With the gravity-defying Brooklyn Bridge nearly complete and New York in the grips of anti-vice crusader Anthony Comstock, Anna Savard and her cousin Sophie—both graduates of the Woman’s Medical School—treat the city’s most vulnerable, even if doing so may put everything they’ve strived for in jeopardy.Anna's work has placed her in the path of four children who have lost everything, just as she herself once had. Faced with their helplessness, Anna must make an unexpected choice between holding on to the pain of her past and letting love into her life.For Sophie, an obstetrician and the orphaned daughter of free people of color, helping a desperate young mother forces her to grapple with the oath she took as a doctor—and thrusts her and Anna into the orbit of Anthony Comstock, a dangerous man who considers himself the enemy of everything indecent and of anyone who dares to defy him.

    Virginia Loftin knows what she wants most: to become a celebrated novelist despite her gender, and to marry Charlie, her best friend, neighbor and first love. Yet when Charlie proposes to another woman, Ginny is devastated; shutting out her family, she holes up and obsessively rewrites how their story should have gone.Though Ginny works with newfound intensity, success eludes her—until she attends a salon hosted in her brother’s handsome author friend John’s Fifth Avenue mansion. Amongst painters, musicians, actors, and writers, Ginny returns to herself, even blooming under John’s increasingly romantic attentions. Just as she has begun to forget Charlie, however, he throws himself back into her path, and Ginny finds herself torn between a lifetime’s worth of complicated feelings and a budding relationship with a man who seems almost too good to be true.The brightest lights cast the darkest shadows, and as Ginny tentatively navigates the Society’s world, she begins to suspect all is not as it seems in New York’s dazzling “Gay Nineties” scene. When a close friend is found dead in John’s mansion, Ginny must delve into her beloved salon’s secrets to discover her true feelings about art, family, and love.

    It is the spring of 1885 and wealthy New York socialite Beret Osmundsen has been estranged from her younger sister, Lillie, for a year when she gets word from her aunt and uncle that Lillie has died suddenly in Denver.  What they do not tell her is that Lillie had become a prostitute and was brutally murdered in the brothel where she had been living.  When Beret discovers the sordid truth of Lillie’s death, she makes her way to Denver, determined to find her sister’s murderer.  Detective Mick McCauley may not want her involved in the case, but Beret is determined, and the investigation soon takes her from the dangerous, seedy underworld of Denver’s tenderloin to the highest levels of Denver society.  Along the way, Beret not only learns the depths of Lillie’s depravity, but also exposes the sinister side of Gilded Age ambition in the process.   Sandra Dallas once again delivers a page-turner filled with mystery, intrigue, and the kind of intricate detail that truly transports you to another time and place.

    It was the year that ruined him forever. John May's perfectly imagined novel brings New York's giddy pre-Civil War social scene into brilliant focus as it unfolds the spellbinding story of a doomed man and the great love that sealed his fate. By the end of what should have been his crowning year, Edgar Poe was reviled by the same capricious circles that had gathered adoringly at his feet to hear him recite "The Raven" again and again. Swept up in the fervor, Frances Sargent Osgood, then separated from her husband, arranged an introduction to Poe to offer her fealty and her friendship. But what eventually transpired between them was far more than two poets' mutual admiration. Over the course of their brief liaison, the two lovers wrote and published (under pseudonyms) many not-so-veiled love poems, and soon enough, New York's literati were abuzz with their affair. While Poe dallied, his dying wife, Sissy, and her mother were humiliated. And while he despaired, drinking himself into oblivion, Poe's dream of editing his own magazine in New York died on the vine. At the turn of the year, the Poes left New York in disgrace. Deeply in debt and spurned by former fawning admirers, including Horace Greeley, N.P. Willis, William Cullen Bryant, Richard Henry Dana, and Maria Child, American's most renowned writer was a broken man. He had wrecked two women's lives. Even so, both Fanny and Sissy loved him unremittingly to the bitter end. Poe died at the age of forty, alone and having never fathered a child. Or had he? Told with special empathy for Fanny's warm, impulsive generosity as it shimmered alongside Poe's dark genius, Poe & Fanny follows the lovers' story to its logical conclusion: Fanny Osgood's third child was Edgar Allan Poe's. John May brings to life the drama of these lives acted out against the backdrop of nineteenth century New York's vibrant literary world.

