The Nazis have supermen, the British have demons, and one perfectly normal man gets caught in betweenRaybould Marsh is a British secret agent in the early days of the Second World War, haunted by something strange he saw on a mission during the Spanish Civil War: a German woman with wires going into her head who looked at him as if she knew him.When the Nazis start running missions with people who have unnatural abilities--a woman who can turn invisible, a man who can walk through walls, and the woman Marsh saw in Spain who can use her knowledge of the future to twist the present--Marsh is the man who has to face them. He rallies the secret warlocks of Britain to hold the impending invasion at bay. But magic always exacts a price. Eventually, the sacrifice necessary to defeat the enemy will be as terrible as outright loss would be.Alan Furst meets Alan Moore in the opening of an epic of supernatural alternate history, the tale of a twentieth century like ours and also profoundly different.

    government to operate a spy ring out of his house in the Cuban countryside. This much is true...It is the summer of '42, and FBI agent Joe Lucas has come to Cuba at the behest of the Director to keep an eye on Ernest Hemingway, who has recklessly decided to play spy in the Caribbean. Lucas has been instructed to somehow gain the great writer's trust and friendship, but all the agent's cool intellect and training has left him unprepared to withstand the human whirlwind known as "Papa."Hemingway has assembled a spy ring that he calls the "Crook Factory"--including an American millionaire, a twelve-year-old Cuban orphan, a Spanish jai alai champion, a priest, and a fisherman, among others--to play a dangerous game of amateur espionage. Then, against all odds, Hemingway uncovers a critical piece of intelligence, and the game turns deadly for himself, Lucas, and for untold innocents.In "THE CROOK FACTORY," Dan Simmons weaves an unforgettable tale of riveting suspense, peopled by larger-than-life characters who inhabit the sensual, intoxicating Cuban landscape of the 1940s. It is a novel of honor, passion, and deadly conspiracy.And it could very well have happened...Interestingly, about 75% of the stuff in this book actually happened. The remaining 25% adds an excellent spy story that may have happened while still fitting all known/revealed facts about Hemingway and his friends in Cuba during WWII.

    In a place called Mrs. Ivanova's Charm School, young KGB agents are being taught by American POW's how to be model citizens of the USA. The Soviet goal -- to infiltrate the United States undetected. When an unsuspecting American tourist stumbles upon this secret, he sets in motion a CIA investigation that will reveal horrifying police state savagery and superpower treachery.

    Everything changes when she’s recruited into the Office of Strategic Services by family friend and legendary WWI hero Major General William Donovan.Donovan has faith in her—and in all his “glorious amateurs” who are becoming Anna’s fast friends: Maggie, Anna’s down-to-earth mentor; Irene, who’s struggling to find support from her husband for her clandestine life; and Julia, a cheerful OSS liaison. But the more Anna learns about the organization’s secret missions, the more she longs to be stationed abroad. Then comes the opportunity: go undercover as a spy in the French Resistance to help steal critical intelligence that could ultimately turn the tide of the war.Dispatched behind enemy lines and in constant danger, Anna is filled with adrenaline, passion, and fear. She’s driven to make a difference—for her country and for herself. Whatever the risk, she’s willing to take it to help liberate France from the shadows of occupation and to free herself from the shadows of her former life.

    In present-day Russia, ruled by blue-eyed, unblinking President Vladimir Putin, Russian intelligence officer Dominika Egorova struggles to survive in the post-Soviet intelligence jungle. Ordered against her will to become a “Sparrow,” a trained seductress, Dominika is assigned to operate against Nathaniel Nash, a young CIA officer who handles the Agency’s most important Russian mole.Spies have long relied on the “honey trap,” whereby vulnerable men and women are intimately compromised. Dominika learns these techniques of “sexpionage” in Russia’s secret “Sparrow School,” hidden outside of Moscow. As the action careens between Russia, Finland, Greece, Italy, and the United States, Dominika and Nate soon collide in a duel of wills, tradecraft, and—inevitably—forbidden passion that threatens not just their lives but those of others as well. As secret allegiances are made and broken, Dominika and Nate’s game reaches a deadly crossroads. Soon one of them begins a dangerous double existence in a life-and-death operation that consumes intelligence agencies from Moscow to Washington, DC.Page by page, veteran CIA officer Jason Matthews’s Red Sparrow delights and terrifies and fascinates, all while delivering an unforgettable cast, from a sadistic Spetsnaz “mechanic” who carries out Putin’s murderous schemes to the weary CIA Station Chief who resists Washington “cake-eaters” to MARBLE, the priceless Russian mole. Packed with insider detail and written with brio, this tour-de-force novel brims with Matthews’s life experience, including his knowledge of espionage, counterintelligence, surveillance tradecraft, spy recruitment, cyber-warfare, the Russian use of “spy dust,” and covert communications. Brilliantly composed and elegantly constructed, Red Sparrow is a masterful spy tale lifted from the dossiers of intelligence agencies on both sides of the Atlantic. Authentic, tense, and entertaining, this novel introduces Jason Matthews as a major new American talent.

