Edith Wharton and Henry James wrote about the American girl abroad, but it was Elaine Dundy’s Sally Jay Gorce who told us what she was really thinking. Charming, sexy, and hilarious, The Dud Avocado gained instant cult status when it was first published and it remains a timeless portrait of a woman hell-bent on living.“I had to tell someone how much I enjoyed The Dud Avocado. It made me laugh, scream, and guffaw (which, incidentally, is a great name for a law firm).” –Groucho Marx[The Dud Avocado] is one of the best novels about growing up fast..." -The Guardian“A cheerfully uninhibited...variation on the theme of the Innocents Abroad...Miss Dundy comes up with fresh and spirited comedy....Her novel is enormous fun—sparklingly written, genuinely youthful in spirit.” —The Atlantic

    Peter Byerly isn't sure what drew him into this particular bookshop. Nine months earlier, the death of his beloved wife, Amanda, had left him shattered. The young antiquarian bookseller relocated from North Carolina to the English countryside, hoping to rediscover the joy he once took in collecting and restoring rare books. But upon opening an eighteenth-century study of Shakespeare forgeries, Peter is shocked when a portrait of Amanda tumbles out of its pages. Of course, it isn't really her. The watercolor is clearly Victorian. Yet the resemblance is uncanny, and Peter becomes obsessed with learning the picture's origins. As he follows the trail back first to the Victorian era and then to Shakespeare's time, Peter communes with Amanda's spirit, learns the truth about his own past, and discovers a book that might definitively prove Shakespeare was, indeed, the author of all his plays.

    As the book opens, he is driving along a dark road when he is distracted by what seems to be a flight of arrows. He crashes into a ravine and suffers horrible burns over much of his body. As he recovers in a burn ward, undergoing the tortures of the damned, he awaits the day when he can leave the hospital and commit carefully planned suicide—for he is now a monster in appearance as well as in soul. A beautiful and compelling, but clearly unhinged, sculptress of gargoyles by the name of Marianne Engel appears at the foot of his bed and insists that they were once lovers in medieval Germany. In her telling, he was a badly injured mercenary and she was a nun and scribe in the famed monastery of Engelthal who nursed him back to health. As she spins their tale in Scheherazade fashion and relates equally mesmerizing stories of deathless love in Japan, Iceland, Italy, and England, he finds himself drawn back to life—and, finally, in love.He is released into Marianne's care and takes up residence in her huge stone house. But all is not well. For one thing, the pull of his past sins becomes ever more powerful as the morphine he is prescribed becomes ever more addictive. For another, Marianne receives word from God that she has only twenty-seven sculptures left to complete—and her time on earth will be finished.

    She has wealth, well–connected friends, and a handsome fiance, Philip Alsop. Finally she has everything she wants.It is then, in a moment of beneficence, that Rosemary invites Eleanor Smith, a penniless young woman she sees under a streetlamp in the rain, into her home for a cup of tea. While there, Rosemary sees Eleanor exchange an unmistakable look with Philip, and she sends Eleanor on her way. But she cannot undo this chance encounter, and it leads to a tempestuous and all–consuming love triangle –– until the tides of war throw all their lives off balance.Inspired by a classic Katherine Mansfield short story, A Cup of Tea engages with its vivid –– and often amusing –– cast of characters, wonderful period detail, brilliant evocation of the uncertain days of World War I, and delightfully spare and picturesque sense of story.

    For this is the eve of the Battle of Waterloo, and many of the handsome young men attending the ball will find themselves, the very next day, on the battlefield.For Sophia Trenchard, the young and beautiful daughter of Wellington's chief supplier, this night will change everything. But it is only twenty-five years later, when the upwardly mobile Trenchards move into the fashionable new area of Belgravia, that the true repercussions of that moment will be felt. For in this new world, where the aristocracy rub shoulders with the emerging nouveau riche, there are those who would prefer the secrets of the past to remain buried...

    George is enthralled by Cecil, and soon his sixteen-year-old sister, Daphne, is equally besotted by him and the stories he tells about Corley Court, the country estate he is heir to. But what Cecil writes in Daphne's autograph album will change their and their families' lives forever: a poem that, after Cecil is killed in the Great War and his reputation burnished, will become a touchstone for a generation, a work recited by every schoolchild in England. Over time, a tragic love story is spun, even as other secrets lie buried - until, decades later, an ambitious biographer threatens to unearth them.Rich with Hollinghurst's signature gifts - haunting sensuality, delicious wit and exquisite lyricism - The Stranger's Child is a tour de force: a masterly novel about the lingering power of desire, how the heart creates its own history, and how legends are made.

    Mary and her younger brother Peter set out on foot, lost in the vast, hot Australian outback. They are saved by a chance meeting with an Aboriginal boy on walkabout, who teaches them to find food and water in the wilderness, but whom Mary can’t bring herself to trust. Though on the surface Walkabout is an adventure story, darker themes lie just beneath. Peter’s innocent friendship with the Aboriginal throws into relief Mary’s no longer childish anxiety, and together raise questions about how Aboriginal and Western culture can meet. And in the vivid descriptions of the natural world, we realize that this story—a deep fairy tale in the spirit of Adalbert Stifter’s Rock Crystal—must also be a story about the closeness of death and the power of nature.

    The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of, a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.The letters provide links to one of the darkest powers that humanity has ever known and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself--to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive. What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign and about a time-defying pact that may have kept his awful work alive down through the ages.

