Martin Gänsewein, who spends his days in peace and quiet autopsying dead bodies for the city of Cologne. Shy, but scrupulous, Martin appreciates his taciturn clients--until the day one of them starts talking to him. It seems the ghost of a recently deceased (and surprisingly chatty) small-time car thief named Pascha is lingering near his lifeless body in drawer number four of Martin's morgue. He remains for one reason: his "accidental" death was, in fact, murder. Pascha is furious his case will go unsolved--to say nothing of his body's dissection upon Martin's autopsy table. But since Martin is the only person Pascha can communicate with, the ghost settles in with the good pathologist, determined to bring the truth of his death to light. Now Martin's staid life is rudely upended as he finds himself navigating Cologne's red-light district and the dark world of German car smuggling. Unless Pascha can come up with a plan--and fast--Martin will soon be joining him in the spirit world. Witty and unexpected, Morgue Drawer Four introduces a memorable (and reluctant) detective unlike any other in fiction today.Morgue Drawer Four was shortlisted for Germany's 2010 Friedrich Glauser Prize for best crime novel.

    Its fourteen-year-old heroine Wendla is killed by abortion pills. The young Moritz terrorized by the world around him and especially by his teachers shoots himself. The ending seems likely to be the suicide of Moritz's friend Melchior but in a confrontation with a mysterious stranger (the famous Masked Man) he finally manages to shed his illusions and face the consequences.

    After the war he was barred from the judicial system and so became a private investigator. He has never, however, forgotten his complicity in evil.Hired by a childhood friend, the aging Self searches for a prankish hacker who’s invaded the computer system of a Rhineland chemical plant. But his investigation leads to murder, and from there to the charnel house of Germany’s past, where the secrets of powerful corporations lie among the bones of numberless dead. What ensues is a taut, psychologically complex, and densely atmospheric moral thriller featuring a shrewd, self-mocking protagonist.

    In it he captures the Isherwood-like atmosphere of Nazi Germany while telling a satiric story about the rise to power of one man - a thinly veiled caricature of his own brother-in-law. The man is Hendrik Hofgen, a character actor who in his own life plays a bizarre part in the elite circle of the Third Reich. Hofgen is publicly a revolutionary, but secretly he is a man driven by an obsessive need for power and fame. Although he benefits from the prestige of being married to the daughter of an eminent politician, he endangers his rise in Nazi society by his compulsive involvement with ‘a black Venus.’ His brilliant success as Mephisto in FAUST brings him the support of the Führer’s prime minister, who appoints him head of the State Theater. His dreams are finally realized, but the story ends on a note of despair as Hofgen is forced to confront the emptiness of his life. Mann weaves his tale with amazing skill. The result is a fascinating novel of decadence and evil.Klaus Mann, the second child of Thomas Mann, was born in Munich in 1906. He began writing short stories and articles in 1924, and within a year was a theatrical critic for a Berlin newspaper. In 1925 both a volume of short stories and his first novel, THE PIOUS DANCE, were published. His sister, Erika, to whom he was very close, was in the cast of his first play, ANJA AND ESTHER. Mann left Germany in 1933 and lived in Amsterdam until 1936, during which time he became a Czechoslovakian citizen, having been deprived of his German citizenship by the Nazis. He moved to America in 1936, living in Princeton, New Jersey, and New York City. He became a U.S. citizen in 1943. He died at the age of forty-two in Cannes, France. Robin Smyth was a European correspondent for the London Observer.

    Called in to investigate, melancholy Detective Ciccio, a secret admirer of the murdered woman and a friend of her husband’s, discovers that almost everyone in the apartment building is somehow involved in the case, and with each new development the mystery only deepens and broadens. Gadda’s sublimely different detective story presents a scathing picture of fascist Italy while tracking the elusiveness of the truth, the impossibility of proof, and the infinite complexity of the workings of fate, showing how they come into conflict with the demands of justice and love. Italo Calvino, Pier Paolo Pasolini, and Alberto Moravia all considered That Awful Mess on the Via Merulana to be the great modern Italian novel. Unquestionably, it is a work of universal significance and protean genius: a rich social novel, a comic opera, an act of political resistance, a blazing feat of baroque wordplay, and a haunting story of life and death in the Eternal City.

    The poor and innocent have nothing to fear from him; often they profit from his spontaneous generosity. The rich and powerful, and the detective who tries to spoil his fun, however, must beware. They are the target of Arsene’s mischief and tomfoolery. A masterful thief, his plans frequently evolve into elaborate capers, a precursor to such cinematic creations as Ocean’s Eleven and The Sting. Sparkling with amusing banter, these stories—the best of the Lupin series—are outrageous, melodramatic, and literate.13 stories: The Arrest of Arsène Lupin Arsène Lupin in Prison The Escape of Arsène Lupin The Mysterious Railway Passenger The Queen's Necklace Sherlock Holmes Arrives Too Late Flashes of Sunlight The Wedding-ring The Red Silk Scarf Edith Swan-neck On the Top of the Tower Thérèse and Germaine At the Sign of Mercury

    Just as seasoned detective Max Heller begins investigating, the Fright Man kills again…The investigation seems hopeless. Desperate refugees flood the streets, all of Heller’s resources are depleted, and his new boss is a ruthless SS officer. And like so many others, Heller and his wife, Karin, survive on meager rations while fearing for the lives of their sons at the front. But as tensions mount and enemy firebombs decimate the city, dangerous new clues come to light—and the determined Heller pursues a violent and twisting path to unmask a monster.