    Sally Gilmartin is a respectable English widow living in picturesque Cotswold village; Eva Delectorskaya was a rigorously trained World War II spy, a woman who carried fake passports and retreated to secret safe houses, a woman taught to lie and deceive, and above all, to never trust anyone.Three decades later the secrets of Sally’s past still haunt her. Someone is trying to kill her and at last she has decided to trust Ruth with her story. Ruth, meanwhile, is struggling to make sense of her own life as a young single mother with an unfinished graduate degree and escalating dependence on alcohol. She is drawn deeper and deeper into the astonishing events of her mother’s past—the mysterious death of Eva’s beloved brother, her work in New York City manipulating the press in order to shift public sentiment toward American involvement in the war, and her dangerous romantic entanglement. Now Sally wants to find the man who recruited her for the secret service, and she needs Ruth’s help.Restless is a brilliant espionage book and a vivid portrait of the life of a female spy. Full of tension and drama, and based on a remarkable chapter of Anglo-American history, this is fiction at its finest.

    But when those dearest to him are murdered on the day of his homecoming, Reece discovers that this was not an act of war by a foreign enemy but a conspiracy that runs to the highest levels of government.Now, with no family and free from the military’s command structure, Reece applies the lessons that he’s learned in over a decade of constant warfare toward avenging the deaths of his family and teammates. With breathless pacing and relentless suspense, Reece ruthlessly targets his enemies in the upper echelons of power without regard for the laws of combat or the rule of law.An intoxicating thriller that cautions against the seduction of absolute power and those who would do anything to achieve it, The Terminal List is perfect for fans of Vince Flynn, Brad Thor, Stephen Hunter, and Nelson DeMille.

    ______________________________ 1936 - Europe is in turmoil. The Nazis have marched into the Rhineland. In Russia, Stalin has unleashed his Great Terror. Spain has erupted in civil war. In Berlin, a young Englishwoman evades the Gestapo to deliver vital papers to a Jewish scientist. Within weeks, she is found dead, a silver syringe clutched in her fingers. In an exclusive London club, a conspiracy is launched that threatens the very heart of government. When a renowned society couple with fascist leanings are found brutally murdered, a maverick Cambridge professor is drawn into a world of espionage he knows only from history books. The deeper Thomas Wilde delves, the more he finds to link the murders with the girl with the silver syringe - and even more worryingly to the scandal surrounding the Abdication . . . Set against the gathering drumbeat of war and moving from Berlin to Cambridge, from Whitehall to the Kent countryside, and from the Fens to the Aragon Front in Spain, this sweeping international thriller, like C J Sansom's WINTER IN MADRID, marks the beginning of a brilliant new series for Rory Clements. What the critics are saying about CORPUS: 'Dramatic . . . pacy and assured . . . Well crafted, it has all the pleasures of an intriguing lead character, intricate plot and fascinating historical context' Daily Mail 'Rory Clements's timely spy thriller set in the 1930s evokes a period of political polarisation, mistrust and simmering violence. Corpus is fast-paced and there are plenty of red herrings to keep you guessing. This is the first of a promising series and Wilde is a likeable hero' The Times 'This clever novel, rich in deceptions and intrigue, shows the reach of Stalin and Hitler into every class of British society, threatening violence on horrific scale. Corpus is a standout historical novel and spy thriller' Daily Express

    Hemlock is sent to Switzerland on a mission to climb the notorious Eiger peak of the Alps, whose north face has meant death to many climbers. Hemlock's target: one of his three fellow climbers. The only problem is, CII can't tell him which one...

