Yes, there are rumors that she’s having an affair with the architect, but rumors are rumors and people will gossip. But then Bayard is found dead with a knife in his chest on the night of their Twelfth Night Ball, Annabelle goes missing, presumed drowned, and the papers go mad. Bay’s sister, Janie, forms an unlikely alliance with a reporter to uncover the truth, convinced that Bay would never have killed his wife, that it must be a third party, but the more she learns about her brother and his wife, the more everything she thought she knew about them starts to unravel. Who were her brother and his wife, really? And why did her brother die with the name George on his lips?

    The killing--on Park Avenue, in broad daylight, on Friday the thirteenth--shook the city. Green was born to a poor farmer, yet without him there would be no Central Park, no Metropolitan Museum of Art, no Museum of Natural History, no New York Public Library. And Green had a secret, a life locked within him that now, in the hour of his death--alone, misunderstood--is set to break free. As the detective assigned to Green's case chases his ghost across the city, we meet a wealthy courtesan, a brokenhearted man in a bowler hat, and a lawyer turned politician whose decades-long friendship with Green is the source of both his troubles and his joys. A work of tremendous depth and piercing emotion, The Great Mistake is the story of a city transformed, a murder that made a private man infamous, and a portrait of a singular individual who found the world closed off to him--yet enlarged it.

    However, Rosalind is not there just to earn a living and support her family-she's at Sloane House determined to discover the truth about her sister's mysterious disappearance.Reid Armstrong is the handsome heir to a silver fortune. However, his family is on the periphery of Chicago's elite because their wealth comes from "new money" obtained from successful mining. Marriage to Veronica Sloane would secure his family's position in society-the lifelong dream of his ailing father.When Reid begins to realize that Rosalind's life may be in danger, he stops thinking of marriage prospects and concentrates on helping Rosalind. Dark things are afoot in Chicago and, he fears, in Sloane House. If he's not vigilant, Rosalind could pay the price.Set against the backdrop of Chicago's Gilded Age and the 1893 World's Fair, Secrets of Sloane House takes us on a whirlwind journey of romance and mystery.

    The story of their rise to prominence, of their long reign, of their influence and importance, is more than the saga of a rich and unusual family, for it illuminates from a unique vantage point the history of the past two hundred years.When twenty-year-old John Jacob Astor arrived in icebound Baltimore from Germany in 1783, his ambition was to live comfortably from the sale of musical instruments. At his death in 1848, he was the richest man in America — he ruled over an empire and had founded a dynasty. Today’s generation of Astors, still wealthy, lead influential but less flamboyant lives than their predecessors — as modest businessmen, horse breeders, playboys, philanthropists, novelists. But between them and their ancestor John Jacob — who had spent his early years trudging along Indian trails bartering for furs and his last fourteen years quadrupling his fortune many times over on Manhattan real estate and rentals — lies a peerless array of characters, social and political forces in their own times, whose power and prestige continue to be felt today.There was William Backhouse Astor, frugal and sombre, who loathed social gatherings. There was the Southerner Charlotte Augusta, who during the Civil War raised and equipped a regiment of black soldiers to fight for the North. There was Caroline Astor, who gave balls costing as much as $200,000. There was the vindictive, prickly William Waldorf Astor, who unsuccessfully ran for Congress. There was an Astor feud settled only by the prospect of financial gain with the creation of the Waldorf-Astoria, designed to bring exclusiveness to the masses, a “glittering incandescent fantasy”. And there was Nancy Astor, vociferous Member of Parliament and leader of the Cliveden Set.From the free-wheeling entrepreneurial days of the early nineteenth century through two world wars to today, the Astors have been in the forefront of their age, both here and abroad, luminaries of politics, society, and culture. Through five generations, in all their splendour, in a richly anecdotal narrative interwoven with paintings, drawings, and photographs making vivid the people, their mansions, their rise to social prominence in the United States and in England, here then are The Astors.Virginia Cowles (1910-1983) was an author and journalist. Born in Vermont, USA she became a well-known journalist in the 1930s with her columns appearing on both sides of the Atlantic. During the Second World War she covered the Italian campaign, the liberation of Paris, and the Allied invasion of Germany. In 1945 she married the politician and writer Aidan Crawley. She wrote many biographies including Winston Churchill; the Era and the Man and Edward VII and His Circle. Endeavour Press is the UK's leading independent digital publisher. For more information on our titles please sign up to our newsletter at www.endeavourpress.com. Each week you will receive updates on free and discounted ebooks. Follow us on Twitter: @EndeavourPress and on Facebook via http://on.fb.me/1HweQV7. We are always interested in hearing from our readers. Endeavour Press believes that the future is now.

