But soon a shocking betrayal will unite all three in a desperate quest.... The last of his line, Dill is descended from legendary Battle-archons who once defended the city. Forbidden to fly and untrained even to wield the great sword inherited from his forebears, he has become a figurehead for a dying tradition. Now he lives a sheltered existence in one of Deepgate's crumbling temple spires under the watchful eye of the Presbyter who rules the city. Spine assassin Rachel Hael has better things to do than oversee the Presbyter's angel. Each dark moon she must fight for her life among the city chains, hunting an immortal predator with a taste for blood. But when a traitor brings enemies to Deepgate's doorstep, Dill and Rachel are forced into an uneasy alliance with the city's oldest and most dangerous foe. They must journey down into the uncharted chasm to save their sprawling metropolis--and themselves--from annihilation. Once they descend however, they learn that what lies below is far more sinister than what they've been taught to expect.

    At the edges of the world stand walls of ice which push slowly forward to reclaim the land for the night. And at the world's center, in the Holy Land where two great religions were born, are the Wells of Ihrain, the source of the greatest magics. Over the last century the Patriarchs of the West have demanded crusades to claim the Wells from the Pramans, the followers of the Written. Now an uneasy truce extends between the Pramans and the West, waiting for a spark to start the conflict anew. Then, on a mission in the Holy Land, the young Praman warrior Else is attacked by a creature of the Dark-in effect, a minor god. Too ignorant to know that he can never prevail over such a thing, he fights it and wins, and in so doing, sets the terrors of the night against him. As a reward for his success, Else is sent as a spy to the heart of the Patriarchy to direct their attention away from further ventures into the Holy Lands. Dogged by hidden enemies and faithless allies, Else witnesses senseless butchery and surprising acts of faith as he penetrates to the very heart of the Patriarchy and rides alongside their armies in a new crusade against his own people. But the Night rides with him, too, sending two of its once-human agents from the far north to assassinate him. Submerged in his role, he begins to doubt his faith, his country, even his family. As his mission careens out of control, he faces unanswerable questions about his future. It is said that God will know his own, but can one who has slain gods ever know forgiveness? In The Tyranny of the Night, Glen Cook introduces a new fantasy epic for the ages.

    In the first installment, Carter wins the affections of the "princess of Mars" and the respect of the Martian warlords whom he befriends. The excitement continues in The Gods of Mars when Carter engages the Black Pirates in airborne combat above the dead seas of Mars and leads a revolt to free the Martian races from a religion that thrives on living sacrifices. In the third book, Warlord of Mars, Carter overcomes the forces of evil that would destroy the planet. By the end of the trilogy the Martians all clamor for a triumphant John Carter to be their king.About the Author:Born in Chicago, Illinois, on September 1, 1875, Edgar Rice Burroughs grew to maturity during the height of the Industrial Revolution and witnessed the emergence of the United States as a twentieth-century world power. Hailing from a well-to-do family, Burroughs was given an aristocratic education steeped in Latin and Greek, but he was drawn more to an itinerant life of adventure than to a life in the boardroom. The author of Tarzan of the Apes (1912), Burroughs did not confine himself to a single genre; he also wrote medieval romances (The Outlaw of Torn, 1914), westerns (The War Chief of the Apaches, 1927), and mainstream novels (The Girl from Hollywood, 1922).

    You will learn and grow and strive to be excellent." Created as an experiment by the time-traveling goddess Pallas Athene, the Just City is a planned community, populated by over ten thousand children and a few hundred adult teachers from all eras of history, along with some handy robots from the far human future--all set down together on a Mediterranean island in the distant past.The student Simmea, born an Egyptian farmer's daughter sometime between 500 and 1000 A.D, is a brilliant child, eager for knowledge, ready to strive to be her best self. The teacher Maia was once Ethel, a young Victorian lady of much learning and few prospects, who prayed to Pallas Athene in an unguarded moment during a trip to Rome--and, in an instant, found herself in the Just City with grey-eyed Athene standing unmistakably before her.Meanwhile, Apollo--stunned by the realization that there are things mortals understand better than he does--has arranged to live a human life, and has come to the City as one of the children. He knows his true identity, and conceals it from his peers. For this lifetime, he is prone to all the troubles of being human.Then, a few years in, Sokrates arrives--the same Sokrates recorded by Plato himself--to ask all the troublesome questions you would expect. What happens next is a tale only the brilliant Jo Walton could tell.