    The shareholders are unwilling to allow a female to take over the company without a man at her side, so her parents devise a plan--find Willow a spokesman king in order for her to become queen of the empire.Willow is presented with thirty potential suitors from the families of New York society's elite group called the Four Hundred. She has six months to court the group and is expected to eliminate men each month to narrow her beaus until she chooses one to marry, ending the competition with a wedding. Willow reluctantly agrees, knowing she must do what is best for the business. She doesn't expect to find anything other than a proxy . . . until she meets Cullen Dempsey, and she must discover for herself if his motives are pure.

    While modeling an elegant Edwardian trousseau gown, her mind is opened to a century-old crime of passion. Visions—seen through the eyes of the murdered bride—dispute local lore that claims the bridegroom committed the crime. Trey Dunmore doesn’t share her enthusiasm for mind-blowing visions, yet the appeal to clear his family’s tainted legacy compels him to join her in exploring the past. Aided by the dead woman’s clothing and diary, Tess and Trey discover that pursuing love in 1913 was just as thorny as modern day. As the list of murder suspects grows, the couple fears past emotions are influencing, and may ultimately derail, their own blossoming intimacy."MS. YOUNG HAS PENNED a wonderfully romantic mystery featuring a sleuth with the ability to see into the past using vintage clothing. The characters are delightful, and I'm looking forward to the next book in the series!" - Gayle Leeson, author of the GHOSTLY FASHIONISTA Mystery Series"IN DIVINE VINTAGE, Sandra Young walks us back into time to a murder/suicide mystery in 1913 that will keep the reader as spellbound as the lovely vintage clothing the author so adroitly describes. Well-written and woven with enough sensual tension to strum any romantic’s heartstrings, I give Divine Vintage FIVE STARS." - Catherine Lanigan - International Bestselling Author of over 45 published novels and non-fiction including: ROMANCING THE STONE; JEWEL OF THE NILE and Hallmark Channel’s THE SWEETEST HEART.

    Sure, age isn't a problem. Neither are her looks. Heaven knows that plenty of perfectly respectable men would consider themselves lucky to end up with someone like her. Then again, the last perfectly respectable man to end up with her - her ex-husband - ended their marriage, not to mention Jane's belief in happy endings...But she just can't muster the cynicism to resist William Andrews - a dashing, debonair widower with two children of his own. Soon, Jane's doing what she swore she'd never do: Marching down the aisle, promising to have, hold, serve, and protect, 'til death do them part. But why does Andrew seem so obsessed with his dead wife? And why do the children seem to hate Jane so passionately?As Jane struggles to understand the nature of the powerful hold Andrews's first wife still exerts over the husband and children she left behind, her day-to-day life grows increasingly more dangerous. During a family outing, she is suddenly thrown violently from her horse. Had someone deliberately spooked the horse? As she takes a midnight swim, the mechanical dome over the pool closes on her. Did it short circuit, or was it sabotage? Are these just coincidences, or are the stakes and risks getting higher the closer Jane gets to the truth? Someone would clearly like to see her follow the first Mrs. Andrews to the grave. Why?In a thriller that moves from New York to Paris to the Caribbean, a plot filled with relentless suspense, and a witty and intelligent heroine worth cheering for, this latest from Diana Diamond is her best yet, an unputdownable romance of deadly proportions.

    But saving people is second nature, whether its doctoring a man mauled by a mountain lion or battling a wolf to save a child.Veterinarian and horse rancher Missouri Harper, the sole support for her three sisters and ailing aunt, must fight her attraction to the handsome miner, whose bravery puts her in his debt. To keep the land she has claimed for her family, she must remain a spinster for three years.Struggling against bitter winter weather, lack of provisions, and wild predators, Missouri vows to deny her love to protect her sisters’ legacy.

    Set in a small seaport town (1862), The Morgesons is the dramatic story of Cassandra Morgeson's fight against social and religious norms in a quest for sexual, spiritual, and economic autonomy. An indomitable heroine, Cassandra not only achieves an equal and complete love with her husband and ownership of her family's property, but also masters the skills and accomplishments expected of women.Counterpointed with the stultified lives of her aunt, mother, and sister, Cassandra's success is a striking and radical affirmation of women's power to shape their own destinies. Embodying the convergence of the melodrama and sexual undercurrents of gothic romance and Victorian social realism, The Morgesons marks an important transition in the development of the novel and evoked comparisons during Stoddard's lifetime with such masters as Balzac, Tolstoy, Eliot, the Brontes, and Hawthorne.