    It is the answer he gave his wife (now ex-wife) years earlier when she told him she wanted one. The loss, longing and regret that haunt the years between those two “no”s give rise to one of the most eloquent meditations ever written on the Holocaust. As Kertesz’s narrator addresses the child he couldn’t bear to bring into the world he ushers readers into the labyrinth of his consciousness, dramatizing the paradoxes attendant on surviving the catastrophe of Auschwitz. Kaddish for the Unborn Child is a work of staggering power, lit by flashes of perverse wit and fueled by the energy of its wholly original voice. Translated by Tim Wilkinson

    This new translation—published in two elegant volumes—is the first to present Musil's complete text, including material that remained unpublished during his lifetime.

    A veteran of the force, he is only now coming to terms with the pervasive corruption in public and private life since the fall of the military dictatorship and the advent of democratic government.When an Albanian couple is found brutally slaughtered, it looks like an open and shut crime of passion. But when Yanna, a TV journalist investigating the same case, is murdered in a broadcasting studio just before going on air, Haritos begins to think he's missing something crucial in this seemingly simple case. Why was she so interested in whether the police had found evidence of the presence of children at the Albanians' home? When Yanna's successor at the TV station is also murdered, Haritos finds himself sucked ever deeper into the grubby world of the Greek media and the shadowy underworld of international child trafficking.

    Haunted by the deaths of his parents and wielding his tin drum Oskar recounts the events of his extraordinary life; from the long nightmare of the Nazi era to his anarchic adventures in post-war Germany.

    Then a hail of bullets destroyed the lives of two fellow cops, and Carl—who didn’t draw his weapon—blames himself. So a promotion is the last thing he expects. But Department Q is a department of one, and Carl’s got only a stack of Copenhagen’s coldest cases for company. His colleagues snicker, but Carl may have the last laugh, because one file keeps nagging at him: a liberal politician vanished five years earlier and is presumed dead.But she isn’t dead … yet.Darkly humorous, propulsive, and atmospheric, The Keeper of Lost Causes introduces American readers to the mega-bestselling series fast becoming an international sensation.

    One man dies, two physicists fight, and a senior constable falls in love. In the end, everything is different…yet exactly the same.”A rising star who has garnered some of Europe’s most important literary prizes, Juli Zeh has established herself as the new master of the philosophical thriller. With In Free Fall, she now takes us on a fast-paced ride through deadly rivalry and love’s infinite configurations.Against the backdrop of Germany and Switzerland, two physicists begin a dangerous dance of distrust. Friends since their university days, when they were aspiring Nobel Prize candidates, they now interact in an atmosphere of tension, stoked by Oskar’s belief that Sebastian fell into mediocrity by marrying. When Sebastian’s son, Liam, is apparently kidnapped, their fragile friendship is further tested. Entrusted with uncovering the truth, Detective Superintendent Schilf discerns a web of blackmail, while at the same time the reality of his personal life falls into doubt. Unfolding in a series of razor-sharp scenes, In Free Fall is a riveting novel of ideas from a major new literary voice.

    As Inspector Chen Cao of the Shanghai Special Cases Bureau struggles to trace the hidden threads of her past, he finds himself challenging the very political forces that have guided his life since birth. Chen must tiptoe around his superiors if he wants to get to the bottom of this crime, and risk his career—perhaps even his life—to see justice done.

    Inspector Petra Delicado has been chained to a tiresome desk job in the documentation department of the Barcelona police force for months. But things are about to change. The department is short-handed and there's a serial rapist on the loose. Delicado is partnered with the portly and impossibly compliant Sergeant Fermin Garzon with orders to solve the case before it succeeds in ruining the good name of the Barcelona police force. However, the only lead they have is the rapist's mysterious signature; a circular mark of unknown origins he leaves on his victims' forearms. No witnesses, no other leads, and no help from the victims themselves. To further complicate her life, Inspector Delicado is trying to shake off two ex-husbands, Hugo, who persists in shamelessly belittling her, and Pepe, as helpless and hapless as a little boy in her absence. (from the cover blurb)Tough, sexy, at times apparently pitiless, Petra Delicado is a new kind of cop in Spanish crime writing. As she does battle with sexist colleagues, ruthless reporters, indifferent witnesses, hardened criminals, ex-husbands, and houseplants that just won't flower, she sometimes thinks her thirst for new challenges and perpetual change is more trouble than its worth.