    A widower of high intelligence, he presides over an empire called Acacia, after the idyllic island from which he rules. He dotes on his four children and hides from them the dark realities of traffic in drugs and human lives on which their prosperity depends. He hopes that he might change this, but powerful forces stand in his way. And then a deadly assassin sent from a race called the Mein, exiled long ago to an ice-locked stronghold in the frozen north, strikes at Leodan in the heart of Acacia while they unleash surprise attacks across the empire. On his deathbed, Leodan puts into play a plan to allow his children to escape, each to their separate destiny. And so his children begin a quest to avenge their father's death and restore the Acacian empire — this time on the basis of universal freedom.

    Neil Gaiman meets Kurt Vonnegut in this darkly whimsical, hilariously profound, and wildly imaginative comedy of the secrets of life and love. Transporting us from ancient India to outer space to Renaissance Italy to the present day, is a journey through time, space, and the human heart.

    Johannes Cabal, a brilliant scientist and notorious snob, is single-mindedly obsessed in heart and soul with raising the dead. Well, perhaps not "soul" . . . He hastily sold his years ago in order to learn the laws of necromancy. But now, tormented by a dark secret, he travels to the fiery pits of Hell to retrieve it. Satan, who is incredibly bored these days, proposes a little wager: Johannes has one year to persuade one hundred people to sign over their souls or he will be damned forever. To make the bet even more interesting, Satan throws in that diabolical engine of deceit, seduction, and corruption known as a "traveling circus" to aid in the evil bidding. What better place exists to rob poor sad saps of their souls than the traveling carnivals historically run by hucksters and legendary con men? With little time to lose, Johannes raises a motley crew from the dead and enlists his brother, Horst, a charismatic vampire (an unfortunate side effect of Johannes's early experiments with necromancy), to be the carnival's barker. On the road through the pastoral English countryside, this team of reprobates wields their black magic with masterful ease, resulting in mayhem at every turn. Johannes may have the moral conscience of anthrax, but are his tricks sinful enough to beat the Devil at his own game? You'll never guess, and that's a promise! Brilliantly written and wickedly funny, "Johannes Cabal the Necromancer" combines the chills and thrills of old-fashioned gothic tales like "The Legend of Sleepy Hollow," the mischievous humor of "Wicked," and the sophisticated charms of" Jonathan Strange &Mr. Norrell "and spins the Faustian legend into a fresh, irreverent, and irresistible new adventure.

    That is, until she meets Mercury, an anti-establishment angel who's frittering his time away whipping up batches of Rice Krispy Treats and perfecting his ping-pong backhand instead of doing his job: helping to orchestrate Armageddon. With the end near and angels and demons debating the finer political points of the Apocalypse, Christine and Mercury accidentally foil an attempt to assassinate one Karl Grissom, a thirty-seven-year-old film school dropout about to make his big break as the Antichrist. Now, to save the world, she must negotiate the byzantine bureaucracies of Heaven and Hell and convince the apathetic Mercury to take a stand, all the while putting up with the obnoxious mouth-breathing Antichrist.

    But although she's engaged to the prince, no one speaks to her. No one even looks at her. Because Twylla isn't a member of the court. She's the executioner. As the goddess-embodied, Twylla kills with a single touch. So each week, she's taken to the prison and forced to lay her hands on those accused of treason. No one will ever love her. Who could care for a girl with murder in her veins? Even the prince, whose royal blood supposedly makes him immune to her touch, avoids her.But then a new guard arrives, a boy whose playful smile belies his deadly swordsmanship. And unlike the others, he's able to look past Twylla's executioner robes and see the girl, not the goddess. Yet a treasonous romance is the least of Twylla's problems. The queen has a plan to destroy her enemies-a plan that requires an unthinkable sacrifice. Will Twylla do what it takes to protect her kingdom? Or will she abandon her duty in favor of a doomed love?

