But his mother sees a boy with a heart as open and wide as the ocean.Laurel Lockwood lost her son once through neglect. She's spent the rest of her life determined to make up for her mistakes, and she's succeeded in becoming a committed, protective parent—maybe even overprotective. Still, she loosens her grip just enough to let Andy attend a local church social—a decision that terrifies her when the church is consumed by fire. But Andy survives…and remarkably, saves other children from the flames. Laurel watches as Andy basks in the role of unlikely hero and the world finally sees her Andy, the sweet boy she knows as well as her own heart. But when the suspicion of arson is cast upon Andy, Laurel must ask herself how well she really knows her son…and how far she'll go to keep her promise to protect him forever.

    He admires Jessica for her courageous art and for how she has dealt with her life. As far as Will can tell, the only part of Jessica damaged by her past is her heart. Jessica assures Will she is incapable of lasting love, but Will refuses to believe it's true. Yes, it is a problem that the baggage from Jessica's past makes her see dating as merely recreational and men as interchangeable, but when she offers him temporary sexual fidelity, Will decides to take what he can get until he can find a way to convince Jessica she is still capable of love.Jessica Daniels is mostly happy with her life. Her daughter is graduating college. She is a few years away from retirement. Life is good even though lately she has stopped being interested in both her art and men. Since Jessica has never been the kind of woman looking for that one special man to settle down with, she normally dates and enjoys all the men she wants. What's the harm with doing so suits her? Will is certainly good-looking and charming, but she's not sure he's worth the trouble of an exclusive relationship. She likes riding his motorcycle, seriously admires his art, and thinks he's mostly a great guy. But after thirty years of being single, Jessica knows that most relationships just don't work out for a woman with a past like hers. When Will keeps insisting on sleeping with her, she finally gives in, but Jessica knows in her heart it will never last.

    Chronicling the sordid world of a teenage prostitute, it was the biggest bestseller of the year. It broke conventions, inspired a cult following, and made Peter Robertson rich, admired...and scared. There, on the edge of the crowd, he always sees her. She not only looks like Angel, she embodies the desperate creature he created. Everywhere Peter goes, she goes, obsessed with everything about him. What could she possibly want? Soon, curiosity will get the best of him. So will the girl with the haunted eyes. Because what she's really after is something that will explode Peter's world.

    Rosie Fisk was once Samantha Marcello's best friend-but that was before she ran off with Sam's fiancé, Michael, seven years ago. Since then Sam has found a new love, The Silver Swan, her pub. And just as it seems that time has healed all her wounds, Michael walks back into her life-and now he's a widower. With Rosie out of the picture, and unable to ignore the feelings she still has for him, Sam takes the opportunity to reconcile with Michael. But Rosie isn't about to let death stop her from keeping them apart. Her ghost has been hanging around her husband, playing on his grief and guilt-and only Sam can see her. Rosie stole Michael from her once. But this time Sam is going to exorcise her once and for all...

    Jenkins is the author of many books including the New York Times bestseller Out of the Blue with Orel Hershiser.

    But what happens when the camp you love is about to close? Can you ever really say goodbye to the place that made you who you are? These are the questions that plagues Ethel, the seventy-year-old former camp director who is nursing a broken heart after losing the love of her life as she now faces the impending closure of the camp on Lake Wenatchee that she called home. It's also a question that inspires change in forty-year-old Shannon, who spent the summers of her youth as a vibrant, capable camp counselor and is now directionless after watching her career implode. And there's Laura, who has lost all intimacy with her husband and doesn't know if she can save what seems to be gone forever. Finally, Ruby, who betrayed Ethel years ago and hasn't spoken to her since, hopes this will be her chance to make amends. When the four women learn that a homeless teen has been hiding at camp, they realize camp is something much more immediate for all: survival.And so the three generations of women search for a way to save the place that saved them all, finding in the process a way back to themselves and each other in The Firelight Girls, Kaya McLaren's novel of love and loss, heartbreak and healing.

    She hears escape.Once in France, April quickly learns the apartment is not merely some rich hoarder's repository. Beneath the cobwebs and stale perfumed air is a goldmine, and not because of the actual gold (or painted ostrich eggs or mounted rhinoceros horns or bronze bathtub). First, there's a portrait by one of the masters of the Belle Epoque, Giovanni Boldini. And then there are letters and journals written by the very woman in the painting, Marthe de Florian. These documents reveal that she was more than a renowned courtesan with enviable decolletage. Suddenly April's quest is no longer about the bureaux plats and Louis-style armchairs that will fetch millions at auction. It's about discovering the story behind this charismatic woman.It's about discovering two women, actually.With the help of a salty (and annoyingly sexy) Parisian solicitor and the courtesan's private diaries, April tries to uncover the many secrets buried in the apartment. As she digs into Marthe's life, April can't help but take a deeper look into her own. Having left behind in the States a cheating husband, a family crisis about to erupt, and a career she's been using as the crutch to simply get by, she feels compelled to sort out her own life too. When the things she left bubbling back home begin to boil over, and Parisian delicacies beyond flaky pâtisseries tempt her better judgment, April knows that both she and Marthe deserve happy finales.Whether accompanied by croissants or champagne, this delectable debut novel depicts the Paris of the Belle Epoque and the present day with vibrant and stunning allure. Based on historical events, Michelle Gable's A Paris Apartment will entertain and inspire, as readers embrace the struggles and successes of two very unforgettable women.

    More Like Her is the story of a seemingly perfect woman who’s the envy of her friends, neighbors, and co-workers…until the life of the object of their jealousy spectacularly, unexpectedly, and disastrously explodes. A novel of secrets, disappointments, false impressions—and what really goes on behind those suburban picket fences—More Like Her is ultimately about facing reality and appreciating everything that life has to offer.

