From acclaimed director Guillermo del Toro.

    Her clothing suggests she comes from a wealthy family, but Lottie's back bears the scars of a severe beating, and how she came to be on a cargo ship in the first place remains a mystery . . . Arnie and his wife already have two young children, Matt and Tom, but are desperate to keep Lottie. They decide to foster her, despite outcries from the local community, and though Matt appears hesitant to get close to Lottie, Tom quickly warms to the new sister in his life. But when tragedy strikes the very heart of the Lanroska family, the repercussions could change the lives of everyone close to them . . .A nostalgic and heart-warming family saga, perfect for fans of Katie Flynn and Margaret Dickinson

    Mouse’s world is constrained by a number of factors: her mother is dead, her father – the admired country doctor – is emotionally distant, her housekeeper Sal is prejudiced and narrow, and her grandmother and aunt, Big Louie and Little Louie, the only life-affirming presences in her life, live in another city. Enter Gentleman John Pilkie, the former NHL star who’s transferred to the mental hospital in Madoc's Landing, where he is to serve out his life-sentence for the murder of his wife and daughter. John becomes a point of fascination for young Mary, who looks to him for the attention she does not receive from her father. He, in turn, is kind to her – but the kindness is misunderstood. When Mary figures out that the attention she receives from the Hockey Killer is different in kind and intent from the attention her Aunt Little Louie receives, her world collapses. Set against the beautiful and dramatic shore of Georgian Bay, the climax will have readers turning pages with concern for characters they can’t help but love.Praise"Mouse Bradford is a unique and luminous creation... Gentleman John Pilkie, the hockey killer with a heart of gold, is dressed and ready to become a legend." — Paul Gross

    Her country taken, she has been brought to the city of Rome in chains, with only her twin brother, Alexander, to remind her of home and all she once had. Living under the watchful eyes of the ruling family, Selene and her brother must quickly learn how to be Roman – and how to be useful to Caesar. She puts her artistry to work, in the hope of staying alive and being allowed to return to Egypt. Before long, however, she is distracted by the young and handsome heir to the empire... When the elusive ‘Red Eagle' starts calling for the end of slavery, Selene and Alexander are in grave danger. Will this mysterious figure bring their liberation, or their demise?

    Her long dark auburn hair cascaded over her shoulders and her pale, attractive face, wide set eyes and full sensuous lips took his breath away. Robert could not help staring at her in frank amazement. He found it difficult to equate this alluring woman with the tall, awkward girl he vaguely remembered while a young boy at Fairlee Manor in Scotland.* * *Action, adventure and erotic entanglements loom large in young Robert Hamilton’s future as he seeks to make his fortune in the rough and tumble world of the Johannesburg goldfields in the closing years of the nineteenth century.Robert’s business interests and adventures in the wilds of South Africa, bring him into close contact with the Boer peoples of the Transvaal Republic. As the threat of a British invasion looms large over the country, his support for the Boer cause finds him on the opposing side to his fellow uitlanders – foreigners. He is dismayed to discover that both of his brothers have enlisted in Canadian regiments ready to fight on the side of Britain in the Anglo-Boer War.

    It is full of spectacular cities and epic stories—an evolving society rich in inventors, heroes, heroines, villains, artisans, and pioneers. Professor Joann Fletcher pulls together the complete story of Egypt—charting the rise and fall of the ancient Egyptians while putting their whole world into a context to which we can all relate.Fletcher uncovers some fascinating revelations: new evidence shows that women became pharaohs on at least ten occasions; that the ancient Egyptians built the first Suez Canal and then circumnavigated Africa. From Ramses II's penchant for dying his grey hair to how we know that Montuhotep's chief wife bit her nails, Dr. Joann Fletcher brings alive the history and people of ancient Egypt as nobody else can.

    

    Livingstone's 'Lake of Stars' has become a 'Lake of Slaves'. Alan Spaight is among a handful of British men fighting the slavers. After a year as a trader he starts a coffee plantation, while torn between the enticement of his doctor’s wife and his neighbour’s attractive daughter. He is drawn repeatedly into conflicts with the slavers, in company with mission-educated Goodwill, a former slave who escaped to return to his village. A new Consul, Harry Johnston, brings in British officers and Sikh soldiers in 1891, and the tide turns. After another five years of bitter fighting the slave trade is finally destroyed.

