The two young men are taking the long way home after working on an archeological dig in Iraq. It is 1937. The modern world, they say, is waiting to erupt. Among the tales they tell is the story of Gilgamesh, the legendary king of Uruk in ancient Mesopotamia. Gilamesh's great journey of mourning after the death of his friend Enkidu, and his search for the secret of eternal life, is to resonate through all of their lives. In 1939 Edith and her young child set off on an impossible journey of their own, to find themselves trapped by the outbreak of war. The story of this journey is the story of encounters and escapes, of friendship and love, of loss aqnd acceptance. Moving between rural Australia, London, the Caucasus and the Middle East, from the last days of the First World War to the years following the Second, Joan London's stunning novel examines what happens when we strike out into the worlld, and how, like Gagamesh, we find our way home." (from back cover of Picador book)

    Nobody is hurt, but the impact is felt for decades.Nicole and Samantha Cooper both remember the summer day when their mother, Tina, lost control of their car – but not in quite the same way. It is only after Tina’s death, almost four decades later, that the sisters are forced to reckon with the repercussions of the crash. Nicole, after years of aimless drifting, has finally found love, and yet can’t quite commit. And Samantha is hiding something that might just tear apart the life she’s worked so hard to build for herself.The Spill explores the cycles of love, loss and regret that can follow a family through the years – moments of joy, things left unsaid, and things misremembered. Above all, it is a deeply moving portrait of two sisters falling apart and finding a way to fit back together.

    Charlton from a undernourished and timid tax clerk to ‘Charlie’, a fully-converted member of the Larkin way of life: an easygoing celebration of nature, food, drink, and family. In the process, the reader is introduced to the Brigadier, Miss Pilchester, and Angela Snow. Setting the style for the series, the book ends with a grand celebration, and the announcement of the wedding of Charlie and Mariette. The novel was filmed with the title ‘The Mating Game’, and between 1991 and 1993, Yorkshire Television produced a highly-successful television series called ‘The Darling Buds of May’. This first book in the Larkin series was very successful, appearing first in the United States and then in Britain, where it sold 40,000 in the first two months. Many critics felt that Bates deserved better than to be remembered mostly for the Larkin novels, but they were very profitable. The immensely popular Larkin series of comic novels consisted of ‘The Darling Buds of May’, ‘A Breath of French Air’ (1959), ‘When the Green Woods Laugh’ (1960), ‘Oh! To Be in England’ (1963), and ‘A Little of What You Fancy’ (1970). Bates, speaking of how he was inspired to create the Larkins, recalled the real junkyard that he often passed near his home in Kent; and he remembered seeing a family -- a father, mother and many children, sucking at ice-creams and eating crisps in a "ramshackle lorry that had been recently painted a violent electric blue". He tried writing a brief tale based on the family, but soon decided that he couldn’t waste such a rich gallery of characters to a short story." Pop is a wonderful character who hates pomp, pretension and humbug; loves his family, but doesn’t hesitate to break a few rules... and his and the Larkins' secret is “that they live as many of us would like to live if only we had the guts and nerve to flout the conventions." See also the Pop Larkin Chronicles, which contains all five Larkin books.

    Stella’s childhood is full of strange, life-threatening incidents—moments where ordinary situations like cooking eggplant or feeding the pigs inexplicably take lethal turns. Even Stella’s own mother is convinced that her daughter is cursed or haunted.In her rugged Italian village, Stella is considered an oddity—beautiful and smart, insolent and cold. Stella uses her peculiar toughness to protect her slower, plainer baby sister Tina from life’s harshest realities. But she also provokes the ire of her father Antonio: a man who demands subservience from women and whose greatest gift to his family is his absence.When the Fortunas emigrate to America on the cusp of World War II, Stella and Tina must come of age side-by-side in a hostile new world with strict expectations for each of them. Soon Stella learns that her survival is worthless without the one thing her family will deny her at any cost: her independence.In present-day Connecticut, one family member tells this heartrending story, determined to understand the persisting rift between the now-elderly Stella and Tina. A richly told debut, The Seven or Eight Deaths of Stella Fortuna is a tale of family transgressions as ancient and twisted as the olive branch that could heal them.

    Both funny and insightful That'd Be Right is part memoir, part personal history of Australia over the last thirty years. It's a biographical trip told through sport, and families and William's own experiences. He writes: 'As with A Man's Got to Have a Hobby I weave in and around the events that have held such fascination for this country over the last thirty years or so, connecting them all with the progression of a life.' Some of these events would be considered momentous, some small and personal. And all are seen through William's eyes. They range from a day at the Melbourne Cup with his mother where too many champagnes and too few winners were picked; a swimming carnival early in the morning after a gloomy and long federal election the night before; watching truly surreal Grand Final moments in a pub with a group of odd and unknown bar companions. William also writes about a night at the cricket with his son, which shows how things can change and oddly come full circle.

    Martha is straining against the confines of her life, lost in regret for what might have been, when an old flame shows up. In turn, her husband Mike becomes frustrated with his increasingly distant wife. Marital secrets, new and long-hidden, start to surface—with devastating effect. And while teenagers Tilly and Ben are about to step out into the world, nine-year-old Ada is holding onto a childhood that might soon be lost to her.When Ada discovers an abandoned well beneath a rusting windmill, she is drawn to its darkness and danger. And when she witnesses a shocking and confusing event, the well’s foreboding looms large in her mind—a driving force, pushing the family to the brink of tragedy. For each family member, it’s a summer of searching—in books and trees, at parties, in relationships new and old—for the answer to one of life’s most difficult questions: how to grow up?The Last Summer of Ada Bloom is an honest and tender accounting of what it means to come of age as a teen, or as an adult. With a keen eye for summer’s languor and danger, and a sharp ear for the wonder, doubt, and longing in each of her characters’ voices, Martine Murray has written a beguiling story about the fragility of family relationships, about the secrets we keep, the power they hold to shape our lives, and about the power of love to somehow hold it all together.

    He was a womaniser, a heavy drinker and a bon viveur, but to them he became a saviour. This is the extraordinary story of Oskar Schindler, who risked his life to protect Jews in Nazi-occupied Poland and who was transformed by the war into a man with a mission, a compassionate angel of mercy.