    Nature has reclaimed the last vestiges of human civilization. The first expedition returned with reports of a pristine, Edenic landscape; all the members of the second expedition committed suicide; the third expedition died in a hail of gunfire as its members turned on one another; the members of the eleventh expedition returned as shadows of their former selves, and within months of their return, all had died of aggressive cancer.This is the twelfth expedition.Their group is made up of four women: an anthropologist; a surveyor; a psychologist, the de facto leader; and our narrator, a biologist. Their mission is to map the terrain and collect specimens; to record all their observations, scientific and otherwise, of their surroundings and of one another; and, above all, to avoid being contaminated by Area X itself.They arrive expecting the unexpected, and Area X delivers—they discover a massive topographic anomaly and life forms that surpass understanding—but it’s the surprises that came across the border with them, and the secrets the expedition members are keeping from one another, that change everything.After the disastrous twelfth expedition chronicled in Annihilation, the Southern Reach—the secret agency that monitors these expeditions—is in disarray. In Authority, John Rodriguez, aka “Control,” is the team’s newly appointed head. From a series of interrogations, a cache of hidden notes and hours of profoundly troubling video footage, the secrets of Area X begin to reveal themselves—and what they expose pushes Control to confront disturbing truths about both himself and the agency he’s promised to serve. And the consequences will spread much further than that.It is winter in Area X in Acceptance. A new team embarks across the border on a mission to find a member of a previous expedition who may have been left behind. As they press deeper into the unknown—navigating new terrain and new challenges—the threat to the outside world becomes more daunting. The mysteries of Area X may have been solved, but their consequences and implications are no less profound—or terrifying.

    Author Michael Moorcock, already a major player in science fiction, cemented his position in the fantasy pantheon with the five-book Elric saga, of which Elric of Melniboné is the first installment. The book's namesake, the brooding albino emperor of the dying nation of Melniboné, is a sort of Superman for Goths, truly an archetype of the genre.The youthful Elric is a cynical and melancholy king, heir to a nation whose 100,000-year rule of the world ended less than 500 years hence. More interested in brooding contemplation than holding the throne, Elric is a reluctant ruler, but he also realizes that no other worthy successor exists and the survival of his once-powerful, decadent nation depends on him alone. Elric's nefarious, brutish cousin Yrkoon has no patience for his physically weak kinsman, and he plots constantly to seize Elric's throne, usually over his dead body. Elric of Melniboné follows Yrkoon's scheming, reaching its climax in a battle between Elric and Yrkoon with the demonic runeblades Stormbringer and Mournblade. In this battle, Elric gains control of the soul-stealing Stormbringer, an event that proves pivotal to the Elric saga. --Paul Hughes

    Now Llian, a Chronicler of the Great Tales, uncovers a 3,000-year-old secret too deadly to be revealed-while Karan, a young sensitive, is compelled by honor to undertake a perilous mission. Neither can imagine they will soon meet as hunted fugitives, snared in the machinations of immortals, the vengeance of warlords, and the magics of powerful mancers. For the swelling deluge of a millennial war is rising, terrible as a tsunami, ready to cast torrents of sorcery and devastation across the land....

    But none as terrible as this. His name is Deucalion, a tattooed man of mysterious origin, a sleight-of-reality artist who’s traveled the centuries with a secret worse than death. He arrives as a serial killer stalks the streets, a killer who carefully selects his victims for the humanity that is missing in himself. Detective Carson O’Connor is cool, cynical, and every bit as tough as she looks. Her partner Michael Maddison would back her up all the way to Hell itself–and that just may be where this case ends up. For the no-nonsense O’Connor is suddenly talking about an ages-old conspiracy, a near immortal race of beings, and killers that are more—and less—than human. Soon it will be clear that as crazy as she sounds, the truth is even more ominous. For their quarry isn’t merely a homicidal maniac—but his deranged maker.

    It is the day on which he returns to life. Two years after his untimely death, Matthew Swift finds himself breathing once again, lying in bed in his London home. Except that it's no longer his bed, or his home. And the last time this sorcerer was seen alive, an unknown assailant had gouged a hole so deep in his chest that his death was irrefutable...despite his body never being found. He doesn't have long to mull over his resurrection though, or the changes that have been wrought upon him. His only concern now is vengeance. Vengeance upon his monstrous killer and vengeance upon the one who brought him back.

    A day later the object is gone and everyone awakens unharmed—except that all the women in the village are discovered to be pregnant.