    As our story opens, the Bennet sisters are enjoying a peaceful life in the English countryside. They idle away the days reading, gardening, and daydreaming about future husbands - until a funeral at the local parish goes strangely and horribly awry.Suddenly corpses are springing from the soft earth - and only one family can stop them. As the bodies pile up, we watch Elizabeth Bennet evolve from a naive young teenager into a savage slayer of the undead. Along the way, two men vie for her affections: Master Hawksworth is the powerful warrior who trains her to kill, while thoughtful Dr. Keckilpenny seeks to conquer the walking dead using science instead of strength. Will either man win the prize of Elizabeth's heart? Or will their hearts be feasted upon by hordes of marauding zombies? Complete with romance, action, comedy, and an army of shambling corpses, Pride and Prejudice and Zombies: Dawn of the Dreadfuls will have Jane Austen rolling in her grave - and just might inspire her to crawl out of it!(Description from back cover of trade paperback edition)

    But when Jack Molloy inherits half of the NFL's New York Hawks, he must take a crash course in steroids, gambling, crooked quarterbacks, control-freak coaches, and idiot sportswriters. As an instant celebrity, he has to steel himself for a season in tabloid hell.

    Newson is not the only member of the Class of take back '88 who has been raking over the ashes of the past. As his old class begins to reassemble in cyberspace, the years slip away and old feuds and passions burn hot once more.Meanwhile, back in the present, Newson's life is no less complicated. He is secretly in love with Natasha, his lovely but very attached sergeant, and failing comprehensively to solve a series of baffling and peculiarly gruesome murders. A school reunion is planned and as history begins to repeat itself, the past crashes headlong into the present. Neither will ever be the same again.In Past Mortem, Ben Elton - previous winner of The Crime Writers' Association Gold Dagger Award for Popcorn - delivers both a heart-stopping thriller and a killer comic romance.

    Not just for herself, but for her two young daughters and for her mother-in-law, for whom she cares while her husband is away fighting. What she does not expect is that she will fall in love with one of the enigmatic German soldiers who take up residence in the house next door to her home. As their relationship intensifies, so do the pressures on Vivienne. Food and resources grow scant, and the restrictions placed upon the residents of the island grow with each passing week. Though Vivienne knows the perils of her love affair with Gunther, she believes that she can keep their relationship and her family safe. But when she becomes aware of the full brutality of the Occupation, she must decide if she is willing to risk her personal happiness for the life of a stranger.

    Predictably, and almost immediately, his name retreated to the footnotes of history. And yet, as Wayne Johnston makes plain in his epic and affectionate fifth novel, The Colony of Unrequited Dreams, Smallwood's life was endearingly emblematic, an instance of an extraordinary man emerging at a propitious moment. The particular charm of Johnston's book, however, lies not merely in unveiling a career that so seamlessly coincided with the burgeoning self-consciousness of Newfoundland itself, but in exposing a simple truth--namely, that history is no more than the accretion of lived lives. Born into debilitating poverty, Smallwood is sustained by a bottomless faith in his own industry. His unabashed ambition is to "rise not from rags to riches, but from obscurity to world renown." To this end, he undertakes tasks both sublime and baffling--walking 700 miles along a Newfoundland railroad line in a self-martyring union drive; narrating a homespun radio spot; and endlessly irritating and ingratiating himself with the Newfoundland political machine. His opaque and constant incitement is an unconsummated love for his childhood friend, Sheilagh Fielding. Headstrong and dissolute, she weaves in and out of Smallwood's life like a salaried goad, alternately frustrating and illuminating his ambitions. Smallwood is harried as well by Newfoundland's subtle gravity, a sense that he can never escape the tug of his native land, since his only certainty is the island itself--that "massive assertion of land, sea's end, the outer limit of all the water in the world, a great, looming, sky-obliterating chunk of rock." The Colony of Unrequited Dreams bogs down after a time in its detailing of Smallwood's many political intrigues and in the lingering matter of a mysterious letter supposedly written by Fielding. However, when he speculates on the secret motives of his peers, or when he reveals his own hyperbolic fantasies and grandiose hopes--matters no one would ever confess aloud--the novel is both apt and amiable. Best of all is to watch Smallwood's inevitable progress toward a practical cynicism. It seems nothing less than miraculous that his countless disappointments pave the way for his ascension, that his private travails ultimately align with the land he loves. This is history resuscitated. --Ben Guterson

    There’s always a funnier caption in there somewhere. She’s ready to chase her creative dreams in New York City with her fiancé—until he leaves Hope at the altar. That may give her something to write about . . . Hope disappears for the time that would have been the couple’s month-long honeymoon, and upon returning learns of her own funeral. Everyone concluded Hope must have killed herself after being jilted. Needing a fresh start more than ever, she heads for the Big Apple only to discover it isn’t easy to rent a place when you’ve been declared dead. Taking shelter at the YMCA, Hope lands a job at an inspirational greeting card company assisting Jake, the guy who shut down his organization’s humor department. She has lost her faith in love; he needs to find something or someone that will make him laugh again. Fun and faithful, Greetings from the Flipside will keep turning over in your mind.

    In these high, green hills, the air is pure, the village is charming, and the people are generally lovable.Yet, Father Tim, the bachelor rector, wants something more. Enter a dog the size of a sofa who moves in and won't go away. Add an attractive neighbor who begins wearing a path through the hedge. Now, stir in a lovable but unloved boy, a mystifying jewel theft, and a secret that's sixty years old.Suddenly, Father Tim gets more than he bargained for. And readers get a rich, provincial comedy in which mysteries and miracles abound.- Includes new Readers' Guide to group discussion or personal reflection- Includes a new introduction by Professor Dale Brown, a friend of Jan Karon.