Their relationship continued until 1601, when the Earl of Essex was beheaded for treason. And, in a succession of brilliant scenes, Strachey portrays the Queen's and the Earl's compelling attraction for on another, their impassioned disagreements, and their mutual contest for power, which led to a final, tragic confrontation. Here we also have superb portraits of influential people of the time: Francis Bacon, Robert Cecil, Walter Raleigh, and other figures of the court who struggled to assert themselves in a kingdom that was primarily defined by her sovereign, and so now seen through history's lens as Elizabethan England.

    She puts the English national character under her anthropological microscope, and finds a strange and fascinating culture, governed by complex sets of unspoken rules and byzantine codes of behaviour. The rules of weather-speak. The ironic-gnome rule. The reflex apology rule. The paranoid-pantomime rule. Class indicators and class anxiety tests. The money-talk taboo and many more ...Through a mixture of anthropological analysis and her own unorthodox experiments (using herself as a reluctant guinea-pig), Kate Fox discovers what these unwritten behaviour codes tell us about Englishness.

    Most have never been published before. Taken to provide a unique record of whole districts of London as they were vanishing, each of the photographs is a full-plate image, a stunning work of art in its own right.

    Film adaptations of her books are nominated for Academy Awards. Chick lit bestsellers are based on her plots. And a new biopic of Austen herself Becoming Jane arrives in theaters this spring.For all those readers who dream about living in Regency England, The Jane Austen Handbook offers step-by-step instructions for proper comportment in the early nineteenth century. You'll discover:How to Become an Accomplished LadyHow to Run a Great HouseHow to Indicate Interest in a Gentleman Without Seeming Forward How to Throw a Dinner PartyHow to Choose and Buy ClothingFull of practical directions for navigating the travails of Regency life, this charming illustrated book also serves as a companion for present-day readers, explaining the English class system, currency, dress, and the nuances of graceful living.

    For most of them, the war changed all that for ever. It meant independence and the shock of the new, and daily exposure to customs and attitudes that must have seemed completely alien to them. For many, the almost military regime of an upper class childhood meant they were well suited for the no-nonsense approach needed in wartime.This book records the extraordinary diversity of challenges, shocks and responsibilities they faced - as chauffeurs, couriers, ambulance-drivers, nurses, pilots, spies, decoders, factory workers, farmers, land girls, as well as in the Women's Services. How much did class barriers really come down? Did they stick with their own sort? And what about fun and love in wartime - did love cross the class barriers?

    Yet beneath the surface glitter of the Regency lay an underlying malaise, a pervasive hollowness and sense of loss, along with an explosive undercurrent of popular unrest and political radicalism.It was indeed a tempestuous, quicksilver era, haunted by war and the human wreckage of war, and by fears of Luddite violence and risings of the overtaxed, underfed poor. A time of financial uncertainty when fortunes were made and lost amid high risk and the ever-present specter of bankruptcy.And it was, memorably, a time studded with larger-than-life personalities: the aged king in his slow decline into delusion; the flamboyant Prince Regent in his extravagant Brighton Pavilion; the Duke of Wellington, hero of Waterloo; the debauched, tragically fissured Lord Byron, hero to the women of fashionable London. These and many others are brought to vibrant life in this wide-ranging, captivating social history--a history as dramatic as the times themselves.

    This book studies the evolution of the family from the sixteenth to the eighteenth century and how the process radically influenced child-rearing, education, contraception, sexual behaviour and marriage.

    He brings this vibrant city's long and noble history alive through the ever-shifting fortunes, fates, and intrigues of half-a-dozen families, from the age of Julius Caesar to the 20th century. Generation after generation, these families embody the passion, struggle, wealth, and verve of the greatest city in the world.

    It was a culture that reflected a turbulent political reality.

