When a mysterious, charismatic stranger trudges into their snowy village with a frighteningly outlandish story to tell, its balance is shaken to the core.

      The real-life scandals of Hollywood’s personalities rival any drama they bring to life on the silver screen. This book provides 365 daily doses of high and low crimes, fraud and deceit, culled from Tinseltown’s checkered past.   Whether it’s the exploits of silent-era star Fatty Arbuckle, the midcentury misdeeds of Frank Sinatra and Marilyn Monroe, or the modern excesses of Lindsay Lohan, this calendar of Hollywood transgressions has a sensational true tale for every day of the year. It’s an entertaining and sometimes shocking trip down memory lane filled with sneaky affairs, box-office bombs, and careers cut short—sometimes by murder. It shows that the drama doesn’t end when the credits roll.

    Here too are the less familiar but equally intriguing personalities who occupied Russia's imperial throne: the pious but feeble Feodor I, the warm-hearted and irascible Alexei Mikhailovich, and the Empress Anna, with her taste for cruel practical jokes. Chronicle of the Russian Tsars also introduces the key debates of Russian history. How did a small principality centered on Moscow develop into a vast empire stretching from the Baltic to the Pacific? What part did the Orthodox Church play in the rise of tsarism? Why did Russia develop political and social institutions so different from those of the West? With its comprehensive timelines, data files, quotations, and stunning illustrations, Chronicle of the Russian Tsars is at once an absorbing narrative history and an essential work of reference that brings to life a powerful empire and distinctive civilization whose impact on the history of Europe and the world is immeasurable.

    Every summer he visits his grandmother in a dusty village overlooking the vast steppes. Here, during the warm evenings, they sit on Charlotte's narrow, flower-covered bacony and listen to tales from another time, another place: Paris at the turn of the century. She who used to see Proust playing tennis in Neuilly captivates the children with stories of Tsar Nicholas's visit to Paris in 1896, of the great Paris flood of 1910, of the death of French president Felix Faure in the arms of his mistress. But from Charlotte the boy also learns of a Russia he has never known, of famine and misery, of brutal injustice, of the hopeless chaos of war. He follows her as she travels by foot from Moscow half the way to Siberia; suffers with her as she tells of her husband - his grandfather - a victim of Stalin's purges; shudders as she describes her own capture by bandits, who brutalize her and left her for dead. Could all this pain and suffering really have happened to his gentle, beloved Charlotte? Mesmerized, the boy weaves Charlotte's stories into his own secret universe of memory and dream. Yet, despite all the deprivations and injustices of the Soviet world, he like many Russians still feels a strong affinity with and "an indestructible love" for his homeland.

    In Travels in Siberia, Frazier reveals Siberia's role in history--its science, economics, and politics--with great passion and enthusiasm, ensuring that we'll never think about it in the same way again.With great empathy and epic sweep, Frazier tells the stories of Siberia's most famous exiles, from the well-known--Dostoyevsky, Lenin (twice), Stalin (numerous times)--to the lesser known (like Natalie Lopukhin, banished by the empress for copying her dresses) to those who experienced unimaginable suffering in Siberian camps under the Soviet regime, forever immortalized by Aleksandr Solzhenitsyn in The Gulag Archipelago.Travels in Siberia is also a unique chronicle of Russia since the end of the Soviet Union, a personal account of adventures among Russian friends and acquaintances, and, above all, a unique, captivating, totally Frazierian take on what he calls the "amazingness" of Russia--a country that, for all its tragic history, somehow still manages to be funny. Travels in Siberia will undoubtedly take its place as one of the twenty-first century's indispensable contributions to the travel-writing genre.

