It is the work of one of the most influential attorneys in America, who has dedicated his life to the protection of individuals' rights and our Constitution's commitment to equal justice under the law. Above all, it is a clear, straightforward book that brings into sharp focus the very human significance of the right to marry in America—not just for some couples, but for all. Why is the word marriage so important? Will marriage for same-sex couples hurt the "sanctity" of the institution? How can people of different faiths reconcile their beliefs with the idea of marriage for same-sex couples? How will allowing gay couples to marry affect children? In this quietly powerful volume, the most authoritative and fairly articulated book on the subject, Wolfson demonstrates why the right to marry is important—indeed necessary—for all couples and for America's promise of equality.

    

    But when Cece Goddard comes to school, everything changes. Cece and Holland have undeniable feelings for each other, but how will others react to their developing relationship?

     After almost crashing my car in the Alaskan wilderness, I wake up in the muscled arms of one of the locals. He’s a rugged pilot bringing supplies to my research station, but he’s got more than work on his mind. His eyes tell me he likes giving orders. And I like taking them. Caleb is the most intense man I’ve ever met. When his plane breaks down and traps us together, his untamed dominance emerges. I’m his, and he knows it. And he demands total submission. We’re trapped together, but it won’t last forever. He’s a beast of a man, and I’m in his grip. CALEB: If he wants to survive out here, he’ll do as I say. I’m divorced, straight, and single, but those labels disappear when I see Elliot. He’s soft and innocent—and I have him all to myself. He’s not a pushover, but surviving in Alaska is no easy task. He needs a strong pair of hands to show him the ropes. Elliot awakens something in me. The desire to dominate him, to bend him to my will and hear him beg for more makes me feel alive. And I love it. I’m a hardened man with a sturdy body, but as much as I bury it, part of me wants to spoil him—and have him scream my name all night. Doesn’t matter that Elliot’s a man; he’s the only one I want in my cockpit. In the wilderness, what I say goes. This is the first book in the Submission series. It can be enjoyed as a standalone with no cliffhanger. Readers can expect an extra-spicy MM romance with several steamy scenes. Heat level: 10.

    Reprint.

    D.O.M. does not exist.2. No attachments of any kind.3. No screwing the clients. We are whispers in the air, sometimes felt, but never seen. Hired by billionaires to fix their dirty problems. Operating underground, undetected. We are hard to hire and even harder to find. I should have never taken this job. $10 mil in my pocket for her safe return. Kidnapped by a very dangerous man. But that is not my problem in this scenario. This little mouthy rich girl is going to be the death of me. And I might just have to punish her for it — Scott style. I know she wants it. She's begging for it. The question is: Can I resist her? Or will I break one of the cardinal rules? The DOM for Hire Series features irresistible alphas with James Bond vibes. They are bossy in bed heroes you can't get enough of. Un-Kidnap Me is a brand new full length novel by USA Today Bestselling author Hazel Parker. It can be read as a standalone but pairs well with the next two. HEA as always and recommended for adult readers.

    But while her mind goes into overdrive to protect her from the kind of pain she has suffered before, her heart slowly begins to open up to the possibility of them being together.Find out how beloved Pink Bean series characters Amber and Martha made it past the hurdles that kept them apart in this romantic and sexy Pink Bean novella.Word count: 20.000 words (novella)

    Ready to take him on, she never imagined a drunken rant would lead to a steamy relationship with the very man she despises. With his recent reelection, everything is going according to plan for Jack, until he meets Blythe. She is unlike any woman he has met before and sparks quickly fly. After announcing their relationship to the public, things go sour when a crazy ex from his past threatens to destroy his political career, unless he ends things with Blythe. Don’t miss His Rise to Power, an enemies to lovers romance by bestselling romance author, Tasha Fawkes.

