First aired in 1979, the programme, a request show which broadcasts to two million listeners a week, has become a unique record of the country's best-loved poems over the decades since its inception.The BBC has looked back through its rich archive of recordings to produce a poll of the most asked for and most broadcast pieces ever: it is those poems that this anthology brings together here. A showcase, in effect, for the nation's favourite verse, Poetry Please is a treasure trove for our most requested and most listened to poems of all time. It is a compelling invitation for readers of all ages and backgrounds to celebrate the verse that we care so much about: from new readers to old, from schools to reading groups, this a book for giving, a book for cherishing.

    The poems - together with introductory paragraphs - have a link to the date on which they appear. Shakespeare celebrates midsummer night, Maya Angelou International Women's Day and Lewis Carroll April Fool's day.Perfect for reading aloud and sharing with all the family, it contains a full spectrum of poetry from familiar favourites to exciting contemporary voices. Alfred, Lord Tennyson, W. B. Yeats, A. A. Milne and Christina Rossetti sit alongside Roger McGough, Carol Ann Duffy and Benjamin Zephaniah.

    Beginning with "Riot Act," a monologue about the Los Angeles uprising in April 1992, Ai explored racial and sexual politics through the voices of diverse characters.

    

    For anyone who's been let down by life and love, these poems reveal that the most important person one can fall in love with is oneself.

    Who feel everything and everything has feeling."In My Head, the debut release of one of Instagram's most popular poets whose writing has been liked by millions, dives below the surface of love, loss, and life.J.M. Storm has crafted a haunting yet hopeful poetry collection that is meant to be felt as much as it is read.

    It is in her poetry, however, where she achieves the full extent of her revelation as artist and human. The poems in this first selection from her whole work were written over a period of forty years. They convey a wonderfully energetic alternation of mood, idea, and experience that are part of her unique creative process.

    . . [Seidel’s] poems are a triumph of cosmic awe in the face of earthly terror.” —Hillel Italie, USA TodayFrederick Seidel has been called many things. A “transgressive adventurer,” “a demonic gentleman,” a “triumphant outsider,” “a great poet of innocence,” and “an example of the dangerous Male of the Species,” just to name a few. Whatever you choose to call him, one thing is certain: “he radiates heat” (The New Yorker).Now add to that: the poet of aging and decrepitude.Widening Income Inequality, Seidel’s new poetry collection, is a rhymed magnificence of sexual, historical, and cultural exuberance, a sweet and bitter fever of Robespierre and Obamacare and Apollinaire, of John F. Kennedy and jihadi terror and New York City and Italian motorcycles. Rarely has poetry been this true, this dapper, or this dire. Seidel is “the most poetic of the poets and their leader into hell.”

                Two empty suitcases sit in the corner, if that’s any kind of clue.                                —from “Almost Sixty” Brief, jagged, haiku-like, Jim Moore’s poems in Invisible Strings observe time moving past us moment by moment. In that accrual, line by line, is the anxiety and acceptance of aging, the mounting losses of friends to death or divorce, the accounting of frequent flyer miles and cups of coffee, and the poet’s own process of writing. It is a world of both diminishment and triumphs. Moore has assembled his most emotionally direct and lyrically spare collection, one that amounts to his book of days, seasons, and stark realizations.

