“Every writer who writes anything in this country is made to feel he has committed a crime,” Georgi Vladimov said. Dissident, he said, is a word that “they force on you.” His mother, a victim of Stalin’s anti-Semitic policy, had been interred for two years in one of the camps from which Vladimov derived the wrenching detail of Faithful Ruslan. The novel circulated in samizdat for more than a decade, often attributed to Solzhenitsyn, before its publication in the West led to Vladimov’s harassment and exile. A starving stray, tortured and abandoned by the godlike “Master” whom he has unconditionally loved, Ruslan and his cadre of fellow guard dogs dutifully wait for the arrival of new prisoners—but the unexpected arrival of a work party provokes a climactic bloodletting. Fashioned from the perceptions of an uncomprehending animal, Vladimov’s insistently ironic indictment of the gulag spirals to encompass all of Man’s inexplicable cruelty.

    J. Cronin, initially published in 1933. It tells the story of Dr. Harvey Leith, an English physician who is wrongfully blamed for the deaths of three patients and leaves his country in disgrace, ultimately finding redemption when thrust into the middle of a yellow fever epidemic in the Canary Islands.

    Former Bolshoi ballerina Nina Revskaya auctions off her jewelry collection and becomes overwhelmed by memories of her homeland, the friends she left behind amidst Stalinist aggression, and the dark secret that brought her to a new life in Boston.

    Naturally, she takes their daughters and son with her. The children, however, only make it as far as the train station - and even after returning home remain unaffected by their brief exile. "They ought either to be quieter or more noisy than before," their father thinks, "and it was disconcerting that they seemed to be exactly the same." Frank's routines, however, drift into disorder as he tries desperately to take charge of life at home and work. Even his printing plant is suddenly confronted by the specters of modernization and utter instability. In Penelope Fitzgerald's fiction, affection and remorse are all too often allied, and desire and design seem never to meet. Frank wants little more than a quiet, confident life - something for which he is deeply unsuited, and which Russia certainly will not go out of her way to provide. 'The Beginning of Spring' is filled with echoes of past wrongs and whispers of the revolution to come, even if the author evokes these with abrupt comic brio. (In one disturbance, "A great many shots had hit people for whom they were not intended.") As ever, Fitzgerald makes us care for - and want to know ever more about - her characters, even the minor players. Her two-page description of Frank's chief type compositor, for instance, is a miracle of precision and humor, sympathy and mystery. And the accountant Selwyn Crane - a Tolstoy devotée, self-published poet, and expert at making others feel guilty -is a sublime creation. His appetite for do-gooding is insatiable. After one fit of apparent altriusm, "Selwyn subsided. Now that he saw everything was going well, his mind was turning to his next charitable enterprise. With the terrible aimlessness of the benevolent, he was casting round for a new misfortune." As she evokes her household of tears and laughter, Fitzgerald's prose is as witty as ever, rendering the past present and the modern timeless. - Kerry Fried

    One of the results of its publication in the West was Pasternak's complete rejection by Soviet authorities; when he was awarded the Nobel Prize for Literature in 1958 he was compelled to decline it. The book quickly became an international best-seller.Dr. Yury Zhivago, Pasternak's alter ego, is a poet, philosopher, and physician whose life is disrupted by the war and by his love for Lara, the wife of a revolutionary. His artistic nature makes him vulnerable to the brutality and harshness of the Bolsheviks. The poems he writes constitute some of the most beautiful writing featured in the novel.

    and I asked God if he please couldn't take my brother Matthies instead of my rabbit. 'Amen.' Jas lives with her devout farming family in the rural Netherlands. One winter's day, her older brother joins an ice skating trip; resentful at being left alone, she makes a perverse plea to God; he never returns. As grief overwhelms the farm, Jas succumbs to a vortex of increasingly disturbing fantasies, watching her family disintegrate into a darkness that threatens to derail them all.A bestselling sensation in the Netherlands by a prize-winning young poet, Marieke Lucas Rijneveld's debut novel lays everything bare. It is a world of language unlike any other, which Michele Hutchison's striking translation captures in all its wild, violent beauty. Studded with unforgettable images - visceral, raw, surreal - The Discomfort of the Evening is a radical reading experience that will leave you changed forever.

