The other has ideas: about rhythm and time, about black bodies and black music, about what constitutes a tribe, or makes a person truly free. It's a close but complicated childhood friendship that ends abruptly in their early twenties, never to be revisited, but never quite forgotten, either.Dazzlingly energetic and deeply human, Swing Time is a story about friendship and music and stubborn roots, about how we are shaped by these things and how we can survive them. Moving from northwest London to West Africa, it is an exuberant dance to the music of time.

    The fashion, the music, her job, even her romantic life: everything is different. And then it happens three more times, and Jo-Jo finds herself living a completely new life in the 1970s, 80s and 90s. The only people she can rely on are Harry and Ellie, two companions from 2013, and George, the owner of a second-hand record store.If she's ever to return from her travels, Jo-Jo must work out why she's jumping through time like this. And if she does make it back, will her old life ever be the same again?Step back in time with this fabulously fun and feed-good comedy of time travel and romance, from the author of From Notting Hill with Love . . . Actually

    Eighteenth century Admiralty Regulations forbade women living on board ship, but many found ways around this. George served on a number of ships, both as a man and unmasked. As Nan narrates her mother’s history she becomes obsessed by the idea that Nelson could have been her father. She meets a young man, Baltic Nelson, who clings to the same belief. Could her mother’s wild stories really be true?

    Doerr explores the human condition in all its varieties-metamorphosis, grief, fractured relationships, and slowly mending hearts-and conjures nature in both its beautiful abundance and crushing power. Some of his characters contend with tremendous hardship; some discover unique gifts; all are united by their ultimate deference to the mysteries of the universe outside themselves.

    So begins Girl, Edna O'Brien's harrowing portrayal of the young women abducted by Boko Haram. Set in the deep countryside of northeast Nigeria, this is a brutal story of incarceration, horror, and hunger; a hair-raising escape into the manifold terrors of the forest; and a descent into the labyrinthine bureaucracy and hostility awaiting a victim who returns home with a child blighted by enemy blood.

    It is 1914, the beginning of a blissful, golden summer - and the end of an era. Deyning Park is in its heyday, the large country house filled with the laughter and excitement of privileged youth preparing for a weekend party. When Clarissa meets Tom Cuthbert, home from university and staying with his mother, the housekeeper, she is dazzled. Tom is handsome and enigmatic; he is also an outsider. Ambitious, clever, his sights set on a career in law, Tom is an acute observer, and a man who knows what he wants. For now, that is Clarissa.As Tom and Clarissa's friendship deepens, the wider landscape of political life around them is changing, and another story unfolds: they are not the only people in love. Soon the world - and all that they know - is rocked by a war that changes their lives for ever.

    Rudolf and Verena are planning the wedding of their daughter, Emmeline, while their eldest son Arthur is studying in Paris and Tom is just back from his first term at Cambridge. Celia, the youngest of the de Witt children, is on the brink of adulthood, and secretly dreams of escaping her carefully mapped out future and exploring the world.But the onslaught of war changes everything and soon the de Witts find themselves sidelined and in danger of losing everything they hold dear. As Celia struggles to make sense of the changing world around her, she lies about her age to join the war effort and finds herself embroiled in a complex plot that puts her and those she loves in danger.With gripping detail and brilliant empathy, Kate Williams tells the story of Celia and her family as they are shunned by a society that previously embraced them, torn apart by sorrow, and buffeted and changed by the storms of war.

    Among the captives sold into slavery in Algiers were the island pastor, his wife and their three children. Although the raid itself is well documented, little is known about what happened to the women and children afterwards. It was a time when women everywhere were largely silent.In this brilliant reimagining, Sally Magnusson gives a voice to Ásta, the pastor's wife. Enslaved in an alien Arab culture Ásta meets the loss of both her freedom and her children with the one thing she has brought from home: the stories in her head. Steeped in the sagas and folk tales of her northern homeland, she finds herself experiencing not just the separations and agonies of captivity, but the reassessments that come in any age when intelligent eyes are opened to other lives, other cultures and other kinds of loving.The Sealwoman's Gift is about the eternal power of storytelling to help us survive. The novel is full of stories - Icelandic ones told to fend off a slave-owner's advances, Arabian ones to help an old man die. And there are others, too: the stories we tell ourselves to protect our minds from what cannot otherwise be borne, the stories we need to make us happy.

    Innumerable hidden agendas. Yala, lady-in-waiting to the princess of a vanquished kingdom, must navigate their captors' treacherous imperial court.The Emperor's palace -- full of ambitious royals, sly gossip, and unforeseen perils -- is perhaps the most dangerous place in Zhaon. A hostage for her conquered people's good behavior, the lady Komor Yala has only her wits and her hidden maiden's blade to protect herself -- and her childhood friend Princess Mahara, sacrificed in marriage to the enemy to secure a tenuous peace.But the Emperor is aging, and the Khir princess and her lady-in-waiting soon find themselves pawns in the six princes' deadly schemes for the throne -- and a single spark could ignite fresh rebellion in Khir.And then, the Emperor falls ill, and a far bloodier game begins...The Throne of the Five Winds is the first installment of the Hostage of Empire series, an intricate and ruthless East Asia-inspired epic fantasy trilogy perfect for fans of George R. R. Martin, Ken Liu, Kate Elliott, and K. Arsenault Rivera.

