In the earlier play Ostrovsky had adopted a satiric tone that proved him a worthy disciple of Gogol, the great founder of Russian realism. Not one lovable character appears in that gloomy picture of merchant life in Moscow; even the old mother repels us by her stupidity more than she attracts us by her kindliness. No ray of light penetrates the "realm of darkness" -- to borrow a famous phrase from a Russian critic -- conjured up before us by the young dramatist. In Poverty Is No Crime we see the other side of the medal. Ostrovsky had now been affected by the Slavophile school of writers and thinkers, who found in the traditions of Russian society treasures of kindliness and love that they contrasted with the superficial glitter of Western civilization. Life in Russia is varied as elsewhere, and Ostrovsky could change his tone without doing violence to realistic truth. The tradesmen had not wholly lost the patriarchal charm of their peasant fathers. A poor apprentice is the hero of Poverty Is No Crime, and a wealthy manufacturer the villain of the piece. Good-heartedness is the touchstone by which Ostrovsky tries character, and this may be hidden beneath even a drunken and degraded exterior. The scapegrace, Lyubim Tortsov, has a sound Russian soul, and at the end of the play rouses his hard, grasping brother, who has been infatuated by a passion for aping foreign fashions, to his native Russian worth. Alexander Ostrovsky (1823-1886) was an early Russian Realist whose work led to the founding of the Moscow Arts Theatre and to the career of Stanislavsky. He has been acknowledged to be the greatest of the Russian dramatists.

    Eddie Carbone is a Brooklyn longshoreman, a hard-working man whose life has been soothingly predictable. He hasn't counted on the arrival of two of his wife's relatives, illegal immigrants from Italy; nor has he recognized his true feelings for his beautiful niece, Catherine. And in due course, what Eddie doesn't know?about her, about life, about his own heart?will have devastating consequences.

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    His parents retired and moved to Florida. That doesn't mean his family isn't still in Jersey. In fact, he sees both sets of his grandparents every Sunday for dinner. This is routine until he has to tell them that he's been offered a dream job. The job he's been waiting for - marketing executive - would take him away from his beloved, but annoying, grandparents. He tells them. The news doesn't sit so well. Thus begins a series of schemes to keep Nick around. How could he betray his family's love to move to Seattle for a job, wonder his grandparents? Well, Frank, Aida, Nunzio, and Emma do their level best, that includes bringing the lovely - and single - Caitlin O'Hare as bait.

    At the tender age of eleven she is given to Bank Roll, who has his hand in every type of hustle, to settle a drug debt for her parents. Bank Roll is much older and once he sees how unique Lexi is, he breeds her to be his special girl, falling in love with her in the process. She loves him as well, but has him ripped away from her life too soon.While many use the ‘molested at a young age’ story as an excuse, Lexi takes the cards she is dealt and learns all she can because she’s a grown woman in a girl’s body. Not one to settle or let life take over her, she uses the gems she has learned over the years and dabbles in everything she can, just like her mentor. A few chance meetings put her in position to use what she has to get what she needs, and while still in her teen years not only is she on top of the world, but she is also running it. Lexi knows that street smarts can get you so far, but can her Savage instincts take her where she wants to be?

    . .When Mama announced to our family that she had dementia, my brother and sisters insisted they couldn't help. They had their own lives elsewhere, after all. So, I gave up my dreams and spent the next nine years caring for Mama alone, losing her bit by bit, and nearly losing myself in the process.I, Gracie, started over . . .After Mama finally let go of this world, I let go of that world, too. I left the nightmare of my life with Mama, my family, and West Texas to start over in a new place, far away. It took some doing, but I have a new job, a safe place to live, and even new friends and a man who loves me, broken as I am. But . . .I, Gracie, am scarred . . .Until my past is buried like Mama, I keep my man waiting--struggling with what was and not trusting what is or could be.I, Gracie . . .Am on hold . . .still trying to let go.Praise for New York Times and USA Today-bestselling author Sharon Sala "Sharon Sala is a consummate storyteller." --Debbie Macomber, #1 New York Times bestselling author"Sala hooks you from the first page." --Fresh Fiction

    Over the course of her life, she gathered those who needed her special brand of love. Nine years after her death, Celia's puppies are facing themselves and their lives. Exciting, heart-warming, and always fun, Celia's Puppies is the second installment of the Denver Cereal. An Internet sensation, Denver Cereal is a serial fiction grounded in Uptown Denver, Colorado. "I am completely addicted to this series." - P. Cooper "Claudia Hall Christian brings life to each of these characters, a life that you long to be a part of, that you just can't get enough of." - C. Sund "I love Denver Cereal." - L. Richards Crunchy, sweet and always addicting - you deserve a little Denver Cereal in your life. DenverCereal.com