    Grace Bennett has always dreamed of moving to the city, but the bunkers and blackout curtains that she finds on her arrival were not what she expected. And she certainly never imagined she’d wind up working at Primrose Hill, a dusty old bookshop nestled in the heart of London.Through blackouts and air raids as the Blitz intensifies, Grace discovers the power of storytelling to unite her community in ways she never dreamed—a force that triumphs over even the darkest nights of the war.

    Spanning Prohibition-era Montana, the Pacific Northwest, Alaska, New Zealand, wartime London, and modern-day Los Angeles, Great Circle tells the unforgettable story of a daredevil female aviator determined to chart her own course in life, at any cost.After being rescued as infants from a sinking ocean liner in 1914, Marian and Jamie Graves are raised by their dissolute uncle in Missoula, Montana. There—after encountering a pair of barnstorming pilots passing through town in beat-up biplanes—Marian commences her lifelong love affair with flight. At fourteen she drops out of school and finds an unexpected and dangerous patron in a wealthy bootlegger who provides a plane and subsidizes her lessons, an arrangement that will haunt her for the rest of her life, even as it allows her to fulfill her destiny: circumnavigating the globe by flying over the North and South Poles.A century later, Hadley Baxter is cast to play Marian in a film that centers on Marian's disappearance in Antarctica. Vibrant, canny, disgusted with the claustrophobia of Hollywood, Hadley is eager to redefine herself after a romantic film franchise has imprisoned her in the grip of cult celebrity. Her immersion into the character of Marian unfolds, thrillingly, alongside Marian's own story, as the two women's fates—and their hunger for self-determination in vastly different geographies and times—collide. Epic and emotional, meticulously researched and gloriously told, Great Circle is a monumental work of art, and a tremendous leap forward for the prodigiously gifted Maggie Shipstead.

    One night in winter, Peter Lake, orphan and master-mechanic, attempts to rob a fortress-like mansion on the Upper West Side.Though he thinks the house is empty, the daughter of the house is home. Thus begins the love between Peter Lake, a middle-aged Irish burglar, and Beverly Penn, a young girl, who is dying.Peter Lake, a simple, uneducated man, because of a love that, at first he does not fully understand, is driven to stop time and bring back the dead. His great struggle, in a city ever alight with its own energy and besieged by unprecedented winters, is one of the most beautiful and extraordinary stories of American literature.

    There, in the 'green mansions' of the title, Abel encounters the wood-nymph Rima, the last survivor of a mysterious aboriginal race. The love that flowers between them is soon overshadowed by cruelty and sorrow... One of the acknowledged masters of natural history writing, W. H. Hudson forms an important link between nineteenth-century Romanticism and the twentieth-century ecological movement.First published in 1904 and a bestseller after its reissue a dozen years later, Green Mansions offers its readers a poignant meditation on the loss of wilderness, the dream of a return to nature, and the bitter reality of the encounter between savage and civilized man.

    Will is a bound boy, obliged to run a remote Indian trading post. As he fulfills his lonesome duty, Will finds a father in Bear, a Cherokee chief, and is adopted by him and his people, developing relationships that ultimately forge Will’s character. All the while, his love of Claire, the enigmatic and captivating charge of volatile and powerful Featherstone, will forever rule Will’s heart. In a voice filled with both humor and yearning, Will tells of a lifelong search for home, the hunger for fortune and adventure, the rebuilding of a trampled culture, and above all an enduring pursuit of passion.

    The first male child born in the newly established Republic of Texas, Eli McCullough is thirteen years old when a marauding band of Comanche storm his homestead and brutally murder his mother and sister, taking him captive. Brave and clever, Eli quickly adapts to Comanche life, learning their ways and language, answering to a new name, carving a place as the chief's adopted son, and waging war against their enemies, including white men-complicating his sense of loyalty and understanding of who he is. But when disease, starvation, and overwhelming numbers of armed Americans decimate the tribe, Eli finds himself alone. Neither white nor Indian, civilized or fully wild, he must carve a place for himself in a world in which he does not fully belong-a journey of adventure, tragedy, hardship, grit, and luck that reverberates in the lives of his progeny. Intertwined with Eli's story are those of his son, Peter, a man who bears the emotional cost of his father's drive for power, and JA, Eli's great-granddaughter, a woman who must fight hardened rivals to succeed in a man's world.Phillipp Meyer deftly explores how Eli's ruthlessness and steely pragmatism transform subsequent generations of McCulloughs. Love, honor, children are sacrificed in the name of ambition, as the family becomes one of the richest powers in Texas, a ranching-and-oil dynasty of unsurpassed wealth and privilege. Yet, like all empires, the McCoulloughs must eventually face the consequences of their choices.Harrowing, panoramic, and vividly drawn, The Son is a masterful achievement from a sublime young talent.

    The last practitioner of an honored, centuries-old tradition, the Seanchai enthralls his assembled audience for three evenings running with narratives of foolish kings and fabled saints, of enduring accomplishments and selfless acts -- until he is banished from the household for blasphemy and moves on. But these three incomparable nights have changed young Ronan forever, setting him on the course he will follow for years to come -- as he pursues the elusive, itinerant storyteller . . . and the magical tales that are no less than the glorious saga of his tenacious, troubled, and extraordinary isle.