But why shouldn’t she remain an officially contented, soon-to-turn-thirty wife? She’s got a lovely home in an upscale Jersey suburb, two precocious daughters, and a charming husband, Donny. But Alex can no longer deny she craves more—some infusion of passion into the cul-de-sac world she inhabits. After she receives a phone call from her babysitter’s mother reporting that Donny took the teen for a midnight ride, promising he’d teach her how to drive, Alex insists they attend Marriage Mountain, the quintessential 1970s “healing couples sanctuary.” Donny accedes—but soon becomes obsessed with the manifesto A Different Proposition and its vision of how multiple couples can live together in spouse-swapping bliss. At first Alex scoffs, but soon she gives Donny much more than he bargained for. After he targets the perfect couple to collude in his fantasy, Alex discovers her desire for love escalating to new heights—along with a willingness to risk everything. Split-Level evokes a pivotal moment in the story of American matrimony, a time when it seemed as if an open marriage might open hearts as well.

    L. Carr's deeply charged poetic novel, Tom Birkin, a veteran of the Great War and a broken marriage, arrives in the remote Yorkshire village of Oxgodby where he is to restore a recently discovered medieval mural in the local church. Living in the bell tower, surrounded by the resplendent countryside of high summer, and laboring each day to uncover an anonymous painter's depiction of the apocalypse, Birkin finds that he himself has been restored to a new, and hopeful, attachment to life. But summer ends, and with the work done, Birkin must leave. Now, long after, as he reflects on the passage of time and the power of art, he finds in his memories some consolation for all that has been lost.

    You’ve walked past my house, and pointed, and wondered. The cat lady. All on my own, with only my five cats to keep me company. Did no-one ever tell you that you can’t judge a book by its cover?Everyone in town knows Nancy Jones. She loves her cats. She loves her tumbledown house by the sea. She loves her job in the local school where she tries to help the children who need help the most. Nancy tries hard not to think about her past loves and where those led her…Nancy never shares her secrets – because some doors are better kept locked. But one day she accepts a cat-sitting request from a local woman, and at the woman’s house, Nancy sees a photograph, in a bright-red frame. A photograph that opens the door to her painful past…Soon Nancy doesn’t know what frightens her the most: letting her story out, or letting the rest of the world in. It’s impossible to find companionship without the risk of losing it. But can Nancy take that risk again?A heart-wrenching and heart-warming story of love lost and found, and of second chances, They Call Me The Cat Lady is perfect for fans of A Man Called Ove and Eleanor Oliphant is Completely Fine.

    But when old Smiler takes a seat beside him, sucking in pint after pint through his gingery whiskers, a whole new world of battles and bones opens up before him…H. E. Bates – a prolific English novelist and short story writer – wrote 'Castle in the Air' for The Evening News in 1957, but the story was never re-printed in any of his later collections. In fact, its existence was forgotten until 2013 when it was spotted accidentally during a rummage through a newspaper archive. On re-discovering this charming and humorous short story – which exemplifies H.E. Bates's great skill of drawing vivid characters and his ability to create an almost tangible sense of a place – Bates's descendants felt it had to be shared with a wider audience.Bloomsbury Reader is delighted to be re-publishing 'Castle in the Air' alongside the whole body of H. E. Bates's short fiction and novellas, and here we offer it as a free taste of Bates's irresistible writing.

    It begins mid-flood, ducks swimming in the drawing-room windows, “quacking their approval” as they sail around the room. “What about my rose beds?” demands Grandmother Willoweed. Her son shouts down her ear-trumpet that the garden is submerged, dead animals everywhere, she will be lucky to get a bunch. Then the miller drowns himself . . . then the butcher slits his throat . . . and a series of gruesome deaths plagues the villagers. The newspaper asks, “Who will be smitten by this fatal madness next?” Through it all, Comyns’ unique voice weaves a narrative as wonderful as it is horrible, as beautiful as it is cruel. Originally published in England in 1954, this “overlooked small masterpiece” is a twisted, tragicomic gem.

    Jeremy is the son-in-law of Bernard and June Tremaine, whose union and estrangement began almost simultaneously. Seeking to comprehend how their deep love could be defeated by ideological differences Bernard and June cannot reconcile, Jeremy undertakes writing June's memoirs, only to be led back again and again to one terrifying encouner forty years earlier--a moment that, for June, was as devastating and irreversible in its consequences as the changes sweeping Europe in Jeremy's own time. In a finely crafted, compelling examination of evil and grace, Ian McEwan weaves the sinister reality of civiliation's darkest moods--its black dogs--with the tensions that both create love and destroy it.

    When she met Ernest Simpson it was as if he was sent to save her from her past. But marriage to him led her to an extraordinary future.

    The Blitz rages over London. And even in Cornwall, the war is being fought…When Violet loses her sister in the Blitz, she must take her nieces to safety in Cornwall. On the coast, she meets carefree chorus girl Eva, who is also running from the dangers of London.But Porthcurno hides a secret military base, and soon Violet and Eva realise there’s a battle to fight in Cornwall, too.Together with local Hazel, who works on the base, they must come together to help the war effort. But will their friendship be enough to keep them safe?The perfect uplifting wartime read for fans of Nancy Revell and Donna Douglas.