    One simple, straightforward lie. But it wasn't that simple or straightforward at all. Her life, as Bard Channing's third wife, was very far from easy. He was charismatic, powerful and rich - and he adored her. He was also manipulative and scheming, with a family as large and complex as his business. But it was an emotional crisis of her own which finally put Francesca's dilemma into perspective, and made her wonder if she loved Bard enough to lie for him...

    That is, until the doorbell rings. Standing on her front step is a young man who looks so much like Max; same smile, same eyes, same age, same adorable bump in his nose; he could be Max's long-lost relation. He introduces himself as Paolo, an Italian editor of American coffee table books, and shows Shelley some childhood photos. Paolo tells her that the man in the photos, the bearded man who Paolo says is his grandfather though he never seems to age, is Max. Her Max. And he is alive and well.As outrageous as Paolo's claims seem; how could her husband be alive? And if he is, why hasn't he looked her up? Shelley desperately wants to know the truth. She and Paolo jet across the globe to track Max down; if it is really Max and along the way, Shelley recounts the European package tour where they had met. As she relives Max's stories of bloody Parisian barricades, medieval Austrian kitchens, and buried Roman boathouses, Shelley begins to piece together the story of who her husband was and what these new revelations mean for her "happily ever after." And as she and Paolo get closer to the truth, Shelley discovers that not all stories end where they are supposed to.

    Finding it hard to make friends, things change when Maisie tells her new classmates about something strange she saw the night before - a girl's face in the window of a gothic tower. The girls tell Maisie about the ghost of a Victorian pupil rumoured to wander the corridors. One particular student called Kat seems captivated by what Maisie has seen, and - both feeling like outsiders - they quickly become close. One night, though, Maisie comes across a tin box full of photos and notes. It's plainly decades old, and, squinting at the photos - belonged to a smiling girl who looks exactly like Kat...

    When his father returns from the visit the next day, all he can say is that Jonathan's uncle has died. Then Jonathan finds a fragment of the letter, with talk of inheritance and vengeance...

    Join Clara at the rat pit. Relax with Mr Bodley as he is lulled to sleep by Mrs Tremain and her girls. Find out what became of Sophie.Michel Faber revisits the world of his bestselling novel The Crimson Petal and the White, conjuring tantalising glimpses of its characters, their lives before we first met them and their intriguing futures. You'll be desperate for more by the time you reluctantly re-emerge into the twenty-first century.

    Theobald Moon lives in a lonely corner of the Arizona desert, tending his spectacular cactus garden, his tiny mobile home, and his astounding appetite. He has fled a stifled, cardigan-and-tea-cozy life in south London for this unfamiliar country and is raising Josephine, who has known no other life than their cheerful yet isolated American one. But when a jangling ice-cream truck finds its way into the desert carrying two ill-fated lovers--a pregnant Slovakian shoemaker and a mysterious ice-cream man--it throws Theo's and Josie's careful lives into a chaotic state for which they're totally unprepared. Fantastic upheaval ensues, as well as an inspired redemption. Innovative and accessible, funny and profound, Elderkin's "beautiful, touching story" (Bookseller) explores love and responsibility, and the joys and fears such emotions inspire. It is a rare and tantalizing first novel.

    An inconsequential inconvenience.After eight years of dreaming of an unknown mother rescuing her from the workhouse, Beth is unexpectedly liberated to become an apprentice in Mr Whitaker's tailor's shop. Against all the odds, Mrs Whitaker becomes a maternal figure to the young girl who shows all the signs of a gifted seamstress.But fate's cruel hand had not finished denying Beth the comforts of a family.Lady Caroline comes into Beth's life as a godsend. A wealthy patron in need of beautiful dresses to be made. But there is more to her appearing at the tailor's shop at first apparent. Two lives from different classes become intertwined in the worst of conditions.Is having a family worth such suffering? Should the women deny each other and be relieved of the tortures beset upon them in the name of greed and a family name? Was the madness real? Would the answers be found along the unforgiving corridors of the asylum?