After his favorite uncle was blown to bits on his way to work in a foreign city, Tom watched his family implode. He quit school and turned his back on his music and everyone that mattered, including the girl he can't forget. Shooting for oblivion, he's hit rock bottom, forced to live with his single, pregnant aunt, work at the Union pub with his former friends, and reckon with his grieving, alcoholic father. Tom's in no shape to mend what's broken. But what if no one else is either? An unflinching look at family, forgiveness, and the fierce inner workings of love and friendship, The Piper's Son redefines what it means to go home again.The award-winning author of Finnikin of the Rock and Jellicoe Road pens a raw, compelling novel about a family's hard-won healing on the other side of trauma.

    So Anna "borrows" her stepmom's credit card and runs away to Los Angeles, where her half-sister takes her in. But LA isn't quite the glamorous escape Anna had imagined.As Anna spends her days on TV and movie sets, she engrosses herself in a project researching the murderous Manson girls—and although the violence in her own life isn't the kind that leaves physical scars, she begins to notice the parallels between herself and the lost girls of LA, and of America, past and present.In Anna's singular voice, we glimpse not only a picture of life on the B-list in LA, but also a clear-eyed reflection on being young, vulnerable, lost, and female in America—in short, on the B-list of life. Alison Umminger writes about girls, sex, violence, and which people society deems worthy of caring about, which ones it doesn't, in a way not often seen in YA fiction.

    But the discovery of an unidentified dead girl on the side of a dirt road sends the town--and Becca--into a tailspin. Unable to make sense of the violence of the outside world creeping into her backyard, Becca finds herself retreating inward, paralyzed from moving forward for the first time in her life. Short chapters detailing the last days of Amelia Anne Richardson's life are intercut with Becca's own summer as the parallel stories of two young women struggling with self-identity and relationships on the edge twist the reader closer and closer to the truth about Amelia's death.

    Just ask the guy whose nose she broke. Or the cop investigating the burglary she witnessed, or her cheating ex-boyfriend, or her aunt who's tired of giving second chances.When a kid shows up claiming to be Frankie's half brother, it opens the door to a past she doesn't want to remember. And when that kid goes missing, the only person willing to help is a boy with stupidly blue eyes, a criminal record, and secrets of his own.Frankie's search for the truth could change her life, or cost her everything.

    Let me tell you my story.Not just the facts I know you want to hear.If I’m going to tell you my story,I’m telling it my way.Strap yourself in...Eliza Boans has everything.A big house.A great education.A bright future.So why is she sitting in a police station confessing to murder?

    And the girl most likely to have everything under control . . . that is, until her dad invites Nick McGowan, the cutest boy at school, to live with them. Rachel worries that this could only be a recipe for disaster, but her best friend Zoe thinks it’s the perfect opportunity for lurve. Sparks start to fly for all the wrong reasons. Nick finds Rachel spoiled and uptight and Rachel dismisses Nick as lazy and directionless. But a secret from Nick’s past draws them together and makes the year Nick McGowan came to stay one that Rachel will never forget.

    Suddenly, she’s a farm girl, albeit a reluctant one, selling figs at the farmers’ market and developing her photographs in a ramshackle shed. Caught between a troublemaking sidekick named Storm, a brooding, easy-on-the-eyes L.A. boy, and a father on a human rights crusade that challenges the fabric of the farm community, Roar is going to have to tackle it all—even with dirt under her fingernails and her hair pulled back with a rubber band meant for asparagus.

    Ella has spent her high school years living in popular Maddy's shadows, but she has never been envious of Maddy. In fact, she's chosen the quiet, safe confines of her sketchbook over the constant battle for attention that has defined Maddy's world.When—after a heated argument—Maddy and Ella get into a tragic accident that leaves her sister dead, Ella wakes up in the hospital surrounded by loved ones who believe she is Maddy. Feeling responsible for Maddy's death and everyone's grief, Ella makes a split-second decision to pretend to be Maddy. Soon, Ella realizes that Maddy's life was full of secrets. Caught in a web of lies, Ella is faced with two options—confess her deception or live her sister's life.

