From Walter to John to Anjelica, there are three generations of Oscar winners in the remarkable Huston family.

    Here is Welles’s prodigious childhood; his youth in New York, with its fraught partnership with John Houseman and the groundbreaking triumph of his all-black Macbeth; the pioneering radio work that culminated in the notorious 1938 broadcast of War of the Worlds; and finally, his work in Hollywood, including an authoritative account of the making of Citizen Kane. Rich in detail and insight, this is far and away the definitive look at Orson Welles—a figure even more extraordinary than the myths that have surrounded him.

    Throngs of fans jam into air-conditioned multiplexes to escape for two hours in the dark, blissfully lost in Hollywood's latest glittery confection complete with megawatt celebrities, awesome special effects, and enormous marketing budgets. The world is in love with the blockbuster movie, and these cinematic behemoths have risen to dominate the film industry, breaking box office records every weekend. With the passion and wit of a true movie buff and the insight of an internationally renowned critic, Tom Shone is the first to make sense of this phenomenon by taking readers through the decades that have shaped the modern blockbuster and forever transformed the face of Hollywood. The moment the shark fin broke the water in 1975, a new monster was born. Fast, visceral, and devouring all in its path, the blockbuster had arrived. In just a few weeks Jaws earned more than $100 million in ticket sales, an unprecedented feat that heralded a new era in film. Soon, blockbuster auteurs such as Steven Spielberg, George Lucas, and James Cameron would revive the flagging fortunes of the studios and lure audiences back into theaters with the promise of thrills, plenty of action, and an escape from art house pretension. But somewhere along the line, the beast they awakened took on a life of its own, and by the 1990s production budgets had escalated as quickly as profits. Hollywood entered a topsy-turvy world ruled by marketing and merchandising mavens, in which flops like Godzilla made money and hits had to break records just to break even. The blockbuster changed from a major event that took place a few times a year into something that audiences have come to expect weekly, piling into the backs of one another in an annual demolition derby that has left even Hollywood aghast. Tom Shone has interviewed all the key participants -- from cinematic visionaries like Spielberg and Lucas and the executives who greenlight these spectacles down to the effects wizards who detonated the Death Star and blew up the White House -- in order to reveal the ways in which blockbusters have transformed how Hollywood makes movies and how we watch them. As entertaining as the films it chronicles, Blockbuster is a must-read for any fan who delights in the magic of the movies.

    But staying in the background was not possible for Mengers. Irrepressible and loaded with chutzpah, she became a driving force of Creative Management Associates (which later became ICM) handling the era’s preeminent stars.A true original with a gift for making the biggest stars in Hollywood listen to hard truths about their careers and personal lives, Mengers became a force to be reckoned with. Her salesmanship never stopped. In 1979, she was on a plane that was commandeered by a hijacker, who wanted Charlton Heston to deliver a message on television. Mengers was incensed, wondering why the hijacker wanted Heston, when she could get him Barbra Streisand.Acclaimed biographer Brian Kellow spins an irresistible tale, exhaustively researched and filled with anecdotes about and interviews more than two hundred show-business luminaries. A riveting biography of a powerful woman that charts show business as it evolved from New York City in the 1950s through Hollywood in the early 1980s, Can I Go Now? will mesmerize anyone who loves cinema’s most fruitful period.

    Fully illustrated with great photographs.

    From its perch overlooking the Sunset Strip, the glamorous Marmont reigned for decades as the spot for artists, writers, musicians, and actors of every stripe and remains a home-away-from-home for A-listers like Scarlett Johansson and Johnny Depp. Here, Sarlot and coauthor Fred E. Basten share a wealth of scandalous and intriguing tales about them all, from the stars of Hollywood’s Golden Era like Jean Harlow and Grace Kelly to idols of the sixties and seventies like Jim Morrison and John Belushi (who tragically died there in 1982).              Whether your obsession is Hollywood history or celebrity gossip, Life at the Marmont has plenty of gripping, juicy stories to fascinate.