     The Fielding House Christmas Ball is for everyone, including servants. This Christmas Eve a lady’s maid, Claire Walden, plans to attend for the first time, but when Mrs. Fielding’s grandson shows up unexpectedly the dance may take a different turn. Edmund is a gentleman of the upper class, but with a questionable background. When he shows an interest in Claire, she doesn’t want to risk her heart, but over time, Claire comes to know Edmund. As the Christmas Eve ball approaches, Claire wonders if love might be able to cross the lines of servants and high society. If she saves a dance for Edmund, will he steal her heart forever?

    Recently orphaned, she copes by working with the poor in the city's settlement movement. But a young woman of means can't shun society for long, and Francesca's long-standing acquaintance with dashing Edmund Tracey eventually leads to engagement. Yet her sheltered upbringing doesn't blind her to the indiscretions of the well-to-do...Among the fashionable circle that gathers around her there are mistresses, scandals, and gentlemen of ruthless ambition. And there is Connor O'Casey--an entirely new kind of New Yorker. A self-made millionaire of Irish stock, Connor wants more than riches. He wants to create a legacy in the form of a luxury Madison Avenue hotel--and he wants Francesca by his side as he does it. In a quest that will take her from impeccable Manhattan salons to the wild Canadian Rockies, Francesca must choose not only between two vastly different men, but between convention and her own emerging self-reliance.Rules Of DecorumA gentleman should not be presented to a lady without her permission being previously asked and granted. This formality is not necessary between men alone; but, still, you should not present any one, even at his own request, to another, unless you are quite well assured that the acquaintance will be agreeable to the latter. If you wish to avoid the company of any one that has been properly introduced, satisfy your own mind that your reasons are correct; and then let no inducement cause you to shrink from treating him with respect, at the same time shunning his company. No gentleman will thus be able either to blame or mistake you. The mode in which the avowal of love should be made, must of course, depend upon circumstances. It would be impossible to indicate the style in which the matter should be told... Let it, however, be taken as a rule that an interview is best; but let it be remembered that all rules have exceptions...

    She brought along her eighteen-year-old daughter, Clara, and the two made their way on the 3,500-mile trek by following the railroad tracks. After returning home to the Estby farm more than a year later, Clara chose to walk on alone, leaving the family and changing her name. Her decisions initiated a more than twenty-year separation from the only life she had known. Historical fiction writer Jane Kirkpatrick picks up where the fact of the Estbys’ walk leaves off to explore Clara's continued journey. What motivated Clara to take such a risk in an era when many women struggled with the issues of rights and independence? And what personal revelations brought Clara to the end of her lonely road? The Daughter's Walk weaves personal history and fiction together to invite readers to consider their own journeys and family separations, to help determine what exile and forgiveness are truly about.

    Filled with vivid personalities, gossipy anecdotes, grand houses, and a wealth of period details--plus photographs, illustrations, quotes, and the finer points of Victorian and Edwardian etiquette--To Marry An English Lord is social history at its liveliest and most accessible.

    But when she learns of Denis's guilty secret, she becomes painfully aware of her fiancé's flawed morality. Determined that no child of hers should inherit such character traits, she does everything in her power to instill in their son the highest moral code. Yet, when Dick is faced with a moral choice of his own, she can only watch to see if history will repeat itself. American novelist Edith Wharton (1862–1937) is celebrated for her finely crafted stories of New York mores, including The Age of Innocence.

