A gasp of pleasure. The exquisite danger of nakedness...In Little Deaths some of the most gifted writers inside and outside the horror genre have come together to peer into this realm of desire and dread, love and violence, tenderness and shame in a stunning collection that takes its title from the French phrase for orgasm: le petit mort.The lady of situations / Stephen Dedman --Hungry skin / Lucy Taylor --Becky lives / Harry Crews --The swing / Nicholas Royle --Lover doll / Wayne Allen Sallee --The careful geometry of love / Kathe Koja and Barry N. Malzberg --The pain barrier / Joel Lane --Ménage à trois / Richard Christian Matheson. On Amen's shore / Clive Barker --Fever blisters / Joyce Carol Oates --An outside interest / Ruth Rendell --And Salome danced / Kelley Eskridge --That old school tie / Jack Womack --Ice palace / Douglas Clegg --Serial monogamist / Pat Cadigan --Dying in Bangkok / Dan Simmons

    In this case, an entire cult is involved.Winner, 1992 Nebula Award and 1993 Hugo Award, Best Short Story."At the Rialto": A look at a scientific conference held in Chaos Central, and an attempt to explain the link among quantum physics, mid-life romance, and the Frederick's of Hollywood bra museum.Winner, 1989 Nebula Award, Best Short Story."Death on the Nile": The story of a vacation to Egypt gone seriously wrong.Winner, 1994 Hugo Award, Best Short Story."Why the World Didn't End Last Tuesday": Armageddon by committee."Close Encounter": Yes, everyone hates hospitals. They're just hating them for the wrong reasons.

    One winter night, Johnny's car, The Death Mobile, is discovered submerged beneath the icy surface of Willow Creek, with Johnny's waterlogged corpse inside. The townspeople believe that his death was accidental. But soon the murders begin—horrible acts of violent vengeance that hint at a deepening mystery and terror yet to come. A headless body is discovered at the high school, a priest is forced to confront his own misdeeds, and a mortician encounters the impossible. The sound of a car engine and maniacal laughter fill the night, and one by one, Johnny's enemies meet a grisly demise. The students at Red Hill High School begin to fear for their lives—especially Johnny's closest friends, who all harbor a dark secret.

    Hicok gives readers unexpected conjunctions and oddly offbeat thoughts, most darkly whimsical, and has us embrace them wholeheartedly. If he can survive the scary carnival that is this world, we can, too. Highly recommended for a wide range of readers.”— Library Journal, starred review“Bob Hicok is one of my favorite poets. Partly, it’s the movement of his lines, which are both conversational and utterly unexpected, almost as if he (or we) are joining a conversation that extends beyond the framework of the poem…And then there’s his unrelenting vision, a sense of the world as both utterly real and utterly elusive, and heartbreaking because we have to die. Death is at the center of Hicok’s writing—not in a maudlin, self-pitying way, but rather as a vivid presence, infusing everything, even the deepest moments of connection, with a steely sense of loss.”—David Ulin, reviewing Elegy Owed in the Los Angeles Times“This gorgeous collection [Elegy Owed] spans the landscape of loss with unexpected leaps and ripples, as if someone has skipped stones across a lake. …Wordplay, subtle humor and unexpected moments of hope give these lush poems depth and dimension. Hicok’s work is memorable because of the new vistas it creates.” —The Washington Post"Words have weight in Hicok’s poems. They feel nailed in place, and the meter hits like the sure pounding of a hammer. Yet as heft, muscle, and precision draw you forward, Hicok evokes not solidity but, rather, shifting ground, flux, metamorphosis, and, most arrestingly, most unnervingly, death. In his seventh collection, Hicok builds startling images out of the everyday and the surreal, the comic and the sorrowful. Avoiding abstraction and pretension, he cleaves to earth, skin, breath." –Donna Seaman, Booklist“Hicok’s poems [in Elegy Owed] are like boomerangs; they jut out in wild, associative directions, yet find their way back to the root of the matter.” —Publishers Weekly"Seamlessly, miraculously, [Hicok's] judicious eye imbues even the dreadful with beauty and meaning."—The New York Times Book ReviewWhen asked in an interview “What would Bob Hicok launch from a giant sling shot?” he answered, “Bob Hicok.” Elegy Owed, Hicok’s eighth book, is an existential game of Twister in which the rules of mourning are broken and salvaged, and “you can never step into the same not going home again twice.” His poems are the messenger at the door, the unwanted telegram—telling a joke, imparting a depth of longing, returning us finally to a different kind of normality where “the dead have no ears, no answering machines / that we know of, still we call.” There is grief in these poems, though it is a grief large enough for odd awakenings and the unexpected, a grief enlarged by music, color, and joy as well as sober wisdom.“Hicok is funny as hell, in Blake’s sense of the infernal: irreverent, anarchic, undeceived. His bracing ill humor is a vehicle for outrage, longing, tenderness, and a shy cynicism that is the necessary counterbalance to a tenacious sense of hope. He is one of our premier anatomists of contemporary American life, and a wildly refreshing, necessary poet.” —Mark DotyBob Hicok is one of the most active poets writing today, and his poems have appeared widely, including in The New Yorker and Poetry. His honors include the Bobbitt Prize from the Library of Congress and a "Notable Book of the Year" from Booklist. Hicok has worked as an automotive die designer and a computer system administrator, and is currently an associate professor of English at Virginia Tech. He lives in Blacksburg, Virginia.

