Though he never left Italy, his inventions and discoveries were heralded around the world. Most sensationally, his telescopes allowed him to reveal a new reality in the heavens and to reinforce the astounding argument that the Earth moves around the Sun. For this belief, he was brought before the Holy Office of the Inquisition, accused of heresy, and forced to spend his last years under house arrest. Of Galileo's three illegitimate children, the eldest best mirrored his own brilliance, industry, and sensibility, and by virtue of these qualities became his confidante. Born Virginia in 1600, she was thirteen when Galileo placed her in a convent near him in Florence, where she took the most appropriate name of Suor Maria Celeste. Her loving support, which Galileo repaid in kind, proved to be her father's greatest source of strength throughout his most productive and tumultuous years. Her presence, through letters which Sobel has translated from their original Italian and masterfully woven into the narrative, graces her father's life now as it did then. Galileo's Daughter dramatically recolors the personality and accomplishment of a mythic figure whose seventeenth-century clash with Catholic doctrine continues to define the schism between science and religion. Moving between Galileo's grand public life and Maria Celeste's sequestered world, Sobel illuminates the Florence of the Medicis and the papal court in Rome during the pivotal era when humanity's perception of its place in the cosmos was being overturned. In that same time, while the bubonic plague wreaked its terrible devastation and the Thirty Years' War tipped fortunes across Europe, one man sought to reconcile the Heaven he revered as a good Catholic with the heavens he revealed through his telescope. With all the human drama and scientific adventure that distinguished Longitude, Galileo's Daughter is an unforgettable story.

    Is his uncanny ability to tie perfect knots and render boots spotless a sign of his own magical talent, or the work of Billy Bly, the brownie who has been secretly watching over him since he was little? No matter, for the wizard has banished all magical creatures from his holdings. But Billy Bly isn't going anywhere, and when he discovers a curse upon the manor house, it's up to Frederick and Billy Bly to keep the lord's new baby safe and rid the Schofield family of the curse forever.

    The truth about that summer, no one else knows.In the summer of 1862, a group of young artists led by the passionate and talented Edward Radcliffe descends upon Birchwood Manor on the banks of the Upper Thames. Their plan: to spend a secluded summer month in a haze of inspiration and creativity. But by the time their stay is over, one woman has been shot dead while another has disappeared; a priceless heirloom is missing; and Edward Radcliffe’s life is in ruins.Over one hundred and fifty years later, Elodie Winslow, a young archivist in London, uncovers a leather satchel containing two seemingly unrelated items: a sepia photograph of an arresting-looking woman in Victorian clothing, and an artist’s sketchbook containing the drawing of a twin-gabled house on the bend of a river.Why does Birchwood Manor feel so familiar to Elodie? And who is the beautiful woman in the photograph? Will she ever give up her secrets?

    Five were taken before the girl's parents agreed to give her up. They called in Cousin Cory, Aunt Marta, all the known practitioners. The ones who could teach me how to hide in a leaf, dip into minds, and find the secret herbs that heal. Her childhood now over, the girl must face the Dark of the Other Side.

    Molly, her powerful and enigmatic lover, her fey granddaughter, and her young apprentice, soon discover that something terrible prowls the woods. As the group travels from refuge to refuge, it becomes apparent that the mysterious evil force must be faced and defeated - or else they will surely die. An intoxicating and spirited blend of fantasy, mythology, and history, Something Red features the most fascinating of characters including shapeshifters, Irish battle queens, Norman knights, Templars, pilgrims, Saracens, a Lithuanian noblewoman, warrior monks, strong - even dangerous - women, and ten murderous mastiffs, as well as an epic snowstorm that an early reader described as "one of the coldest scenes since Snow Falling on Cedars."

    But he discovers a city in turmoil and an Empire on the brink. The aging emperor Tiberius is in seclusion on Capri, leaving Rome in the iron grip of Sejanus, commander of the Praetorian Guard. Sejanus is ruler of the Empire in all but name, but many fear that isn't enough for him. Sejanus' spies are everywhere—careless words at a dinner party can be as dangerous as a barbarian arrow. Vespasian is totally out of his depth, making dangerous enemies (and even more dangerous friends—like the young Caligula), and soon finds himself ensnared in a conspiracy against Tiberius. With the situation in Rome deteriorating, Vespasian flees the city to take up his position as tribune in an unfashionable legion on the Balkan frontier. But even here there is no escaping the politics of Rome. Unblooded and inexperienced, he must lead his men in savage battle with hostile mountain tribes—dangerous enough without renegade Praetorians and Imperial agents trying to kill him too. Somehow, he must survive long enough to uncover the identity of the traitors behind the growing revolt...

    At its heart is Romola, the devoted daughter of a blind scholar, married to the clever but ultimately treacherous Tito whose duplicity in both love and politics threatens to destroy everything she values, and she must break away to find her own path in life. Described by Eliot as 'written with my best blood', the story of Romola's intellectual and spiritual awakening is a compelling portrayal of a Utopian heroine, played out against a turbulent historical backdrop.

