His dialogue--abrasive, rhythmic--illuminates a modern aesthetic evocative of Samuel Beckett. His plots--surprising, comic, topical--have evoked comparisons to masters from Alfred Hitchcock to Arthur Miller. Here are two screenplays demonstrating the astounding range of Mamet's talents.         The Spanish Prisoner, a neo-noir thriller about a research-and-development cog hoodwinked out of his own brilliant discovery, demonstrates Mamet's incomparable use of character in a dizzying tale of twists and mistaken identity. The Winslow Boy, Mamet's revisitation of Terence Rattigan's  classic 1946 play, tells of a thirteen-year-old boy accused of stealing a five-shilling postal order and the tug of war for truth that ensues between his middle-class family and the Royal Navy. Crackling with wit, intelligent and surprising, The Spanish Prisoner and The Winslow Boy celebrate Mamet's unique genius and our eternal fascination with the extraordinary predicaments of the common man.

    The topics include feminism and the role of women in the drama, the American Dream, business and capitalism, the significance of technology, the legacy that Willy leaves to Biff, and Miller's use of symbolism. The authors of the essays include prominent Arthur Miller scholars such as Terry Otten and the late Steven Centola as well as young, emerging scholars. Some of the essays, particularly the ones written by the emerging scholars, tend to employ literary theory while the ones by the established scholars tend to illustrate the strengths of traditional criticism by interpreting the text closely. It is fascinating to see how scholars at different stages of their academic careers approach a given topic from distinct perspectives and sometimes diverse methodologies. The essays offer insightful and provocative readings of Death of a Salesman in a collection that will prove quite useful to scholars and students of Miller's most famous play.

    When the outside world comes calling, intent on manipulation for political and economic reasons, the islanders find their own world blown apart from the inside as well as beyond. Further Than The Furthest Thing is a beautifully drawn story evoking the sadness and beauty of a civilisation in crisis.Further Than The Furthest Thing premiered at the Traverse Theatre, Edinburgh in August, 2000.

    These “seven stories” lead to a charming and surprising ending.Cast of 2 women and 3 men.

    Emma Duncan, a hypochondriac with memory problems, and her orphaned fianc

    Brant’s writing [is] taut, terse and concentrated on exposing the fissures that open in the heroine’s confidence and sense of honor... Grounded has a grimly fresh topicality." - New York Times"Propulsive drama... A fascinating exploration of personality, Grounded is, of course, all the more interesting because the subject of drone warfare is so much in the news... Thought-provoking." - Washington Post"Brant’s sharp-eyed, timely script... lets no one off easy; it forces the audience into a greater awareness of our own complicity in America’s drifts. Clap all you want at the end of the play—and you’ll want to clap a lot—but the game stays with you." - Time Out New York"Brant's drama is ready for prime time... Compelling and provocative." - San Francisco Chronicle"I was blown away... Grounded powerfully focuses on the human element... Don't miss it." - The Nation"Gripping... A play that challenges us to consider the moral and mortal conflict that is so much a part of our dangerous world... Delivers quite the gut punch... Grounded could not be much more timely." - Baltimore SunSeamlessly blending the personal and the political, Grounded tells the story of a hot-rod F16 fighter pilot whose unexpected pregnancy ends her career in the sky. Repurposed to flying remote-controlled drones in the Middle East from an air-conditioned trailer near Vegas, the Pilot struggles through surreal twelve-hour shifts far from the battlefield, hunting terrorists by day and being a wife and mother by night. A tour de force play for one actress, Grounded flies from the heights of lyricism to the shallows of workaday existence, targeting our assumptions about war, family, and the power of storytelling.Winner of the 2012 Smith Prize, a 2013 Scotsman Fringe First Prize, and Shortlisted for the Amnesty International Freedom of Expression Award 2013 at the Edinburgh Fringe Festival, 2013.

    She's just 17, hates her parents, skives college and prefers life in the chatrooms. What she's looking for is someone honest and direct. Instead she finds Tim, a man twice her age, who thinks she is 11 and a boy.What seems at first to be a case of crossed wires, ends up as an unlikely, and unsettling friendship between the two, which culminates in a shocking, and morally challenging revelation.

    He has also written fim scripts and for television.

    Book by Wendy MacLeod, MacLeod, Wendy

    This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ]+++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Sacrifice: And Other Plays Rabindranath Tagore The Macmillan company, 1917 Drama

    Growing up in the streets of North Memphis, they've all vowed to make something of themselves. Bianca can't seem to shake her ex, Tay. After all the games he has played in the past, she has finally had enough. Tay, on the other hand, refuses to let go. A familiar hood superstar by the name of Q comes along and effortlessly steals her attention. However, she can't help but wonder if he will be the real thing. Afraid that this Q is just another Tay, Bianca tries to escape his grasp. But, is it too late? Tee has been through more than the average person could even imagine. With a heroin addicted mother and a molester for a father, she was destined for failure. However, with the help of Bianca and Kara she came out of her situation on top. No one knows what she does in her spare time except the two people who accompanies her on every mission. With time, though, everything will be revealed. And one mission will hit too close to home. Kara, the life of the party, has had her own share of loss and grief. But things really become interesting when a random trip to the gas station lands her in the arms of a rich and powerful drug dealer. Jamison, the best friend of Q, sweeps Kara off of her feet. Being broken for so long, she finally feels complete—until one perfect night turns deadly… When jealousy is taken to the extreme and lives hang in the balance, who will be left to settle scores?

    

    

    While coping with a mother who is basically having a midlife crisis of sorts, Kayla has been forced into a world where she must play mother to her younger brother and sister, Latrell and Linell. One day, after she drops the 9 year old twins off at school, Kayla’s entire world will change. She is over at her boyfriend, Marcus’, place when it is shot up and he is wounded. Marcus winding up in the hospital will only be the beginning of a long sequence of events that show Kayla that not only is Marcus’ life in danger from a deal gone wrong, but so is her own… Disclaimer: This book contains sexually explicit content and language which is only suitable for people over the age of 18.