    As told by Corman himself and graduates of “The Corman Film School,” including Peter Bogdanovich, James Cameron, Francis Ford Coppola, Robert De Niro, and Martin Scorsese, this comprehensive oral history takes readers behind the scenes of more than six decades of American cinema, as now-legendary directors and actors candidly unspool recollections of working with Corman, continually one-upping one another with tales of the years before their big breaks.Crab Monsters is supplemented with dozens of full-color reproductions of classic Corman movie posters; behind-the-scenes photographs and ephemera (many taken from Corman’s personal archive); and critical essays on Corman’s most daring films—including The Intruder, Little Shop of Horrors, and The Big Doll House— that make the case for Corman as an artist like no other. Praise for Crab Monsters, Teenage Cavemen, and Candy Stripe Nurses: “This new coffee table book, brimming with outrageous stills from many of Corman’s hundreds of films, looks at the wild career of the starmaker who was largely responsible for so much of the Hollywood we know today.” —New York Post “Vividly illustrated.” —People “An enthusiastic ode to colorful, seat-of-your-pants filmmaking, this one’s hard to beat.” —Booklist (starred review) “It includes in-depth aesthetic appreciations of ten of Corman’s movies, which, taken together, make a compelling case for Corman as an artist.” —Hollywood.com “Author Nashawaty deftly describes how Corman’s legacy is far more nuanced than most realize.” —American Way magazine “Outrageously entertaining . . .”  —Parade magazine “Endlessly fascinating.” —PopMatters.com “You’d think it’d be impossible for any writer to put together a Roger Corman biography that's anywhere near as fun as his movies, but Entertainment Weekly writer/critic Chris Nashawaty has done just that.”  —Complex magazine

    S. senator. Her uncle was a U. S. congressman. Her father was Speaker of the House. Although born to privilege in Alabama and groomed in a convent school, Tallulah Bankhead resolved not to be just another southern belle. Quickly she rose to the top and became an acclaimed actress of London's West End and on the Broadway stage. She originated the starring roles of Regina Giddens in Lillian Hellman's "The Little Foxes" and Sabina in Thornton Wilder's "The Skin of Our Teeth." Her Broadway performances brought her to the notice of Hollywood, and in 1944 she won a New York Film Critics Circle Award for her leading role in Alfred Hitchcock's "Lifeboat." Yet her flamboyant public personality may be the most fully realized and memorable character Bankhead ever played on stage, screen, radio, or television. Tallulah was famous for her snappy repartee, candid quotes, and scandalous lifestyle. Overfond of Kentucky bourbon and wild parties, she was a lady baritone who called everybody "Dahling." In her autobiography, first published in 1952 and a New York Times bestseller for twenty-six weeks, Bankhead's literary voice is as lively and forthright as her public persona. She details her childhood and adolescence, discusses her dedication to the theater, and presents amusing anecdotes about her life in Hollywood, New York, and London. Along with a searing defense of her lifestyle and rambunctious habits, she provides a fiercely opinionated, wildly funny account of the American stage at a time when the movies were beginning to cast theater into eclipse. This is not only a memoir of an independent woman but also an insider look at American entertainment during a golden age. Tallulah Bankhead (1902-1968) headlined NBC's "The Big Show," a ninety-minute weekly radio extravaganza that aired from 1950 to 1952. In 1965 she appeared in her last movie, a British film titled "Fanatic" ("Die, Die, My Darling!" in U. S. release).