    Lucy is in love with Shadow, a mysterious graffiti artist.Ed thought he was in love with Lucy, until she broke his nose.Dylan loves Daisy, but throwing eggs at her probably wasn't the best way to show it.Jazz and Leo are slowly encircling each other.An intense and exhilarating 24 hours in the lives of four teenagers on the verge: of adulthood, of HSC, of finding out just who they are, and who they want to be.A lyrical new YA novel from the award-winning author of Chasing Charlie Duskin and the Gracie Faltrain series.

    Luna, her father, and her little brother, Tile, are still struggling with grief.   When Luna goes to clean out her mother's old studio, she's stunned to find her mom's cell phone there—charged and holding seven unheard messages. As Luna begins to listen to them, she learns more about her mother's life than she ever wanted to know . . . and she comes to realize that the tidy tale she's been told about her mother's death may not be the whole truth.

    I buried my mother. My grandfather buried a swimming pool. A boy who can’t speak has adopted me. A girl kissed me. I broke and entered. Now I’m fantasizing about a guy who’s a victim of crime and I am the criminal. I’m going nowhere and every minute I’m not moving, I’m being tail-gated by a curse that may or may not be real. They call me Friday. It has been foretold that on a Saturday I will drown…Friday, 17, flees memories of her mother, granddad, and the family curse. She joins Silence in a street gang led by beautiful charismatic Arden, and escapes to a ghost town in the outback. In Murungal Creek, the town of never leaving, Friday faces the ghosts of her past. Sometimes you have to stay to finish what you started, and before you can find out who you are, you have to become someone you never meant to be.

    She lost her mom in a car accident, and her father went AWOL when Johanna was just a baby. At sixteen, life is steady, boring . . . maybe even stifling, since she's being raised by her grandparents who never talk about their daughter, her mother Mandy.Then he comes back: Robert Newsome, Johanna's father, bringing memories and pictures of Mandy. But that's not all he shares. A tragic car accident didn't kill Mandy--it was Johanna, who at two years old, accidentally shot her own mother with an unsecured gun.Now Johanna has to sort through it all--the return of her absentee father, her grandparents' lies, her part in her mother's death. But no one, neither her loyal best friends nor her sweet new boyfriend, can help her forgive them. Most of all, can she ever find a way to forgive herself?In a searing, ultimately uplifting story, debut author Alex Richards tackles a different side of the important issue that has galvanized teens across our country.

    Ask ANYBODY.Rumor has it that Alice Franklin is a slut. It's written all over the bathroom stall at Healy High for everyone to see. And after star quarterback Brandon Fitzsimmons dies in a car accident, the rumors start to spiral out of control.In this remarkable debut novel, four Healy High students—the girl who has the infamous party, the car accident survivor, the former best friend, and the boy next door—tell all they know.But exactly what is the truth about Alice? In the end there's only one person to ask: Alice herself.

    I am the staff trainer. I will call you grasshopper and you will call me sensei and I will give you the good oil. Right? And just so you know, I'm open to all kinds of bribery.'From the moment 15-year-old Amelia begins work on the checkout at Woolworths she is sunk, gone, lost...head-over-heels in love with Chris. Chris is the funny, charming, man-about-Woolies, but he's 21, and the 6-year difference in their ages may as well be 100. Chris and Amelia talk about everything from Second Wave Feminism to Great Expectations and Alien, but will he ever look at her in the way she wants him to? And if he does, will it be everything she hopes?

    When Eddie Reeves’s father commits suicide, her life is consumed by the nagging question of why? Why when he was a legendary photographer and a brilliant teacher? Why when he seemed to find inspiration in everything he saw? And, most important, why when he had a daughter who loved him more than anyone else in the world? When she meets Culler Evans, a former student of her father’s and a photographer himself, an instant and dangerous attraction begins. Culler seems to know more about her father than she does and could possibly hold the key to the mystery surrounding his death. But Eddie’s vulnerability has weakened her and Culler Evans is getting too close. Her need for the truth keeps her hanging on...but are some questions better left unanswered?