    Compelled by this message, the wealthy, sybaritic Sextus Roscius goes not to his harlot, but to his doom—savagely murdered by unknown assassins. In the unseasonable heat of a spring morning in 80 B.C., Gordianus the Finder is summoned to the house of Cicero, a young advocate staking his reputation on this case. The charge is patricide; the motive, a son's greed. The punishment, rooted deep in Roman tradition, is horrific beyond imagining.Gordianus's investigation takes him through the city's raucous, pungent streets and deep into urban Umbria, unraveling layers of deceit, twisted passions, and murderous desperation. From pompous, rouged nobles to wily slaves to citizens of seemingly simple virtue, the case becomes a political nightmare. As the defense proceeds toward a devastating confrontation in the Forum, one man's fate may be threaten the very leaders of Rome itself.

    Fust is financing Gutenberg’s workshop and he orders Peter, his adopted son, to become Gutenberg’s apprentice. Resentful at having to abandon a prestigious career as a scribe, Peter begins his education in the “darkest art.”As his skill grows, so, too, does his admiration for Gutenberg and his dedication to their daring venture: copies of the Holy Bible. But mechanical difficulties and the crushing power of the Catholic Church threaten their work. As outside forces align against them, Peter finds himself torn between two father figures: the generous Fust, who saved him from poverty after his mother died; and the brilliant, mercurial Gutenberg, who inspires Peter to achieve his own mastery.Caught between the genius and the merchant, the old ways and the new, Peter and the men he admires must work together to prevail against overwhelming obstacles—a battle that will change history . . . and irrevocably transform them.

    It was the best-selling of Twain's works during his lifetime, as well as one of the best-selling travel books of all time.

    Unjustly neglected today, Tasso's epic poem 'Jerusalem Delivered'(first published in 1581) is set in the 11th century and tells the story of the First Crusade and the siege which gave Christian armies control over Jerusalem and the Holy Lands for a time.As in other epic poems, 'Jerusalem Delivered' deftly mixes history and myth. Tasso's heroes - Godfrey, leader of the Christian armies; Rinaldo, bravest of the Christian warriors; and Tancred, the Italian prince who falls in love with the pagan warrioress Clorinda, whom he eventually (andsimultaneously) converts and kills - must face not only the Saracens and their allies, but also a host of fearsome and manipulative devils, demons, and sorcerers. This is a sweeping and often thrilling tale of war, faith, love, and sex that easily rivals its classical predecessors. Writing at a time when Christianity was bitterly divided, Tasso was naturally concerned with the nature of leadership and loyalty, with the importance of sacrifice, with the evils of corruption, and with the existence of truth, themes that continue to resonate today. No wonder that for three centuries, 'Jerusalem Delivered' was considered the great modern epic. Indeed, Spenser borrowed scenes and episodes from this poem in writing the 'Faerie Queen', and Milton was greatly influenced by Tasso when writing his own Christian epic, 'Paradise Lost'.English-language readers who are familiar with Tasso's grand romance have until now known it only through a verse translation by English poet Edward Fairfax published in 1600. In order to fit Tasso's stanzas into the then popular Spenserian verse form, Fairfax had to alter the original poem considerably. Now, 400 years later, Anthony Esolen presents a new translation that transforms 'Jerusalem Delivered' into an English-language masterpiece. The first major verse translation into English since Fairfax's, Esolen's version is both more true to its original source and more fluid than that of hisElizabethan predecessor. Esolen has translated 'Jerusalem Delivered' with the care of poet, capturing the delight of Tasso's descriptions, the different voices of its cast of characters, the shadingsbetween glory and tragedy, and does them all in an English as powerful as Tasso's Italian. Esolen's will immediately be acclaimed as the definitive translation of this powerful work of faith and war. Like theFagles 'Iliad' and 'Odyssey', the Pinsky 'Inferno', and Seamus Heaney's imaginative new rendering of 'Beowulf', Anthony Esolen's bold, fast-moving, and faithful translation of Tasso'sCrusade-era adventure will introduce a new generation of readers to a masterpiece of world literature.