    The New York Times called it a "triumphant, cleverly disorienting journey," and thirty-one-year-old Quentin Tarantino, with just three feature films to his name, became a sensation: the next great American director. Nearly twenty years later, those who proclaimed Pulp Fiction an instant classic have been proven irrefutably right. In Pulp Fiction: The Complete Story of Quentin Tarantino's Masterpiece, film expert Jason Bailey explores why Pulp Fiction is such a brilliant and influential film. He discusses how the movie was revolutionary in its use of dialogue ("You can get a steak here, daddy-o," "Correct-amundo"), time structure, and cinematography--and how it completely transformed the industry and artistry of independent cinema. He examines Tarantino's influences, illuminates the film's pop culture references, and describes its phenomenal legacy. Unforgettable characters like Jules Winnfield (Samuel L. Jackson), Vincent Vega (John Travolta), Butch Coolidge (Bruce Willis), and Mia Wallace (Uma Thurman) are scrutinized from all-new angles, and memorable scenes--Christopher Walken's gold watch monologue, Vince's explanation of French cuisine--are analyzed and celebrated. Much like the contents of Marcellus Wallace's briefcase, Pulp Fiction is mysterious and spectacular. Illustrated throughout with original art inspired by the film, with sidebars and special features on everything from casting close calls to deleted scenes, this is the most comprehensive, in-depth book on Pulp Fiction ever published.

    It is a tour through a now unrecognizable city of abysmal poverty and habitual violence cobbled, as Luc Sante has written, "from legend, memory, police records, the self-aggrandizements of aging crooks, popular journalism, and solid historical research." Asbury presents the definitive work on this subject, an illumination of the gangs of old New York that ultimately gave rise to the modern Mafia and its depiction in films like The Godfather.

    You will learn how to research and focus a documentary film or video idea, develop a crew, direct the crew, maintain control during shooting, and oversee postproduction. Practical work is emphasized, with dozens of exercises and questionnaires to help focus your ideas and give you hands-on practice. The documentary is treated as an important genre in its own right, as well as a useful prelude to directing feature films. The fourth edition is a significant update. The book's emphasis has always been on concrete steps you can take to become a documentary filmmaker, and there are loads of new projects to help, along with assessment tables that allow you to gauge your progress. In addition, there is new material on location sound, the reality TV trend, top documentaries to see, and more.

    Written by filmmakers for filmmakers, this essential text now includes the latest information on digital age filmmaking, where the shifting boundaries between film, video, and computer systems have introduced a wide range of methods and equipment every filmmaker must master to be competitive. This comprehensive reference guide addresses the techniques necessary to make feature, documentary, industrial, and experimental films while detailing the possibilities and limitations of various formats. New chapters spotlight video camera and video editing, essential information for modern film students and makers who focus on video production exclusively. "The Filmmaker's Handbook" is the perfect primer to guide novices and professionals alike into the twenty-first century of motion picture production.

    Now, for the first time ever, Vanity Fair presents a one-of-a-kind collection featuring thirteen behind-the- scenes stories on some of cinema's most iconic films-including pictures as varied as All About Eve, Cleopatra, Sweet Smell of Success, Rebel Without a Cause, and Saturday Night Fever. For pop-culture fanatics and movie buffs alike, Vanity Fair's Tales of Hollywood is an irresistible glimpse at how classic films-and box office bombs-are made.

    Partly because horror continues to evolve radically--every time the genre is deemed dead, it seems to come up with another twist--it has been one of the most often-dissected genres. Here, author Kendall Phillips selects ten of the most popular and influential horror films--including Dracula, Night of the Living Dead, Halloween, The Silence of the Lambs, and Scream, each of which has become a film landmark and spawned countless imitators, and all having implications that transcend their cinematic influence and achievement. By tracing the production history, contemporary audience response, and lasting cultural influence of each picture, Phillips offers a unique new approach to thinking about the popular attraction to horror films, and the ways in which they reflect both cultural and individual fears. Though stylistically and thematically very different, all of these movies have scared millions of eager moviegoers. This book tries to figure out why.

    He broke into the film scene at the age of 26 with the ambitious, independently produced Killer's Kiss and within a few years was working with the likes of Kirk Douglas, Laurence Olivier, and Peter Sellers on such seminal films as Lolita and Spartacus. Having gained the support of the actors, producers, and movie studios with his early efforts, Kubrick garnered the creative control he needed to produce uncompromising masterpieces such as 2001: A Space Odyssey, Clockwork Orange, and Barry Lyndon. Polishing off 1999's Eyes Wide Shut just before his untimely death, Kubrick left behind a puzzling and positively brilliant body of work.