    The play had its world premiere at the Cherry Lane Theatre in New York in spring 2013, starring Jesse Eisenberg and Vanessa Redgrave and directed by Kip Fagan.In The Revisionist, young writer David arrives in Poland with a crippling case of writer’s block and a desire to be left alone. His seventy-five-year-old second cousin Maria welcomes him with a fervent need to connect with her distant American family. As their relationship develops, she reveals details about her postwar past that test their ideas of what it means to be a family.

    War-torn Paris is in flames, houses are being ransacked, streets barricaded. Amid the chaos, little Helene St Clair becomes separated from the rest of her family. Lost and alone, she must fend for herself on the streets. Her parents wait desperately for news of her, as the fighting rages. But Helene has vanished, swept away on the tides of war. Will she ever be found again?

    Expected to marry an up-and-coming banker from a respected family, Lucy fears she will be forced to abandon her charity work--and the classes she is secretly taking at the newly opened University of Chicago. When she meets an unconventional young architect who is working on plans for the upcoming 1893 World's Fair, Lucy imagines a life lived on her own terms. Can she break away from her family's expectations? And will she ever be loved for who she truly is? Readers will love being swept away into a world of mansions, secrets, and romance as they follow Lucy through the streets of the Windy City during one of the most exciting times in the city's history. From opulent upper-class homes to the well-worn rooms of an orphanage, Olivia Newport breathes life and romance into the pages of history--and everyone is invited.

    But Abner’s devious plans didn’t include a rival to the throne, and the general convinced Shaul to pursue Dahveed once more. Sick at heart over the king’s inability to trust him after he had spared Shaul’s life in the cave, he refused to kill Yahweh’s anointed one yet again—and sought refuge in Gath a second time.Seren Akish gave him Ziklag, and from there he brought Yahweh’s ban upon the Amalekites. Then the seren commanded his presence, and that of all his men, at the gathering of the Philistine army against Israel. He pleaded with Yahweh to show him what to do, but Yahweh simply reminded him of Moses and the Reed Sea. Begging Yahweh for hesed, he took his men to Akish.But the Amalekites’ retribution came to the town while he and his men were away. It was here in Ziklag, first when ordered to present himself for war against his own people, and then when he doubted Yahweh’s leading after the destruction of the town, that he learned to trust Yahweh as Hassar Jonathan already had—when it could cost him everything.

    "It can't be that marriage is the only--the only irrevocable thing If you had a partner that you couldn't go on with, you could come to SOME agreement You could make a sacrifice, but somehow you could end the association Peter," she said, earnestly, "when I think of marketing again--six chops and soup-meat and butter and baking powder--I feel sick When I think of unpacking the things I've washed and dusted for five years--the glass berry bowl that somebody gave us, and the eleven silver tea-spoons--I can't bear it "

    I want to be big. I want to be gracious and cool. I want to be the Audrey Hepburn of cancer…” Gail Konop Baker was a runner, yoga practitioner, and lifelong subscriber to Prevention magazine. As her forty-sixth birthday approached, she looked forward to a time when she could at last take a deep breath, with one child heading off to college and the other two busy with their lives. She finally felt as if she was getting her life back.Then, right before Valentine’s Day 2006, she heard the words that would forever change her: Just to be safe, I think we should biopsy.It was the beginning of her year-long struggle with breast cancer and its fallout—one that would upstage any midlife crisis she’d fretted was waiting in the wings. “I want to feel bad about my neck. I do,” she writes. “But I feel bad I may not ever get to feel bad about my neck.” Gail was suddenly faced with the truth that awaits us all—this was her life, and she would do anything to hold on to it. As a doctor’s wife, she knew more than she should about her diagnosis and treatment. As a mother, she found unbearable the idea of not being there for the next birthday, next graduation, next anything. And as a woman who’d put her dreams on hold for years, she was determined to make every minute count.But Cancer Is a Bitch is about much more than the “C” word; it's about the outrageous challenges of marriage, the joys and unpredictability of motherhood, about figuring out what it is you want to do with your life, about wanting to live now.Funny, raw, and moving, this story will resonate with every mother and wife, and with anyone who has been affected by cancer. It is one woman’s unforgettable, beautifully told account of juggling midlife and motherhood with a rogue boob—and, ultimately, triumphing.