Smoulder


Cecilia Lane - 2016
    or fated to fight? Dragon shifter Rafael Hart, one of three elite Dragonsworn guards, will not accept failure. He must protect the royal family from any and all threats, including their ancient enemy: dragon slayers. When one infiltrates their lair, it’s his job to destroy the threat even if her scent is as enticing as her lush curves. Lola Moreau hails from a line of dragon slayers, but her quiet life producing weapons for the cause is thrown into disarray with the threat of an arranged marriage. Seeking to prove her new weapons are too valuable to discontinue her work, Lola sneaks into dragon territory to test them. Her mission goes spectacularly wrong when she’s captured by an irresistible foe. Despite her upbringing, Lola can’t help warming to the sexy dragon who keeps her close. The heat between them is undeniable and makes her question everything she thinks she knows about shifters. When an old threat returns to wreak havoc, Rafe must determine if Lola is behind the latest attacks. And if she can be trusted, which way will she turn when she’s caught between the man she’s grown to love and the family that wants to destroy him?

Singin' in the Rain


Peter Wollen - 1992
    Yet despite dazzling success with the public, it never received its fair share of praise from the critics. Gene Kelly's genius as a performer is there for all to see. What is less acknowledged is his innovatory contribution as director. Peter Wollen has finally done justice to this landmark film. In a brilliant shot-by-shot analysis of the famous title number, illustrated by specially produced frame stills, he shows how skillfully Kelly binds the dance and musical elements into the narrative, and how he successfully combines two distinctive traditions within American Dance, tap and ballet.Scriptwriters Betty Comden and Adolph Green, and indeed Kelly himself, were all under threat from the McCarthyism which menaced Hollywood at this time. The ethos in which the film was conceived could not long survive in the era of blacklisting. Wollen argues convincingly that "Singin' in the Rain" was the high point in the careers of those who worked on it.