony on industrial art schools for women / Florence Elizabeth Cory --Women and writing: the public platform --Letter to George D. Ticknor / Nathaniel Hawthorne --The great lawsuit (excerpt) / Margaret Fuller --St. Elmo (excerpt) / Augusta Evans Wilson --Literary women / Caroline Kirkland --Ruth Hall (excerpt) / Fanny Fern --A New England girlhood (excerpt) / Lucy Larcom --Little Women (excerpt) / Louisa May Alcott --Life and letters of Harriet Beecher Stowe (excerpt) / Annie Fields.

    Cerf chose the most famous and representative stories from Sir Richard F. Burton's multivolume translation, and includes Burton's extensive and acclaimed explanatory notes. The tales of told by Shahrazad over a thousand and one nights to delay her execution by the vengeful King Shahriyar have become among the most popular in both Eastern and Western literature, as recounted by Sir Francis Burton. From the epic adventures of "Aladdin and the Enchanted Lamp" to the farcical "Young Woman and her Five Lovers" and the social criticism of "The Tale of the Hunchback", the stories depict a fabulous world of all-powerful sorcerers, jinns imprisoned in bottles and enchanting princesses. But despite their imaginative extravagance, the Tales are anchored to everyday life by their realism, providing a full and intimate record of medieval Islam.'

    B. Guthrie Jr.'s epic adventure novels set in the American West. Here he introduces Boone Caudill, Jim Deakins, and Dick Summers: traveling the Missouri River from St. Louis to the Rockies, these frontiersmen live as trappers, traders, guides, and explorers. The story centers on Caudill, a young Kentuckian driven by a raging hunger for life and a longing for the blue sky and brown earth of big, wild places. Caught up in the freedom and savagery of the wilderness, Caudill becomes an untamed mountain man, whom only the beautiful daughter of a Blackfoot chief dares to love.

    It comes down broad and ale-coloured and joins the Saint Lawrence, the two streams embrace the pan of Montreal Island, the Ottawa merges and loses itself, and the main-stream moves northeastward a thousand miles to sea.”With these words Hugh MacLennan begins his powerful saga of Athanase Tallard, the son of an aristo-cratic French-Canadian tradition, of Kathleen, his beautiful Irish wife, and of their son Paul, who struggles to establish a balance in himself and in the country he calls home.First published in 1945, and set mostly in the time of the First World War, Two Solitudes is a classic novel of individuals working out the latest stage in their embroiled history.

    The details of Arthur's story are mainly composed of folklore and literary invention, and his historical existence is debated and disputed by modern historians. The sparse historical background of Arthur is gleaned from various sources, including the Annales Cambriae, the Historia Brittonum, and the writings of Gildas. Arthur's name also occurs in early poetic sources such as Y Gododdin. The legendary Arthur developed as a figure of international interest largely through the popularity of Geoffrey of Monmouth's fanciful and imaginative 12th-century Historia Regum Britanniae (History of the Kings of Britain). However, some Welsh and Breton tales and poems relating the story of Arthur date from earlier than this work; in these works, Arthur appears either as a great warrior defending Britain from human and supernatural enemies or as a magical figure of folklore, sometimes associated with the Welsh Otherworld, Annwn. How much of Geoffrey's Historia (completed in 1138) was adapted from such earlier sources, rather than invented by Geoffrey himself, is unknown. Although the themes, events and characters of the Arthurian legend varied widely from text to text, and there is no one canonical version, Geoffrey's version of events often served as the starting point for later stories. Geoffrey depicted Arthur as a king of Britain who defeated the Saxons and established an empire over Britain, Ireland, Iceland, Norway and Gaul. In fact, many elements and incidents that are now an integral part of the Arthurian story appear in Geoffrey's Historia, including Arthur's father Uther Pendragon, the wizard Merlin, the sword Excalibur, Arthur's birth at Tintagel, his final battle against Mordred at Camlann and final rest in Avalon. The 12th-century French writer Chretien de Troyes, who added Lancelot and the Holy Grail to the story, began the genre of Arthurian romance that became a significant strand of medieval literature. In these French stories, the narrative focus often shifts from King Arthur himself to other characters, such as various Knights of the Round Table. Arthurian literature thrived during the Middle Ages but waned in the centuries that followed until it experienced a major resurgence in the 19th century. In the 21st century, the legend lives on, not only in literature but also in adaptations for theatre, film, television, comics and other media. The Sir James Knowles version of King Arthur is considered as the most accurate and well known original story of King Arthur and the Knights of the Round Table.