    The only thing Elias leaves behind is a recording of his final words, and even Coen is baffled by the cryptic message.Numb with grief, he takes refuge on the Mexican island that was meant to host their wedding. But as fragments of the past come to the surface in the aftermath of the tragedy, Coen is forced to question everything he thought he knew about Elias and their life together. Beneath his flawed memory lies the truth about Elias — and himself. From the damp concrete of Vancouver to the spoiled shores of Mexico, After Elias braids the past with the present to tell a story of doubt, regret, and the fear of losing everything.

    Trained in classical Greek and Latin, Phillips seems to excavate as he forms words into lines, breaking images into tiny parts of thought as he digs for meaning and accuracy. As part of this excavation, Pastoral explores what flesh, wanting, and belief are made of. A finalist for both the National Book Award and the National Book Critics Circle Award, Phillips has produced four collections of accomplished verse in the past few years. In each book, the influence of classical syntax and rhythm can be heard. And with each book, Phillips refines his poetic voice, combining the prayerlike and the erotic, and often elegantly swooping from a whisper to a scream in the space of a few stanzas.This time, the poems fall along a wide range of tones, from italicized commands like "Let me" and "Now" in the poem "Lay Me Down" to a hesitant question, or a deepening well of self-doubt. Phillips is always original, and he's always remembering, even when a poem is firmly written in present tense. He is hyperaware not only of the ancient poets, but also of history, especially the great destructions.In the ominously titled "The Kill," he remembers a familiar daily scene. The speaker analyzes his own love for another in clinical detail that suddenly veers into longing. The way these lines break adds to the sense of tragic fragment, of an ache:      The last time I gave my body up,      to you, I was minded       briefly what it is made of,       what yours is, that      I'd forgotten, the flesh      which always       I hold in plenty no       little sorrow for because -- oh, do      but think on its predicament,      and weep.In just four stanzas, Phillips moves from an image of both love and surrender to a consideration of temporality -- the bald fact that his lover is mortal. This thought of "its predicament" makes him weep, even though death is not a stated issue here.In "The Kill," the last poem in the volume, the speaker anticipates the need to remember. The second poem in the book referred to Pompeii, and the shadow of Pompeii is still resonant as the speaker describes his lover's body, still current and alive despite the title's warning.He remembers a body he has felt before, and probably will feel again -- judging by the present tense of "what yours is." And yet, the speaker here feels the need to freeze that body in time, to memorialize it. The next stanza explains this strong urge to hold on:      We cleave most entirely      to what most we fear      losing. We fear loss      because we understand       the fact of it, its largeness, its      utter indifference to whether      we do, or don't,       ignore it. The "largeness" of loss is what these poems are loath to accept, even as they seek to understand. Each poem tries to break loss down into questions, confessions, prayers, or simple expressions of doubt. While the poems fight against death and inevitable loss, they also seem to seek moral guidance to help with these losses.Nowhere is the search for answers and guidance more apparent than at the endings of these poems, which are frequently questions. Phillips is fond of abrupt, mysterious dashes as conclusions. In his quest for a moral compass, he also quotes from "Lamentations" and draws on familiar Biblical stories. The wanderings of Cain, for example, seem to appear in the backgrounds of poems where man seeks. What's more, the epigraph is from George Herbert, the great poet of faith and the war between faith and flesh. The sense of struggle between opposing ideas is something Phillips incorporates and modernizes into a contemporary parable of carnal love and constant questioning of that love. There's a frequent seesawing in the book, a back-and-forth on the big questions that permeates even the simplest narrative. For example, in "Favor," the second section of a five-part poem called "And Fitful Memories of Pan," Phillips sees a man in the distance:      Even from a distance, I can tell:       a man, clearly.       Gods cast no shadow. The struggle between man and God, between flesh and faith, is hinted at in the first stanza. Man, for Phillips, is an instrument of struggle, a tortured wanderer. The poem continues:      Also, that he tires,       stops to rest, looks like      sleeping, or could use some.       How long he has been,       coming, how long it takes, just      to cross it, the lush      measure that -- all summer -- has      been these well-groomed,       well-fed grounds, the lake      unswum and gleaming, the light      catching, losing      the useless extravagancePhillips basically forms the scene of a man walking into a discussion of man's temporality, the fact that man tires. While what God makes -- "the lake unswum and gleaming" -- needs to make no effort to be beautiful, man exhausts himself just surviving. By the last two stanzas, the speaker concludes that the body must make bets with itself:      Always, the body      wagering --      up, through itself --       Give. What he wants, he shall have.In Phillips's work, man -- though mortal -- still has great power. Man can demand, man can inspire love, and man can pray. In the struggle between man and God, in that constant "wagering," man sometimes wins.&3151;Aviya Kushner

