She wants nothing more than for her dad to get a normal job and for Tia Perla to be put out to pasture. It's no fun being known as the "Taco Queen" at school. But just when it looks like Stef is going to get exactly what she wants, and her family's livelihood is threatened, she will have to become the truck's unlikely champion.

    Includes "Meet Josefina, Josefina Learns a Lesson, Josefina's Surprise, Happy Birthday, Josefina , Josefina Saves the Day," and "Changes for Josefina."

    Américas Award Winner“An achingly beautiful story.”—Kirkus (starred review) “Eloquent.”—Booklist (starred review) “Lovely and lyrical.”—School Library JournalThis powerful and resonant Américas Award-winning novel tells the story of a young girl’s struggle to find her place in the world and to become a writer in a country where words are feared.Seamlessly interweaving both poetry and prose, Lynn Joseph’s acclaimed debut is a lush and lyrical journey into a landscape and culture of the Dominican Republic.The Color of My Words explores the pain and poetry of discovering what it means to be part of a family, what it takes to find your voice and the means for it to be heard, and how it feels to write it all down.

    As she hears the story of her name, Alma starts to think it might be a perfect fit after all — and realizes that she will one day have her own story to tell. In her author-illustrator debut, Juana Martinez-Neal opens a treasure box of discovery for children who may be curious about their own origin stories or names.

    Carlos knows that when the soldiers arrive with warnings about the Communist rebels, it is time to be a man and defend the village, keep everyone safe. But Mama tells him not yet — he’s still her quiet moonfaced boy. The soldiers laugh at the villagers, and before they move on, a neighbor is found dangling from a tree, a sign on his neck: Communist. Mama tells Carlos to run and hide, then try to find her. . . . Numb and alone, he must join a band of guerillas as they trek to the top of the mountain where Carlos’s abuela lives. Will he be in time, and brave enough, to warn them about the soldiers? What will he do then? A novel in verse inspired by actual events during Guatemala’s civil war, Caminar is the moving story of a boy who loses nearly everything before discovering who he really is.

    . . for the fourth time. California’s Newport Beach is her family’s latest perch, and she’s determined to shuck her brainy loner persona and start afresh with a new Brady Bunch name—Cindy. It’s the late 1970s, and fitting in becomes more difficult as Iran makes U.S. headlines with protests, revolution, and finally the taking of American hostages. Even mood rings and puka shell necklaces can't distract Cindy from the anti-Iran sentiments that creep way too close to home. A poignant yet lighthearted middle grade debut from the author of the best-selling Funny in Farsi.

    In a new preface, editor and translator Robert Bly explores what the poems reveal today about politics, the spirit, and the purpose of art.

    When a girl Lekha’s age moves in across the street, Lekha is excited to hear that her name is Avantika and she’s Desi, too! Finally, there will be someone else around who gets it. But as soon as Avantika speaks, Lekha realizes she has an accent. She’s new to this country, and not at all like Lekha. To Lekha’s surprise, Avantika does not feel the same way as Lekha about having two separate lives or about the bullying at school. Avantika doesn’t take the bullying quietly. And she proudly displays her culture no matter where she is: at home or at school. When a racist incident rocks Lekha’s community, Lekha realizes she must make a choice: continue to remain silent or find her voice before it’s too late.

    Its author would rather have seen it forgotten. Instead, Ernest Thayer's poem has taken a well-deserved place as an enduring icon of Americana. Christopher Bing's magnificent version of this immortal ballad of the flailing 19th-century baseball star is rendered as though it had been newly discovered in a hundred-year-old scrapbook. Bing seamlessly weaves real and trompe l'oeil reproductions of artifacts-period baseball cards, tickets, advertisements, and a host of other memorabilia into the narrative to present a rich and multifaceted panorama of a bygone era. A book to be pored over by children, treasured by aficionados of the sport-and given as a gift to all ages: a tragi-comic celebration of heroism and of a golden era of sport.

    She lives peacefully among friends and neighbors and family in the idyllic town of Valparaiso, Chile—until one day when warships are spotted in the harbor and schoolmates start disappearing from class without a word. Celeste doesn’t quite know what is happening, but one thing is clear: no one is safe, not anymore. The country has been taken over by a government that declares artists, protestors, and anyone who helps the needy to be considered “subversive” and dangerous to Chile’s future. So Celeste’s parents—her educated, generous, kind parents—must go into hiding before they, too, “disappear.” Before they do, however, they send Celeste to America to protect her. As Celeste adapts to her new life in Maine, she never stops dreaming of Chile. But even after democracy is restored to her home country, questions remain: Will her parents reemerge from hiding? Will she ever be truly safe again? Accented with interior artwork, steeped in the history of Pinochet’s catastrophic takeover of Chile, and based on many true events, this multicultural ode to the power of revolution, words, and love is both indelibly brave and heartwrenchingly graceful.

    It was a sound that filled the world with magic and love and feeling and healing—a sound that made angels real. Carlos wanted to make angels real, too. So he started playing music.Carlos tried el clarinete and el violín, but there were no angels. Then he picked up la guitarra. He took the soul of the Blues, the brains of Jazz, and the energy of Rock and Roll, and added the slow heat of Afro-Cuban drums and the cilantro-scented sway of the music he’d grown up with in Mexico. There were a lot of bands in San Francisco but none of them sounded like this. Had Carlos finally found the music that would make his angels real?

    Includes Spanish words.

    Hers was a school of faraway places. So when Lola's teacher asks the students to draw a picture of where their families immigrated from, all the kids are excited. Except Lola. She can't remember The Island—she left when she was just a baby. But with the help of her family and friends, and their memories—joyous, fantastical, heartbreaking, and frightening—Lola's imagination takes her on an extraordinary journey back to The Island. As she draws closer to the heart of her family's story, Lola comes to understand the truth of her abuela's words: “Just because you don't remember a place doesn't mean it's not in you.”

    He is nervous for his first day at a new school.And El Cucuy is the monster who lives in Ramón’s cactus pot. He can’t sleep, either.It turns out that El Cucuy is scared, too!This gentle, perceptive story explores the worries that can accompany moving to a new place and beginning a new journey—and reveals how comfort, bravery, and strength can be found through even the most unexpected of friendships.

     Hey black child,Do you know who you are?Who really are? Do you know you can beWhat you want to beIf you try to beWhat you can be? This lyrical, empowering poem celebrates black children and seeks to inspire all young people to dream big and achieve their goals.