    Now twenty-five, with a new life and the prospect of a child, Kimiâ is inundated by her own memories and the stories of her ancestors, which reach her in unstoppable, uncontainable waves. In the waiting room of a Parisian fertility clinic, generations of flamboyant Sadrs return to her, including her formidable great-grandfather Montazemolmolk, with his harem of fifty-two wives, and her parents, Darius and Sara, stalwart opponents of each regime that befalls them.In this high-spirited, kaleidoscopic story, key moments of Iranian history, politics, and culture punctuate stories of family drama and triumph. Yet it is Kimiâ herself—punk-rock aficionado, storyteller extraordinaire, a Scheherazade of our time, and above all a modern woman divided between family traditions and her own “disorientalization”—who forms the heart of this bestselling and beloved novel.

    And oh, what characters these are! Makar Dievushkin Alexievitch is a copy writer, barely squeaking by; Barbara Dobroselova Alexievna works as a seamstress, and both face the sort of everyday humiliation society puts upon the poor. These are people respected by no one, not even by themselves. These are folks too poor, in their circumstances, to marry; the love between them is a chaste and proper thing, a love that brings some readers to tears. But it isn't maudlin, either; Fyodor Dostoevsky has something profound to say about these people and this circumstance. And he says it very well. When the book was first published a leading Russian literary critic of the day -- Belinsky -- prophesied that Dostoevsky would become a literary giant. It isn't hard to see how he came to that conclusion, and in hindsight, he was surely was correct.

    With a compelling, off-beat protagonist evocative of Holden Caulfield and Quentin Coldwater, and a narrative voice that masterfully and naturally captures the nuances of a modern vernacular, Banks’s haunting and powerful novel is an indisputable—and unforgettable—modern classic.

    Losing her beloved husband after only seven years of marriage, heartbroken widow Nathalie steels herself against emotional attachments until she unexpectedly falls in for her offbeat, guileless co-worker, Markus, who represents the opposite of everything.

    Before long, Walker finds himself caught in a perverse triangle that leads to a sudden, shocking act of violence that will alter the course of his life.Three different narrators tell the story of Invisible, a novel that travels in time from 1967 to 2007 and moves from Morningside Heights, to the Left Bank of Paris, to a remote island in the Caribbean. It is a book of youthful rage, unbridled sexual hunger, and a relentless quest for justice. With uncompromising insight, Auster takes us into the shadowy borderland between truth and memory, between authorship and identity, to produce a work of unforgettable power that confirms his reputation as “one of America’s most spectacularly inventive writers.”

    Impulsive, reckless and heroic, Meaulnes embodies the romantic ideal, the search for the unobtainable, and the mysterious world between childhood and adulthood.

    Five Quarters of the Orange represents Harris's most complex and sophisticated work yet - a novel in which darkness and fierce joy come together to create an unforgettable story.When Framboise Simon returns to a small village on the banks of the Loire, the locals do not recognize her as the daughter of the infamous Mirabelle Dartigen - the woman they still hold responsible for a terrible tragedy that took place during the German occupation decades before. Although Framboise hopes for a new beginning she quickly discovers that past and present are inextricably intertwined. Nowhere is this truth more apparent than in the scrapbook of recipes she has inherited from her dead mother.With this book, Framboise re-creates her mother's dishes, which she serves in her small creperie. And yet as she studies the scrapbook - searching for clues to unlock the contradiction between her mother's sensuous love of food and often cruel demeanor - she begins to recognize a deeper meaning behind Mirabelle's cryptic scribbles. Within the journal's tattered pages lies the key to what actually transpired the summer Framboise was nine years old.Rich and dark. Five Quarters of the Orange is a novel of mothers and daughters of the past and the present, of resisting, and succumbing, and an extraordinary work by a masterful writer.

    History, culture, and politics are blended and juxtaposed; weather reports, current news, fashions and psychology jostle together with people from Petersburg society in an exhilarating search for the identity of a city and, ultimately, Russia itself. 'The one novel that sums up the whole of Russia.'—Anthony Burgess

    The cold slows everything down. Bodies are red and raw, the fish turn venomous, beyond the beach guns point out from the North’s watchtowers. A young French Korean woman works as a receptionist in a tired guesthouse. One evening, an unexpected guest arrives: a French cartoonist determined to find inspiration in this desolate landscape.The two form an uneasy relationship. When she agrees to accompany him on trips to discover an ‘authentic’ Korea, they visit snowy mountaintops and dramatic waterfalls, and cross into North Korea. But he takes no interest in the Sokcho she knows – the gaudy neon lights, the scars of war, the fish market where her mother works. As she’s pulled into his vision and taken in by his drawings, she strikes upon a way to finally be seen.An exquisitely-crafted debut, which won the Prix Robert Walser, Winter in Sokcho is a novel about shared identities and divided selves, vision and blindness, intimacy and alienation. Elisa Shua Duspain’s voice is distinctive and unmistakable.