    Documents relating to the alleged marriage, bearing the Prince's signature, were impounded and examined in 1866 by the Attorney General. Learned opinion at the time leaned to the view that these documents were genuine. They were then placed in the Royal Archives at Windsor; in 1910, permission was refused a would-be author who asked to see them. If George III did make such a marriage when he was Prince of Wales, before the passing of the Royal Marriages Act in 1772, then his subsequent marriage to Queen Charlotte was bigamous, and every monarch of Britain since has been a usurper, the rightful heirs of George III being his children by Hannah Lightfoot, if they ever existed.' From Britain's Royal Families Britain's Royal Families is a unique reference book. It provides, for the first time in one volume, complete genealogical details of all members of the royal houses of England, Scotland and Great Britain - from 800AD to the present. Here is the vital biographical information relating not only to each monarch, but also to every member of their immediate family, from parents to grandchildren. Drawing on countless authorities, both ancient and modern, Alison Weir explores the royal family tree in unprecedented depth and provides a comprehensive guide to the heritage of today's royal family.

    The Great Silence recalls the period of adjustment following the war.

    Defined by night houses and cigar divans, populated by street people like the running-patterer with his news of murder, and entertainers like the Fire King, the underworld was an insular yet diffuse community, united by its deep hatred of the police. In its gin shops and taverns, thrived thieves and beggars, cheats, forgers, and pickpockets, preying on rich and poor alike.Career criminals often showed a craftsmanship that would put their descendants to shame. It took true professionals to remove the modern equivalent of twenty million dollars from the Bank of England. In one case, conspirators even recruited officers from Scotland Yard.Those who failed in such enterprises found themselves in the convict hulks, where the annual mortality rate might reach 40 percent, or in the new prisons, their faces masked and identified only by numbers. Rich in anecdote and vividly recounted, The Victorian Underworld brings the past alive like few recent works of history.

    Here, Sunday Times bestselling author Charles Spencer tells the real story behind the legend to show how one cataclysmic shipwreck changed England’s course.In 1120, the White Ship was known as the fastest ship afloat. When it sank sailing from Normandy to England it was carrying aboard the only legitimate heir to King Henry I, William of Ætheling. The raucous, arrogant young prince had made a party of the voyage, carousing with his companions and pushing wine into the eager hands of the crew. It was the middle of the night when the drunken helmsman rammed the ship into rocks.The next day only one of the three hundred who had boarded the ship was alive to describe the horrors of the slow shipwreck. William, the face of England’s future had drowned along with scores of the social elite. The royal line severed and with no obvious heir to the crown, a civil war of untold violence erupted. Known fittingly as ‘The Anarchy’, this game of thrones saw families turned in on each other, with English barons, rebellious Welsh leaders and Scottish invaders all playing a part in the bloody, desperate scrum for power.One incredible shipwreck and two decades of violent uncertainty; England’s course had changed forever.

    This is where such legendary outlaws as Robin Hood and Captain Kidd met their fates, where the rapier-wielding playwrights Ben Jonson and Christopher Marlowe sharpened their quills, and where flamboyant highwaymen like Claude Duval and James Maclaine made legions of women swoon. While London's theatres came and went, the gaol endured as Londons unofficial stage. From the Peasants Revolt to the Great Fire, it was at Newgate that England's greatest dramas unfolded. By piecing together the lives of forgotten figures as well as re-examining the prison's links with more famous individuals, from Dick Whittington to Charles Dickens, this thrilling history goes in search of a ghostly place, erased by time, which has inspired more poems and plays, paintings and novels, than any other structure in British history.

    Band re-formations and reunion tours, expanded reissues of classic albums and outtake-crammed box sets, remakes and sequels, tribute albums and mash-ups . . . But what happens when we run out of past? Are we heading toward a sort of culturalecological catastrophe where the archival stream of pop history has been exhausted?Simon Reynolds, one of the finest music writers of his generation, argues that we have indeed reached a tipping point, and that although earlier eras had their own obsessions with antiquity—the Renaissance with its admiration for Roman and Greek classicism, the Gothic movement's invocations of medievalism—never has there been a society so obsessed with the cultural artifacts of its own immediate past. Retromania is the first book to examine the retro industry and ask the question: Is this retromania a death knell for any originality and distinctiveness of our own?