    Will she ever get married... In New York, big beautiful women are not sought after, except by horrible, money-grubbing men like Rodrigo Gonzalez whom Emily suspects is just after the family business.Then, Emily receives a letter in the post from her friend Katie Carson who has found love in the West. Her friend fills her head with visions of what life could be like as a mail order bride. Emily believes that she's finally found the answer to her prayers and upon arrival, captures the interest of many potential suitors despite her size. However, even though she has so many options, Emily finds herself falling for a man who does not have any interest in marriage”" Ray Benson. He believes the best way to serve God is by remaining single, so Emily resigns herself to being his friend and allowing him to counsel her in whom she should marry, if anyone.Ray is drawn to Emily, but he wants to keep his mind focused on God and building a church in town. He needs advice, so when a travelling preacher comes to Bradford Junction, he asks seeks the Godly man out. However, the advice that he gives Ray shocks the young man. Emily struggles with who to marry and Ray wrestles with his vision of the future. When he finally realizes the truth, he may be too late. Can Emily break down the barrier that Ray has put in front of his heart or is it God's plan for her to remain single? Will Ray stubbornly refuse to see what is right in front of his eyes?A story of clean western romance, friendship, marriage, loyalty, and faith to God.Each installment is designed to be read in around three hours. They are great when you are waiting for someone, taking the subway to work or just have some extra time to spare anytime, anywhere.Each short story can be read as a stand alone, even though this is book #1 of the Colorado Wilderness Mail Order Brides Series. It is available for just $0.99 or FREE on Kindle Unlimited.Also take a look at this: Colorado Mail Order Brides SeriesBook 1 - Desperate Cowboy Seeks Mail Order Bride to Save RanchBook 2 - Desperate Cowboy Saves Mail Order Bride From DangerBook 3 - Desperate Cowboy Finds Solace With Mail Order BrideBook 4 - Desperate Cowboy Gets Second Chance With Mail Order Bride.Colorado Wildnerness Mail Order Brides SeriesBook 1 - Big Beautiful Bride For The Reluctant PreacherBook 2 - Big Beautiful Bride Takes An Insecure Husband - Coming in mid-SeptBook 3 - Coming soon in end-SeptBook 4 - Coming soon in mid-Oct

    During the past ten years Harold Pinter has written a new play, three film scripts, sheaves of poems, several sketches and created, with composer James Clarke, a pioneering work for radio, Voices. He has acted on stage, screen and radio, he has appeared on countless political platforms, and his work has been extensively celebrated in festivals at Dublin's Gate Theatre and New York's Lincoln Center. In 2005 he was awarded the Nobel Prize for Literature and in 2006, the European Theatre Prize. As if this were not enough, he has in the last five years twice come close to death. But he has faced hospitalisation with stoic resilience and his spirit remains as fiercely combative as ever. As he wrote in 2005 to Professor Avraham Oz, one of Israel's leading internal opponents of authoritarianism: "Let's keep fighting."

    blu, steeped in poetic realism and contemporary politics, challenges us to try to imagine a time before war.Selected as the winner of the 2010 Yale Drama competition from more than 950 submissions, Virginia Grise's play blu takes place in the present but looks back on the not too distant past through a series of prayers, rituals, and dreams. Contest judge David Hare commented, "Virginia Grise is a blazingly talented writer, and her play blu stays with you a long time after you've read it." Noting that 2010 was a banner year for women playwrights, he added, "Women's writing for the theatre is stronger and more eloquent than it has ever been."

    She understands and exploits the unique strengths of her medium: the ability to viscerally connect with an audience.” –The EconomistExperimental Korean American theatre artist Young Jean Lee has been called “one of the best experimental playwrights in America” (Time Out New York). This volume contains two of her recent works:In The Shipment, Lee provides a provocative look at African-American identity in our not-yet post-racial society. The New York Times calls this take on cultural images of black America “a subversive, seriously funny new theater piece… Ms. Lee wields sharp, offbeat humor to point up the clichés, distortions and absurdities” (Charles Isherwood, New York Times).LEAR is Lee’s own version of Shakespeare’s tragedy, focusing on the king’s three daughters. A production in which Lear himself never appears, LEAR is a “wacky blend of ‘To be or not to be,’ Beckett, and Pirandello…full of exhilarating, illuminating moments” (Village Voice).Young Jean Lee has written and directed shows in New York with Young Jean Lee’s Theater Company and toured her work to over twenty cities around the world. Her plays include Straight White Men, We’re Gonna Die, Untitled Feminist Show, The Shipment, Lear and Songs of the Dragons Flying to Heaven. Awards include two Obies, the Festival Prize of the Zuercher Theater Spektakel, a Prize in Literature from the American Academy of Arts and Letters, a Guggenheim Fellowship and a Doris Duke Artist Award.

    After years of childhood abuse, Kylah finds herself grown, single, and scorned, and it isn't until life forces her to break down that she realizes that she must heal from yesterday's trauma's in order to move on to brighter tomorrow's. When Kylah loves, she loves hard, so when her old high school sweetheart walks back into her life only to end up destroying her heart, he validates her cynical view of men. She warns her sister Kyree and best friend Trixie about love, but soon enough, she finds herself falling in love faster than she could ever imagine. Then to make matters worse, her drug addicted mother pops back into her life, spilling secrets that turns Kylah's life upside down. When it's all said and done, Kylah is forced to either face the pain of her yesterday's or risk losing everything and everyone she loves for a past she can't seem to shake. Formerly My Yesterday's Text

    But a promise to her late husband has her attending her dreaded twenty-year high school reunion, drinking ghastly punch, and taking desperate measures just to keep her vow, even if she has to hide behind the décor to do it.Once a reckless troublemaker, Michael McCann fled town after graduation. Now a professional technical rescuer, he’s back for the reunion, but on his trip down memory lane, he soon comes face to face with unresolved issues, namely Savannah.Before the night is over, a pact between these two old friends will lead them on an adventure into uncharted emotional territory where Michael must confront his past regrets and find the courage to reveal the truth. But can Savannah fly from her sheltered nest and risk her heart on a real-life hero?

    Forced to abandon the life he has built, he embarks on a last, frantic search to recruit a friend, anyone, to speak in his defence. But Death is close behind, and time is running out.One of the great primal, spiritual myths, Everyman asks whether it is only in death that we can understand our lives. A cornerstone of English drama since the 15th century, this new adaptation by Poet Laureate Carol Ann Duffy was presented at the National Theatre, London, in April 2015.