    A no nonsense bully with a very firm hand. A dorm room that can barely contain the heat. I never planned on continuing my pointless education. But then I got arrested. Again. Hey, if those laptops weren’t meant to be stolen, they should have been locked up better. Somehow, my latest stunt and lousy attitude landed me in Redwood Academy. An exclusive university where they’re supposed to turn screw ups like me into upstanding citizens. Or some crap like that. But, okay, fine. Some lame private college still sounded better than jail. It’s not like I’m footing the bill. So, what’s the problem? Well, let me name a few. The dean’s got it out for me, because I might have broken a fairly big rule on day one. Gotta make an impression, right? The troublemaking twink across the hall is obsessed with me, and his overprotective boyfriend doesn’t like that very much. What can I say? It’s hard looking this damn good. And then, there's my roommate. Bax is a complete psychopath. An obnoxious, dominating bastard, with a vicious sneer and massive biceps, and a past no one will talk about. I hate him like hell. Except when I don’t. When he uses those strong hands to punish me in ways I’ve never dreamed of, hate is the last thing on my mind. Oh, did I forget to mention the spanking? See, Redwood’s all about the old school discipline. And, apparently, so am I. Because getting bent over and spanked by my roommate is pushing buttons I never knew I had. Any normal person would be planning a jailbreak, I guess. Believe me, I’m tempted. But I’m starting to think I might actually belong here. Even worse, that I might want to belong. To Bax. And that’s definitely a problem. Old School Discipline is a 107,000 word enemies-to-lovers romance novel about two angry roommates who can’t stand each other and absolutely refuse to believe they could be perfect for each other. No matter how much they like fooling around. More details in the Look Inside.

    Catherine Ryan-Barrett, running from the fame and fortune of her family name, wants nothing more to spend the winter alone and sequestered in her high mountain cabin. She is not prepared for a party crasher. After spending two months together, they form an unlikely friendship that deepens even further. But after the spring thaw, Jen leaves and returns to her life in Santa Fe—and to the man who wants to marry her. All she knows of the woman who rescued her is her name . . . Ryan.

    Jason Carrillo is a jock with a steady girlfriend, but he can't stop dreaming about sex...with other guys. Kyle Meeks doesn't look gay, but he is. And he hopes he never has to tell anyone—especially his parents. Nelson Glassman is "out" to the entire world, but he can't tell the boy he loves that he wants to be more than just friends...In a revealing debut novel that percolates with passion and wit, Alex Sanchez follows these very different high-school seniors as their struggles with sexuality and intolerance draw them into a triangle of love, betrayal, and ultimately, friendship.

    Kevin would do anything to prevent his teammates on the baseball team from finding out. Min and Terese tell everyone they're really just good friends. But after a while, the truth's too hard to hide - at least from each other - so they form the "Geography Club." Nobody else will come. Why would they want to? Their secret should be safe.

    Isolfr is deeply drawn to the wolves, and though as his father's heir he can refuse the call, he chooses to go. The people of this wintry land depend on the wolfcarls to protect them from the threat of trolls and wyverns, though the supernatural creatures have not come in force for many years. Men are growing too confident. The wolfhealls are small, and the lords give them less respect than in former years.  But the winter of Isolfr's bonding, the trolls come down from the north in far greater numbers than before, and the holding's complaisance gives way to terror in the dark. Isolfr, now bonded to a queen wolf, Viradechtis, must learn where his honor lies, and discover the lengths to which he will to go when it, and love for his wolf, drive him.