    Even the massive build-up of Japanese forces on the Chinese border cannot dent their carefree optimism.Yet one man suspects the truth. Lieutenant-Commander Esmond Brooke, captain of HMS Serpent and a veteran of the cruel Atlantic, sees all too clearly the folly and incometence of Hong Kong's colonial administration. To Brooke, attack by Japan seemsinevitable.But, in war, there will always be some who attempt the impossible, even in the face of death. This is the story of one ship and her company who refuse to accept the anguish of defeat and surrender to a merciless enemy...

    and a race to change the course of destiny itself. I couldn't put it down. -Anna Elliott, author of the Twilight of Avalon trilogy.Love, magic, faith ... by the autumn of 537 AD, all who are loyal to King Arthur have retreated to a small parcel of land in north Wales. They are surrounded on all sides, heavily outnumbered, and facing near certain defeat.But Myrddin and Nell, two of the king's companions, have a secret that neither has ever been able to face: each has seen that on a cold and snowy day in December, Saxon soldiers sent by Modred will ambush and kill King Arthur.And together, they must decide what they are willing to do, and to sacrifice, to avert that fate.The Lion of Wales is a collection of all five individual novellas i the series: Cold My Heart, The Oaken Door, Of Men and Dragons, A Long Cloud, and Frost Against the Hilt.

    Unlike Frédéric Moreau in Flaubert's L'Éducation sentimentale (to which this book owes no meagre debt), Piet is magnificently gifted, not only "extremely attractive to most women and to many men," but also a fine pianist, draughtsman and lover. We first meet him interviewing for the role of tutor to the son of the wealthy hotelier, Maarten Vermeulen-Sickerts. All is not well in his gilded household. Egbert, the son, is agoraphobic. The matriarch, Jacobina, hasn't been touched by her husband in almost a decade. Into this highly strung atmosphere comes Piet, charged with the task of freeing Egbert from his paralysing fear of the outside world. We soon realise, however, that Egbert isn't the only one in need of help. Piet sets about liberating the libidos of the repressed family through music – championing bawdy Bizet over abstract Bach – and oral sex. While the setting is Dutch, the influences are French – think Bel-Ami, Les Liaisons dangereuses and Gide's L'Immoraliste.

    Now she has created an unforgettable new dynasty: the Deravenels. On a bitterly cold day in 1904, the Deravenel family's future changes forever. When Cecily Deravenel tells her eighteen-year-old son Edward of the death of his father, brother, uncle, and cousin in a fire, a part of him dies as well. Edward and his cousin Neville Watkins are suspicious of the deaths. They vow to seek the truth, avenge the deaths, and retake control of their family's business empire.As he grows into a handsome, charismatic man, Edward is torn between duty and desire. There are women in his life for whom he'll risk everything--and one woman who might destroy him. But madness and secrecy lie at the heart of the family, and Edward's enemies are far more ruthless than he knows. He will need his strength more than ever when the house of Deravenel is fatally rocked by betrayal from within. Who will become the ultimate ruler of the Deravenels? Power and money, passion and adultery, ambition and treachery all illuminate a dramatic epic saga that brings to life the glittering Edwardian Era. The Ravenscar Dynasty is based on the familial factions of England's Wars of the Roses, brought to life by the magical, memorable storytelling power that is Barbara Taylor Bradford.

    A huge cash prize awaits anyone who can make the perilous transatlantic flight between Paris and New York, as well as global notoriety.Though many have died attempting it, among those who are still ready to face the hazards of the long-distance flight is Ira Penaluna, a hard-bitten war veteran, along with his daughter and navigator, Alix.He discovers that the Courtney plane he is to fly requires drastic design modification. However, the news that another challenger, a young man named Lindbergh, is on the point of departure forces Ira and Alix to take off in appalling conditions. Can he win, or even survive this journey? A triumphant finale to the trilogy, anchored by thrilling action and historical knowledge, perfect for fans of Wilbur Smith, W. E. Johns and Alistair MacLean.

    But times are changing with the outbreak of war. With a husband bent on signing up for the trenches and a lecherous master of the house, Lily is forced to leave.Doing her bit for the war effort - and bringing in more money for the family - Lily goes to work in a factory making explosives to send to the trenches. It's a hard job. The munitionettes must face terrible working conditions, the constant danger of accidents and air strikes and a patronising, self-serving boss. And then someone she never wanted to see there arrives. Lady Charlotte, the pampered daughter of the Hall, joins the factory as a supervisor... Lily and Charlotte have choices they never had before - but in the shadow of the Great War, can the factory girls work together for a better future?