    The first "transatlantic" history of the Irish, Emigrants and Exiles offers the fullest account yet of the diverse waves of Irish emigration to North America.Drawing on enormous original research, Miller focuses on the thought and behavior of the "ordinary" Irish emigrants, as revealed in their personal letters, diaries, journals, and memoirs as well as in their songs, poems and folklore. Miller shows that the exile mentality was deeply rooted in Irish history, culture and personality, and it profoundly affected both the traumatic course of modern Irish history and the Irish experience in America.

    He was born in New York City to Jewish parents; his father was born in Poland. He went to college and earned his B.A. from New York University and went on to acquire an M.A. as well as a Ph.D. in English Literature from the University of Michigan, before spending most of his adult life in Berkeley, California.Going Places, his first book of short stories, made his reputation as one of the most brilliant of that era's fiction writers; the stories are urban, funny, and written in a private, hectic diction that gives them a remarkable edge. The follow-up, coming six years later (Michaels was perhaps not prolific enough to build a widely popular career), was I Would Have Saved Them If I Could, a collection as strong as the first.

    She is a mystery. As Social Worker Debbie Gillan pieces together the puzzle of the child's identity, she discovers the child had disappeared two years earlier along with a twin sister. She also discovers HANNAHWHERE, an alternate world that is both a haven and a prison.... Life altering trauma becomes the key to unraveling the truth about the children, about Hannahwhere...and about Debbie herself. Truths that could either save them or destroy them all. “HANNAHWHERE is a revelation. This constantly surprising novel has some very dark moments, but John McIlveen's clean, clear prose carries you through them and back into the light of the good, decent people who fuel this story with their desperate efforts to do the right thing. Hannah herself is a joy. If she were up for adoption, I'd be the first in line.” -- F. Paul Wilson, New York Times bestselling author of COLD CITY “HANNAHWHERE by John McIlveen is everything a book should be--filled with unforgettable characters, fast-paced, and a page-turner. I loved it!” -- Heather Graham, New York Times bestselling author of LET THE DEAD SLEEP "From the very first line of HANNAHWHERE, you know you're in good hands. John McIlveen raises a compelling new voice with a story that is at once playful and frightening, thrilling and heartbreaking. Highly recommended." -- Jonathan Maberry, New York Times bestselling author of ROT & RUIN and FIRE & ASH "John McIlveen's HANNAHWHERE is a thrilling, emotionally complex paranormal mystery. The little girls at the center of the story will touch your heart and unsettle you, all at the same time. A wonderful first novel from an exciting new voice in genre fiction." -- Christopher Golden, New York Times bestselling author of SNOWBLIND "Love it, love it, LOVE IT!" -- Rick Hautala, bestselling author of THE DEMON'S WIFE"John McIlveen's HANNAHWHERE easily and often defies genre, weaving in mystery, darkness, humor and horror with a cast of living, breathing characters that it's far too easy to fall in love with. I am in awe of his talents." -- James A. Moore, author of the SEVEN FORGES series.“HANNAHWHERE is a unique piece of fiction. Full of compelling characters and original concepts, it transcends any notions of genre. The reader’s need to encounter a beautifully realized story rendered in clear, precise prose is fulfilled here with stunning clarity. John McIlveen is a talent who has a brilliant future as a novelist.” -- Thomas F. Monteleone, four-time Bram Stoker Award-winner