    He'd say it had gone west. But going west always sounded pretty good to me. After all, westwards is the path of the sun. And through as much history as I know of, people have moved west to settle and find freedom. But our world had gone north, truly gone north, and just how far north I was beginning to learn.Out on the frontier of a failed state, Makepeace—sheriff and perhaps last citizen—patrols a city's ruins, salvaging books but keeping the guns in good repair.Into this cold land comes shocking evidence that life might be flourishing elsewhere: a refugee emerges from the vast emptiness of forest, whose existence inspires Makepeace to reconnect with human society and take to the road, armed with rough humor and an unlikely ration of optimism.What Makepeace finds is a world unraveling: stockaded villages enforcing an uncertain justice and hidden work camps laboring to harness the little-understood technologies of a vanished civilization. But Makepeace's journey—rife with danger—also leads to an unexpected redemption.Far North takes the reader on a quest through an unforgettable arctic landscape, from humanity's origins to its possible end. Haunting, spare, yet stubbornly hopeful, the novel is suffused with an ecstatic awareness of the world's fragility and beauty, and its ability to recover from our worst trespasses.

    While still thousands of miles from her original destination, Ussuriland in the Russian Far East, Dervla Murphy found herself stymied by multiple minor injuries. This book is an extraordinary story of fortitude and resourcefulness as Murphy finds friendship and culture in one of the world’s bleakest, most inhospitable regions.

    Yet there is another tale to tell.Dotted throughout this remote land are pianos — grand instruments created during the boom years of the nineteenth century, as well as humble, Soviet-made uprights that found their way into equally modest homes. They tell the story of how, ever since entering Russian culture under the westernizing influence of Catherine the Great, piano music has run through the country like blood.How these pianos travelled into this snow-bound wilderness in the first place is testament to noble acts of fortitude by governors, adventurers, and exiles. Siberian pianos have accomplished extraordinary feats, from the instrument that Maria Volkonsky, wife of an exiled Decemberist revolutionary, used to spread music east of the Urals, to those that brought reprieve to the Soviet Gulag. That these instruments might still exist in such a hostile landscape is remarkable. That they are still capable of making music in far-flung villages is nothing less than a miracle.The Lost Pianos of Siberia is largely a story of music in this fascinating place, following Roberts on a three-year adventure as she tracks a number of different instruments to find one whose history is definitively Siberian. Her journey reveals a desolate land inhabited by wild tigers and deeply shaped by its dark history, yet one that is also profoundly beautiful — and peppered with pianos.

    How that individual gets in, finds the contacts, and tries to get the secret out is a masterpiece of wrenching excitementand immensely intelligent storytellling. Lionel Davidson is an award-winning author critically acclaimed on a par with le Carre, Forsyth and Follett.

    Why wouldn’t she look her parents in the eye or accept their embraces? Why didn’t she cry when she got hurt? Why didn’t she make friends at school? Traster de­scribes how uncertainty turned to despair as she blamed herself and her mothering skills for her daughter’s troublesome behavioral is­sues, until she came to understand that Julia suffered from reactive attachment disorder, a serious condition associated with infants and young children who have been neglect­ed, abused, or orphaned in infancy. <!--?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" /-->Hoping to help lift the veil of secrecy and shame that too often surrounds parents struggling with attachment issues, Traster describes how with work, commitment, and acceptance, she and her husband have been able to close the gulf between them and their daughter to form a loving bond, and concludes by providing practical advice, strategies, and resources for parents and caregivers.

    Intelligent and brutally direct talk to a reader about our times, Russia, the Russians, and much more.

    It is both the story of a daily struggle for survival against starvation, cold and violence, and an evocation of spiritual journeys and primitive magic.

    The tiger isn’t just killing people, it’s annihilating them, and a team of men and their dogs must hunt it on foot through the forest in the brutal cold. As the trackers sift through the gruesome remains of the victims, they discover that these attacks aren’t random: the tiger is apparently engaged in a vendetta. Injured, starving, and extremely dangerous, the tiger must be found before it strikes again.As he re-creates these extraordinary events, John Vaillant gives us an unforgettable portrait of this spectacularly beautiful and mysterious region. We meet the native tribes who for centuries have worshipped and lived alongside tigers, even sharing their kills with them. We witness the arrival of Russian settlers in the nineteenth and early twentieth centuries, soldiers and hunters who greatly diminished the tiger populations. And we come to know their descendants, who, crushed by poverty, have turned to poaching and further upset the natural balance of the region.This ancient, tenuous relationship between man and predator is at the very heart of this remarkable book. Throughout we encounter surprising theories of how humans and tigers may have evolved to coexist, how we may have developed as scavengers rather than hunters, and how early Homo sapiens may have fit seamlessly into the tiger’s ecosystem. Above all, we come to understand the endangered Siberian tiger, a highly intelligent super-predator that can grow to ten feet long, weigh more than six hundred pounds, and range daily over vast territories of forest and mountain.Beautifully written and deeply informative, The Tiger circles around three main characters: Vladimir Markov, a poacher killed by the tiger; Yuri Trush, the lead tracker; and the tiger himself. It is an absolutely gripping tale of man and nature that leads inexorably to a final showdown in a clearing deep in the taiga.