    As Jonathan Lethem contends in his Introduction, Dickens’s “genius . . . is at one with the genius of the form of the novel itself: Dickens willed into existence the most capacious and elastic and versatile kind of novel that could be, one big enough for his vast sentimental yearnings and for every impulse and fear and hesitation in him that countervailed those yearnings too. Never parsimonious and frequently contradictory, he always gives us everything he can, everything he’s planned to give, and then more.” This Modern Library Paperback Classic was set from the 1867 “Charles Dickens” edition.

    Disinherited by law and brutally ousted from Combe-Raven, the idyllic country estate which has been their peaceful home since childhood, the two young women are left to fend for themselves. While the submissive Norah follows a path of duty and hardship as a governess, her high-spirited and rebellious younger sister has made other decisions. Determined to regain her rightful inheritance at any cost, Magdalen uses her unconventional beauty and dramatic talent in recklessly pursuing her revenge. Aided by the audacious swindler Captain Wragge, she braves a series of trials leading up to the climactic test: can she trade herself in marriage to the man she loathes?Written in the early 1860s, between The Woman in White and The Moonstone, No Name was rejected as immoral by critics of its time, but is today regarded as a novel of outstanding social insight, showing Collins at the height of his powers.

    This is essentially the second part of Little Women.Amy looked relieved, but naughty Jo took her at her word, for during the first call she sat with every limb gracefully composed, every fold correctly draped, calm as a summer sea, cool as a snowbank, and as silent as the sphinx. In vain Mrs. Chester alluded to her 'charming novel', and the Misses Chester introduced parties, picnics, the opera, and the fashions. Each and all were answered by a smile, a bow, and a demure "Yes" or "No" with the chill on.

    She is a girl looking to be rescued from her own insecurities and bad decisions. Unable to afford rent in New York City proper, she is craving a life of luxury that isn’t hers, while subsisting on bagels and coffee. In desperate need of support - emotional and otherwise -, she clings to potential saviors, never bothering to question if the attachments she forms really fit her. In a parallel storyline, her mother, Maria, is trying to reject all offers of help, especially those of her estranged husband, whose unexpected generosity forces her to revisit past mistakes she hasn't come to terms with. Enmeshed in her own drama, she doesn’t notice her daughter’s troubles until it’s too late. Desperate to keep Liliana from making a mistake that will alter the course of her life, Maria reveals her best-kept secret, a story so shocking it might have the power to jerk Liliana back to reality. It could, on the other hand, alienate her forever. DOGS WITH BAGELS is a story about the American dream gone bad. It is also a story about mothers and daughters, about female friendships, the struggle to survive in one of the world’s most expensive cities, and women’s secret desire to have wild passionate sex with their exes. A cross between Bridgett Jones’ Diary and Sex and the City - with an accent! -, DOGS WITH BAGELS is as addictive as a trashy tabloid you can't seem to put down.

    On the eve of his fortieth birthday, Gabe takes his own history in hand in an attempt to reconcile a family shattered by his betrayal of his older brother, Michael. As Gabe contends with a host of personal demons, he recounts his lifelong love for his brother's wife, Myra--whose own demons threaten to overwhelm all three of them.

    Blue-eyed and high-spirited, Elfride has little experience of the world beyond, and becomes entangled with two men: the boyish architect, Stephen Smith, and the older literary man, Henry Knight. The former friends become rivals, and Elfride faces an agonizing choice. Written at a crucial time in Hardy's life, A Pair of Blue Eyes expresses more directly than any of his novels the events and social forces that made him the writer he was. Elfride's dilemma mirrors the difficult decision Hardy himself had to make with this novel: to pursue the profession of architecture, where he was established, or literature, where he had yet to make his name. This updated edition contains a new introduction, bibliography, and chronology.