    She’s got street smarts, boundless determination, and one unusual skill: the ability to throw a ball as hard as the greatest pitchers in a baseball-mad city.From Coney Island sideshows to the brand-new Yankee Stadium, Diamond Ruby chronicles the extraordinary life and times of a girl who rises from utter poverty to the kind of renown only the Roaring Twenties can bestow. But her fame comes with a price, and Ruby must escape a deadly web of conspiracy and threats from Prohibition rumrunners, the Ku Klux Klan, and the gangster underworld.Diamond Ruby “is the exciting tale of a forgotten piece of baseball’s heritage, a girl who could throw with the best of them. A real page-turner, based closely on a true story” (Kevin Baker, author of Strivers Row).

    When you are a gypsy, an antique dealer, and you've been entrusted with a very old highboy in which a dead body is discovered, you have a major problem.Sorcery and the dark sciences lie at the heart of a terrible murder that threatens to force the police into a confrontation with New York's gypsy community. However, Roman Grey decides to unearth the truth about the killing, whatever the cost.

    Set to open in New York in the fall of 2001, this work focuses on fifteen-year-old Lisa, the daughter of a prostitute, and Clint, the car thief she runs away with to escape the misery of life with her mother. But the happier times that sullenly childlike Lisa yearns for never materialize, as Clint orders her to procure young runaways for him. No one notices that these teenage girls are missing until an anonymous call to the police reports their murders. Could the caller--and the killer--be Lisa? Rebecca Gilman has created a riveting, unsentimental portrait of a young woman whose most striking quality is not her capacity for evil but the depth of her emptiness, in an environment as harsh and unyielding as the contours of her life

    But the man is pursued by an army, and his own harrowing past; and the familiar American landscape has been savaged by war and climate change until it is nearly unrecognizable.Lost Everything is a stunning novel about family and faith, what we are afraid may come to be, and how to wring hope from hopelessness.

    Trouble ensues when Buffy's rebellious teenage daughter Emily does kiss the frog; soon she and handsome Prince Adamus disappear into the enchanted land of Fair Peril. It is up to Buffy to rescue Emily and, in the process, learn that magic does exist in the most ordinary of lives.

    Each descending sweep of the sharp pendulum brings the prisoner closer to death. One stroke neatly slices his robe. Another brings agonizing pain. Surely the next will end it all... If you like stories of mystery and suspense, get ready for Great Tales of Terror, by Edgar Allen Poe. This nightmarish collection includes these famous tales: "The Pit and the Pendulum," "The Cask of Amontillado," "The Black Cat," and "Ligeia."

    It's worse when you're dead............. Ohneka Falls is a small, Western New York town where everyone knows everyone and nothing of note happens. Ani Romero is a sixteen-year-old girl who wants to play sports, hang out, and kiss Mike, her middle-school crush. A childhood carrier of the zombie virus, she died at fourteen but didn't become a mindless, brain-eating monster. Her controlling mother forces her to join the emo crowd to hide her condition behind a wall of black clothes and makeup, and her friends abandon her. When creeper Dylan learns her secret, he falls into obsession, with Ani and with death. She bites him in self-defense. Persecuted by the jocks and ignored by Mike, Ani struggles through the motions of life hoping her mother's research unveils a cure, or Dylan dooms them all to a hungry, walking death. As her emo facade crumbles in the face of jealousy and obsession, Ani knows that the worst thing she can do is be true to herself.

    She’s been diagnosed as schizophrenic and locked away in a children’s psychiatric ward. But that’s not what makes her special. She also has a very strange—and powerful—gift. Scientists have been studying Sarah’s remarkable psychic power for years, enhancing it, manipulating it…twisting it into something evil. But their plans have gone horribly wrong. How much longer can they control Sarah? And what will happen if her powers are unleashed?