    In A People's History of the Russian Revolution, Neil Faulkner sets out to debunk the myths and pry fact from fiction, putting at the heart of the story the Russian people who are the true heroes of this tumultuous tale. In this fast-paced introduction, Faulkner tells the powerful narrative of how millions of people came together in a mass movement, organized democratic assemblies, mobilized for militant action, and overturned a vast regime of landlords, profiteers, and warmongers.   Faulkner rejects caricatures of Lenin and the Bolsheviks as authoritarian conspirators or the progenitors of Stalinist dictatorship, and forcefully argues that the Russian Revolution was an explosion of democracy and creativity—and that it was crushed by bloody counter-revolution and replaced with a form of bureaucratic state-capitalism.   Grounded by powerful first-hand testimony, this history marks the centenary of the Revolution by restoring the democratic essence of the revolution, offering a perfect primer for the modern reader.

    Its uniquely qualified author, a diplomat and historian who represented this country as our Ambassador to the Soviet Union, George F. Kennan believes like Thucydides that the history of the past is our best source of guidance for the present. Mr. Kennan’s narrative takes the reader through three decades of the most profound violence and change, tracing diplomatic relations between the Western powers and the Soviet Union from the Russian Revolution of 1917 to the end of World War II. At every stage of the story Mr. Kennan points up the successive dilemmas, sometimes leading to tragedy, which grew out of ignorance and mutual distrust. From the deposition of the Russian Tsar in 1917 to the illusions and errors of 1945, one confrontation after another has expanded from misunderstanding to hostility. The Allied intervention in Russia, into which we muddled ourselves in 1918 while our gaze was fixed on winning the first World War in Europe; the Russian fixation on their domestic revolution at the expense of waging the war against Germany; the conflicting and short-sighted aims of the Western statesmen at the Versailles conference in 1919; the incredible Western stuffiness (the only word for it) which drove a renascent Germany into Russia’s arms at Rapallo in 1922; Stalin’s bottomless mistrust, not only of foreign statesmen, but of his own most intimate colleagues in Moscow, which hurled Russia into the bloody purges of 1934-1938; the Russian cupidity in China; the fantastic yet grimly tragic story of events leading up to the Soviet-German Nonaggression Pact of 1939, and the cynical piracy which Hitler and Stalin practised on each other thereafter; and the unquenchable innocence governing the actions of Roosevelt and the Western military leaders during World War II and culminating in Yalta — all of these episodes serve Mr. Kennan as the raw material for lessons for the present day. As he takes us with him on this dangerous dramatic path of frustration and misunderstanding, Mr. Kennan pauses to illuminate the hazards attendant upon all summit meetings; to speculate on the perennial fantasy inherent in Western notions about China; to question the extent to which world events can be controlled from any central point, whether it be Moscow or Washington; to comment on the havoc raised by the conduct of two World Wars with the objective of unconditional surrender; to etch brilliant portraits of such figures as Woodrow Wilson, Rathenau, Lenin, Curzon, Chicherin, Stalin, Molotov, Hitler, Ribbentrop, Roosevelt and those others who on both sides have been entrusted with our destinies for the last forty-five years. The result is a narrative which the publishers are proud to present as a world-significant contribution to history. It will be read with fascination and with profit by both the specialist and the intelligent general reader—and it is urgently needed at a time when the Soviet historians are fabricating their interpretations of these very years in a way that is deeply discreditable to the free world.