    With an endearing cast of characters this multiple award-winner is sure to earn a place on the keeper shelf. ✱ ✱ CAVEAT EMPTOR ✱ ✱ Please note that if you hated A Knight In Shining Armor by Jude Deveraux, it is quite likely you *will not* like this book.If you believe men in the 1800s didn't use foul language, you *will not* like this book. See disclaimer below.Thrown back to the year 1897, Victoria Ashton is mistaken for, and forced to impersonate, the spiteful, unfaithful Countess of Guildford, who's been missing for three weeks. Despite Victoria's attempts to convince the earl she's not his wife, her double's infidelity and lies make it difficult, especially when Victoria falls in love with a man who loathes her. Nicholas Thornhill, Earl of Guildford, is plagued with rumors he murdered his missing wife. When she unexpectedly reappears, he scoffs at her latest in a long string of lies. But the changes in Victoria make him to alter his opinion as he forges a bond with her that crosses the boundaries of time. NOTE: This book is a 125,000 words. For readers who do not enjoy sex scenes, there is 3.75% (16 pgs out of 443) of sexual content in this book. The F-word occurs 34 times in this 443 page book or 1% of the entire book.Men as a general rule have used the F-word long before the Victorian era, which this book is set in. The difference between the men in the past & men of today is that they didn't use the word in the company of women. The author chose to use the F-word because it fits a male reaction to frustration and anger. It is a visceral word with a guttural sound that projects the emotion of outrage in a harsh and visceral manner. Say it out loud with force. Men are sometimes crass & crude with other men. In contrast to the use of the F-word the author refuses to use the word sh*t as it evokes an image of filth and bodily waste. Please factor this information into your buying decision. If you are uncomfortable with these numbers, it is doubtful you will enjoy the read. For readers of time travel romance who enjoyed OUTLANDER and A KNIGHT IN SHINING ARMOR.... “Forever Mine is the best time travel romance I've ever read, rivaling Jude Deveraux for intensity and chemistry between the hero and heroine.” — Lucy Monroe, USAToday bestselling author "With Forever Mine, Monica Burns delivers another gorgeous and deeply emotional story with a smart, strong-willed heroine and a tortured and oh-so-sexy hero." -- Vanessa Kelly. Bestselling author of historical romance "Monica Burns has once again gotten me to read and love a historical romance! Forever Mine is a phenomenally written story of a love that surpasses the barriers of time. At the end I cried ugly, gut-wrenching tears which I rarely do. The emotional last few chapters bled through my Kindle and directly into my soul. Monica Burns has written something truly magical. Forever Mine surpassed my expectations by miles and then kept on going." -- Nikki Brandyberry, Ramblings from a Chaotic Mind This book is like the center of an Oreo, the best part of the cookie. Monica Burns has captured true [time travel] romance and woven it into a time travel/reincarnation tale. The characters are so well developed and true. -- Joann Ferrara Maggio Reader Review "FOREVER MINE is a time travel romance to place on your keeper shelf where you store all your favorite time travel romances, Regency, Victorian,

    The time is the 15th century, when intrepid merchants became the new knighthood of Europe. Among them, none is bolder or more cunning than Nicholas vander Poele of Bruges, the good-natured dyer's apprentice who schemes and swashbuckles his way to the helm of a mercantile empire.     Niccolò Rising, Book One of the series, finds us in Bruges, 1460. Jousting is the genteel pastime, and successful merchants are, of necessity, polyglot. Street smart, brilliant at figures, adept at the subtleties of diplomacy and the well-timed untruth, Dunnett's hero rises from wastrel to prodigy in a breathless adventure that wins him the hand of the strongest woman in Bruges and the hatred of two powerful enemies. From a riotous and potentially murderous carnival in Flanders, to an avalanche in the Alps and a pitched battle on the outskirts of Naples, Niccolò Rising combines history, adventure, and high romance in the tradition stretching from Alexandre Dumas to Mary Renault.

    Set in 18th century Naples, based on the lives of Sir William Hamilton, his celebrated wife Emma, and Lord Nelson, and peopled with many of the great figures of the day, this unconventional, bestselling historical romance from the National Book Award-winning author of In America touches on themes of sex and revolution, the fate of nature, art and the collector's obsessions, and, above all, love.

    Its architectural treasures crumble—foundations shift, marble ornaments fall—even as efforts to preserve them are underway. The City of Falling Angels opens on the evening of January 29, 1996, when a dramatic fire destroys the historic Fenice opera house. The loss of the Fenice, where five of Verdi's operas premiered, is a catastrophe for Venetians. Arriving in Venice three days after the fire, Berendt becomes a kind of detective—inquiring into the nature of life in this remarkable museum-city—while gradually revealing the truth about the fire.In the course of his investigations, Berendt introduces us to a rich cast of characters: a prominent Venetian poet whose shocking "suicide" prompts his skeptical friends to pursue a murder suspect on their own; the first family of American expatriates that loses possession of the family palace after four generations of ownership; an organization of high-society, partygoing Americans who raise money to preserve the art and architecture of Venice, while quarreling in public among themselves, questioning one another's motives and drawing startled Venetians into the fray; a contemporary Venetian surrealist painter and outrageous provocateur; the master glassblower of Venice; and numerous others-stool pigeons, scapegoats, hustlers, sleepwalkers, believers in Martians, the Plant Man, the Rat Man, and Henry James.Berendt tells a tale full of atmosphere and surprise as the stories build, one after the other, ultimately coming together to reveal a world as finely drawn as a still-life painting. The fire and its aftermath serve as a leitmotif that runs throughout, adding the elements of chaos, corruption, and crime and contributing to the ever-mounting suspense of this brilliant book.