    The Nazis have claimed it.And one American explorer has stumbled upon their secret--a plot that could change the course of World War II...The year is 1939. An American archaeologist named Gavin Kane is asked to help a woman search for her missing husband. When Kane follows the man's trail into the ruthless desert of Southern Arabia, he makes two shocking discoveries. One is the legendary Temple of Sheba, an ancient world as fantastic as King Solomon's mines. The other is a band of Nazi soldiers who plan to turn the sacred landmark into Hitler's secret stronghold...

    Sansom. In September 1940, the Spanish Civil War is over and Madrid lies in ruins while the Germans continue their march through Europe. Britain stands alone as General Franco considers whether to abandon neutrality and enter the war. Into this uncertain world comes Harry Brett, a privileged young man who was recently traumatized by his experience in Dunkirk and is now a reluctant spy for the British Secret Service. Sent to gain the confidence of Sandy Forsyth, an old school friend turned shadowy Madrid businessman, Brett finds himself involved in a dangerous game and surrounded by memories. Meanwhile, Sandy’s girlfriend, ex-Red Cross nurse Barbara Clare, is engaged in a secret mission of her own—to find her former lover Bernie Piper, whose passion for the Communist cause led him into the International Brigades and who vanished on the bloody battlefields of the Jarama.In a vivid and haunting depiction of wartime Spain, Winter in Madrid is an intimate and riveting tale that offers a remarkable sense of history unfolding and the profound impact of impossible choices.