    She’s an assassin without remorse or fear, doing the bidding of an agency so secret that only three people know of its existence. But when her cover gets blown, she becomes the target of a wide-reaching conspiracy led by a mysterious figure whose connection to Chandler goes far beyond what she could have imagined. Now she faces an explosive twenty-four hours—a single day in which everyone she encounters seems hell-bent on ending her life. With any past ally suddenly a possible traitor and every present emotion a weakness for her enemies to exploit, Chandler must tap into her deepest reservoirs of strength and skill in order to survive. But her survival is just the beginning as she confronts a murderous lunatic with a personal agenda, a squad of assassins just as skilled as she is, and a diabolical plot to unleash nuclear holocaust across the globe.Spree:Super spy and assassin Chandler has just barely averted nuclear annihilation when the very organization she works for has her brought in on treason charges, trussed up for interrogation. After a run-in with Chicago Homicide cop Jack Daniels, Chandler discovers one of her sisters, Fleming, has been transferred to a black ops site where the modus operandi is torture and death. Chandler launches a breakneck mission to infiltrate an impossibly secure prison—putting her on a collision course with a squad of violent psychopaths trained to negate her precise skill set. As old enemies reemerge and new ones appear around every corner, Chandler will rely on the help of unexpected allies, including an ex-mob enforcer named Tequila and a firefighter named Lund. But even they may not be enough to stop what lurks within the unlisted military base: a rogue government agency plotting to destabilize the entire nation—and conquer the world.Three:Time is running out for Chandler, the elite assassin whose mission to rescue her sister from a notorious black ops prison landed her at the top of the nation’s Most Wanted list. Burned by her handlers and forced to work with her mortal enemy in a race to preserve the very government that wants her dead, the living weapon has become a ticking time bomb. In saving her sister, Chandler unleashed a power-mad American president dead set on controlling the world—no matter how many millions of innocent people he must kill to do it. To stop him, Chandler will go deeper than she’s ever gone before, pushing her body and mind to their absolute limits. All the while she is hunted by the one man who knows her every secret, her every hiding place—and her every weakness. Infiltrating the White House, crashing a bullfight in Mexico City, hijacking a blimp in Toronto…these are just the beginning of the end, as the Codename: Chandler trilogy races towards its stunning conclusion.

    Her first book, Almanacs, was a travellers's litany, featuring a road movie in poems set in the north of Scotland. Nigh-No-Place is the liturgy of a poet passionately aware of the natural world." Nigh-No-Place reflects the breadth of ground she's covered. 'Ten-minute Break Haiku' is her response to working in a fish factory. 'Paternoster' is the Lord's Prayer uttered by a draught-horse. 'Prenatal Polar Bear' takes place in Churchill, Manitoba, surrounded by tundra.

    Bambrick began writing poems in order to document the forms of violence she witnessed towards the people and the environment of the Columbia River. While working there she found that reservoirs foster a uniquely complex community--from fish biologists to the owners of luxury summer homes--and became interested in the issues and tensions between the people of that place. The idea of power, literal and metaphorical, was present in every action and encounter with bosses and the people using the river. The presence of a young woman on the crew irritated her older, male co-workers who'd logged, built houses, and had to suffer various forms of class discrimination their entire lives. She found throughout this experience that their issues, while not the same, were inherently connected to the suffering of the lands they worked. Introduction by Sharon Olds.

    His sophisticated insights into psychological complexities, his ability to capture the essence of nature's sounds and spoken dialects in written words, and above all his inimitable-and often surprising-imagery have entertained his legions of fans over successive generations. It represents Gulzar's most memorable compositions of all time, and feature anecdotes about the composition of the lyrics as well as sketches by Gulzar.

    Opening with the title poem, a memorable elegy to the poet's mother, the book features a haunting series of poems that evoke Walcott's native ground, the island of St. Lucia. "For almost forty years his throbbing and relentless lines kept arriving in the English language like tidal waves," Walcott's great contemporary Joseph Brodsky once observed. "He gives us more than himself or 'a world'; he gives us a sense of infinity embodied in the language."

    Formally innovative and blazingly direct, The Bad Wife Handbook cross-examines marriage, motherhood, monogamy, and writing itself. Rachel Zucker's upending of grammatical and syntactic expectations lends these poems an urgent richness and aesthetic complexity that mirrors the puzzles of real life. Candid, subversive, and genuinely moving, The Bad Wife Handbook is an important portrait of contemporary marriage and the writing life, of emotional connection and disconnection, of togetherness and aloneness.