    After losing both her parents, Zorrie moved in with her aunt, whose own death orphaned Zorrie all over again, casting her off into the perilous realities and sublime landscapes of rural, Depression-era Indiana. Drifting west, Zorrie survived on odd jobs, sleeping in barns and under the stars, before finding a position at a radium processing plant. At the end of each day, the girls at her factory glowed from the radioactive material.But when Indiana calls Zorrie home, she finally finds the love and community that have eluded her in and around the small town of Hillisburg. And yet, even as she tries to build a new life, Zorrie discovers that her trials have only begun.Spanning an entire lifetime, a life convulsed and transformed by the events of the 20th century, Laird Hunt’s extraordinary novel offers a profound and intimate portrait of the dreams that propel one tenacious woman onward and the losses that she cannot outrun. Set against a harsh, gorgeous, quintessentially American landscape, this is a deeply empathetic and poetic novel that belongs on a shelf with the classics of Willa Cather, Marilynne Robinson, and Elizabeth Strout.

    Kate is in the middle of a two week quarantine period, but she just can't take it anymore - the closeness of the air in her small house, the confinement. And anyway, the moor will be deserted at this time. Nobody need ever know.But Kate's neighbour Alice sees her leaving and Matt, Kate's son, soon realizes she's missing. And Kate, who planned only a quick solitary walk - a breath of open air - falls and badly injures herself. What began as a furtive walk has turned into a mountain rescue operation . . . Unbearably suspenseful, witty and wise, The Fell asks probing questions about the place the world has become since March 2020, and the place it was before. Sarah Moss's novel is a story about compassion and kindness and what we must do to survive, and it will move you to tears.

    Mrs. Hawkins, the majestic narrator, takes us well in hand and leads us back to her threadbare years in postwar London. There, as a fat and much admired young war widow, she spent her days working for a mad, near-bankrupt publisher ("of very good books") and her nights dispensing advice at her small South Kensington rooming house. At work and at home Mrs. Hawkins soon uncovered evil: shady literary doings and a deadly enemy; anonymous letters, blackmail, and suicide. With aplomb, however, Mrs. Hawkins confidently set about putting things to order, little imagining the mayhem that would ensue. Now decades older, thin, successful, and delighted with life in Italy--quite a far cry from Kensington--Mrs. Hawkins looks back to all those dark doings and recounts how her own life changed forever. She still, however, loves to give advice: "It's easy to get thin. You eat and drink the same as always, only half...I offer this advice without fee; it is included in the price of this book."

    But, marked by dark troubles, she enters her adult years determined to leave and seek a new beginning in London. It’s there she meets the handsome David. They fall in love, but when Julia becomes pregnant, even he can’t stop the terrible echoes of the past from ringing in her ears. The only sound to be heard above the noise is the old Cornish house, calling her home . . .The presentFor Julia’s adult children, Alex and Johnnie, the house hides the history of their family within its walls. For Alex, it is full of memories of her late mother. For Johnnie, it is the house that should have been rightfully theirs after Julia died but has been stolen from them instead. With their father now lying in a hospital bed, time is running out for Alex and Johnnie to uncover the secrets of what happened to their mother all those years ago. Can they discover the truth before the house closes its doors to them forever?

    One hotel refurbishment later and the Best Boomerville Hotel is open for business! Perhaps not surprisingly Boomerville attracts more than its fair share of eccentric clientele: there’s fun-loving Sir Henry Mulberry and his brother Hugo; Lucinda Brown, an impoverished artist with more ego than talent; Andy Mack, a charming Porsche-driving James Bond lookalike, as well as Kate Simmons, a woman who made her fortune from an internet dating agency but still hasn’t found ‘the One’ herself. With such an array of colourful individuals there’s bound to be laughs aplenty, but could there be tears and heartbreak too and will the residents get more than they bargained for at Boomerville?

    And nice girls don't, except, of course, Holly Golightly. Pursued by Mafia gangsters and playboy millionaires, Holly is a fragile eyeful of tawny hair and turned-up nose, a heart-breaker, a perplexer, a traveller, a tease. She is irrepressibly 'top banana in the shock department', and one of the shining flowers of American fiction.This edition also contains three stories: 'House of Flowers', 'A Diamond Guitar' and 'A Christmas Memory'.

     Ennis del Mar and Jack Twist, two ranch hands, come together when they're working as sheepherder and camp tender one summer on a range above the tree line. At first, sharing an isolated tent, the attraction is casual, inevitable, but something deeper catches them that summer. Both men work hard, marry, and have kids because that's what cowboys do. But over the course of many years and frequent separations this relationship becomes the most important thing in their lives, and they do anything they can to preserve it. The New Yorker won the National Magazine Award for Fiction for its publication of "Brokeback Mountain," and the story was included in Prize Stories 1998: The O. Henry Awards. In gorgeous and haunting prose, Proulx limns the difficult, dangerous affair between two cowboys that survives everything but the world's violent intolerance.