    Like the first two, this new thriller combines gripping contemporary suspense with a high-concept mystery rooted in history, philosophy, religion, and science. And like those novels, it is bound for bestseller lists nationwide. In Antarctica, a scientific expedition drops anchor for a live news feed. As the CNN journalist begins her report, a massive, shimmering sphere of light suddenly appears in the sky, enveloping the ship in luminous white light before disappearing as mysteriously as it arrived, the entire event witnessed by an incredulous world audience.Meanwhile in a dusty bar in Egypt, a dozen men are lazily discussing the state of the world when the brilliant, glowing symbol on the television stops them cold. One man breaks out in a sweat, crosses himself repeatedly, and rushes out of the bar muttering the same phrase over and over again: It can't be.Across the Internet and around the globe, a stunning controversy threatens to consume the world: Has God finally decided to reveal himself? Or is something more sinister at hand? Raymond Khoury/Steve Berry interview STEVE BERRY: Your new thriller, THE SIGN. I'm gonna come right out and say it: I think it's your best one yet. What do you think?RAMOND KHOURY: Tough call. It's my new baby, and much as I adore its elder siblings, it does have that newborn magic to it.STEVE: Trust me, it is. It's also a bit of a departure from your first two books, in that it doesn't have the past-and-present storylines. Knowing how stories kind of take on a life of their own, that wasn't a conscious decision from the get-go, was it?RAYMOND KHOURY: No, it wasn't premeditated. It's just the way the story came out. The whole story happens in the present. It takes place over a few manic days, I think you're familiar with that pacing, right? And it deals with the present, it's about a what if situation that's very today and now, there's a mystery, something to figure out, but there's no throwback to the past, no long lost secret to uncover.STEVE BERRY: It's also very topical. Your editors must be pleased.RAYMOND: I guess it happened that way because the story came out of some very strong feelings I had, feelings about what was going on around the world, in the US and abroad.STEVE: Tell me about that process. Where the story came from.RAYMOND: It's where they all come from, isn't it? That kernel, that one thought or one observation you have that just sticks and triggers a book, the one that bugs you late at night and that you can't shake. This one came to me while watching the news one day, and every item, one after another, it was all bad news. Not just bad, but it was like a lot of people were behaving so insanely in so many places around the world, and, sadly, a lot of it was fuelled by the manipulation or distortion of religious faith.STEVE: By intolerance?RAYMOND: Exactly. Intolerance and closed minds. And it got me thinking. About how divided we are, about how so many people all over the world believe in the absolute infallibility of their faith and how it rules every aspect of their lives, you know what I mean, we're right, everyone else is wrong, that medieval mindset and wondering if anything could ever unite the planet under a single faith.STEVE: One global religion. RAYMOND: Well, imagine if something did happen that convinced everyone that what we had until now, all these different religions that have grown over the last few thousand years, what if something new came along that was so overwhelming that it was impossible to ignore? Would we listen? Would we drop our previous faiths and embrace it?STEVE: But your book's about much more than that. Without wanting to give too much away, it's really a political thriller, isn't it?RAYMOND: It's always so hard to talk about a book without giving too much away.STEVE: It's the fine line we walk.RAYMOND: True. But yes, you're right, it's really about the absolute power something like that would bring, and how it could be abused. Cause above all else, it's a thriller. There's got to be a brilliantly dastardly scheme, right?STEVE: Always. And this one certainly is dastardly. One thing I've noticed, though, in all three of your books so far, they're all, essentially, about the big questions that face us: why we believe, whether or not we have to die. Religion, longevity, life and death, science vs. faith ... Big questions. And in this one, you revisit, though in a completely different way, the power of religion, the good it can bring as well as the bad, something that was also central to The Last Templar. Will this always be your signature genre, books that have a big, central theme at their core?RAYMOND: You asked me earlier about where the story came from. For me, in order to get excited about a book, it has to have a big central theme about how we live at its heart, something I'm interested in exploring. It's got to be about something I care about deeply. That's what drives the story and the characters forward for me. That's what I hope makes the books stand out. That they're not just page-turners, which ain't easy in itself, but that they're also about something. I see it in your books too. A point of view about things, a passion for laying out interesting information about a topic that interests you. Michael Crichton used to do that very successfully. Dan Brown, of course, does it brilliantly. That's what makes the books worth writing, I think.STEVE: And in reading the book, it's clear you still had tons of research to do, even though there isn't a historic mystery to unravel?RAYMOND: Absolutely. Some of it was about history, the monasteries in Egypt, for one. Again, part of the story, organically. Had to be done, and we do love our history, don't we?STEVE: Guilty as charged.RAYMOND: But for this book, I didn't need to do that much of it's nothing like what you did for THE CHARLEMAGNE PURSUIT, for instance. Which I loved, by the way. Particularly since you beat me to using the Voynich Manuscript in a story!STEVE: We do seem to be spookily in sync with our writing as further evidenced by THE SIGN's opening in Antarctica?RAYMOND: I know!STEVE: So tell me, Matt and Gracie. Are we going to see them again?RAYMOND: I don't know. On the one hand, I envy your situation with Cotton Malone, you've got a solid anchor for your books, you're building this great world around him, his son and Stephanie and Henrik and Cassiopeia, who I hope we see again real soon, and it's meaty and it's epic and like the rest of your readers, I'm hooked and I want to know what they do next. You've got that, Lee Child has had it since day one with Reacher, Harlan Coben with Myron Bolitar, the list goes on. Great characters. I'd love to do that one day, but it has to feel right. I wasn't in that frame of mind in my first two books, certainly the world after the end of THE SANCTUARY would be a very different place from the world Mia started out in at the beginning of that book. Tess and Reilly, I could maybe bring back. A lot of fans have asked for that. But with THE SIGN, Iinitely think Matt and Gracie are characters that I could bring back. I'd like to put them through another wringer, and it feels like it would come naturally. But before I do that, I'm writing the next book which introduces a new lead character, so they'll be getting a bit of a breather.STEVE: They sure can use it. Good luck with the book.RAYMOND: Thank you.

    As the FBI investigates, suspicion surrounding Web deepens. Now, he needs help from an unlikely ally in his desperate search for the killer of his friends, and finds himself up against a force intent on finishing the job that began in the alley.

    Three hours ago he had joked with the red-haired pilot over a last cup of hot chocolate. Three hours ago he had stood on English earth. Three hours ago he had been Martin Hearne with 27 years of his life behind him.Now he was Bertrand Corlay, with 26 years of another man's life reduced to headings and sub-headings in his memory. He looked down at the faded uniform which had been Corlay's, felt once more for the papers in the inside pocket.All set. He patted the pocked of the tunic with his earth-stained hand, and smiled grimly. From now on, he would not only have to speak, but think, in French ...

    While pursuing a budding romance with the beautiful Kathleen Gray, Creed stumbles upon a plucky, but horribly burned, little girl named Addie Dawes. Creed's suspicion about the fire that killed Addie's family puts him on a collision course with crime boss Joe DeMeo, in what soon becomes an issue of kill or be killed. DeMeo, a relentless killer who will stop at nothing to protect his empire, targets Creed and his loved ones for death. But Creed has plans of his own. Employing a bizarre cast of characters including a giant, a rival crime lord, an angry midget bent on world conquest, and a team of circus clowns, Creed goes on the attack, with hilarious results.