These are the memoirs of 29 year old John Birmingham, who has shared houses and apartments with 89 people and kept notes on all of them.

    Alison Whittaker’s BLAKWORK is an original and unapologetic collection from which two things emerge; an incomprehensible loss, and the poet’s fearless examination of the present.Whittaker is unsparing in the interrogation of familiar ideas – identifying and dissolving them with idiosyncratic imagery, layering them to form new connections, and reinterpreting what we know.

    Then the gap will close and I will pass her. I will get older. But Katie will always be fifteen, eleven months and twenty-one days old.Hannah's world is in pieces and she doesn't need the school counsellor to tell her she has deep-seated psychological issues. With a seriously depressed mum, an injured dad and a dead sister, who wouldn't have problems?Hannah should feel terrible but for the first time in ages, she feels a glimmer of hope and isn't afraid anymore. Is it because the elusive Josh is taking an interest in her? Or does it run deeper than that?In a family torn apart by grief and guilt, one girl's struggle to come to terms with years of torment shows just how long old wounds can take to heal.

    We meet the Mishra family in Delhi in 1978, where eight-year-old Ajay and his older brother Birju play cricket in the streets, waiting for the day when their plane tickets will arrive and they and their mother can fly across the world and join their father in America. America to the Mishras is, indeed, everything they could have imagined and more: when automatic glass doors open before them, they feel that surely they must have been mistaken for somebody important. Pressing an elevator button and the elevator closing its doors and rising, they have a feeling of power at the fact that the elevator is obeying them. Life is extraordinary until tragedy strikes, leaving one brother severely brain-damaged and the other lost and virtually orphaned in a strange land. Ajay, the family's younger son, prays to a God he envisions as Superman, longing to find his place amid the ruins of his family's new life.Heart-wrenching and darkly funny, Family Life is a universal story of a boy torn between duty and his own survival."

    She knows there is something wrong with her but she doesn't know what it is. Her husband Patrick thinks she is fine. He says everyone has something, the thing is just to keep going.Martha told Patrick before they got married that she didn't want to have children. He said he didn't mind either way because he has loved her since he was fourteen and making her happy is all that matters, although he does not seem able to do it.By the time Martha finds out what is wrong, it doesn't really matter anymore. It is too late to get the only thing she has ever wanted. Or maybe it will turn out that you can stop loving someone and start again from nothing - if you can find something else to want.

    Her brother, Nana, was a gifted high school athlete who died of a heroin overdose after a knee injury left him hooked on OxyContin. Her suicidal mother is living in her bed. Gifty is determined to discover the scientific basis for the suffering she sees all around her. But even as she turns to the hard sciences to unlock the mystery of her family's loss, she finds herself hungering for her childhood faith and grappling with the evangelical church in which she was raised, whose promise of salvation remains as tantalizing as it is elusive. Transcendent Kingdom is a deeply moving portrait of a family of Ghanaian immigrants ravaged by depression and addiction and grief--a novel about faith, science, religion, love. Exquisitely written, emotionally searing, this is an exceptionally powerful follow-up to Gyasi's phenomenal debut.

    Just weeks before she's set to start school, her parents divorce and her father sells her childhood home, leaving Lizet, her mother, and Leidy—Lizet's older sister, a brand-new single mom—without a steady income and scrambling for a place to live.Amidst this turmoil, Lizet begins her first semester at Rawlings College, distracted by both the exciting and difficult moments of freshman year. But the privileged world of the campus feels utterly foreign, as does her new awareness of herself as a minority. Struggling both socially and academically, she returns to Miami for a surprise Thanksgiving visit, only to be overshadowed by the arrival of Ariel Hernandez, a young boy whose mother died fleeing with him from Cuba on a raft. The ensuing immigration battle puts Miami in a glaring spotlight, captivating the nation and entangling Lizet's entire family, especially her mother.Pulled between life at college and the needs of those she loves, Lizet is faced with difficult decisions that will change her life forever. Urgent and mordantly funny, Make Your Home Among Strangers tells the moving story of a young woman torn between generational, cultural, and political forces; it's the new story of what it means to be American today.

    Meet Mercy Blain, whose house has just burnt down. Unfortunately for Mercy, this goes beyond the disaster it would be for most people: she hasn't been outside that house for two years now.Flung out into the world she's been studiously ignoring, Mercy goes to the only place she can. Her not-quite-ex-husband Eugene's house. But it turns out she can't stay there, either.And so begins Mercy's unwilling journey. After the chance purchase of a cult classic campervan (read tiny, old and smelly), with the company of her sausage dog, Wasabi, and a mysterious box of cremated remains, Mercy heads north from Adelaide to Darwin.On the road, through badly timed breakdowns, gregarious troupes of grey nomads, and run-ins with a rogue adversary, Mercy's carefully constructed walls start crumbling. But what was Mercy hiding from in her house? And why is Eugene desperate to have her back in the city? They say you can't run forever...Exquisite, tender and wry, this is a break-out novel about facing anxiety and embracing life from an extraordinary new talent.PRAISE: 'Tender, funny and quietly profound, The Other Side of Beautiful is a breath of fresh air.' - The Sunday Times'A colourful, engaging story of escape and road-trip adventure ... also compellingly cinematic and features an endearing narrator-heroine with plenty of meaty real-world troubles.' - Sydney Morning Herald'An engaging story about second chances and a life changing road trip ... a heart-warming story.' - Canberra Weekly magazine'Mercy Blain is a character you find yourself cheering on. Kim Lock mixes the transformative journey of Alice Hart with the quirkiness of Eleanor Oliphant in this story about embracing life, even when it threatens to overwhelm you' - Tricia Stringer, bestselling author of The Family Inheritance'Mercy Blain is an unforgettable character who will capture your heart from the first pages and hold it through until the end. Her madcap journey towards forgiveness - of herself and others - is moving and funny and all other good things that will make you want to keep reading and make you sad when your time with Mercy comes to an end.' - Sophie Green, bestselling author of The Shelly Bay Ladies Swimming Circle

    To make matters worse, her heritage is under threat. A government bill to evict the mountain cattlemen is about to be passed, and the Flanaghans could be banned from the mountains their family has looked after for generations.When a terrible accident brings Emily to the brink of death, she realises she must return to the high country to seek a way forward in life; healing herself, her daughters and her land. Along the way, she finds herself falling in love with a man who works for the government - the traditional opposition of the cattlemen - new Parks ranger, Luke Bradshaw. But just as she sees that the land and Luke are the keys to regaining her life, Emily faces losing them both in the greatest challenge of all . . .Set in the beautiful snowgum country of the Victorian Alps, The Cattleman's Daughter is a haunting and unforgettable tale of love, self-discovery and forgiveness from one of Australia's best-loved authors.

    There is only grey ash and melted metal, the blackened husks of cars.And the lost people: in temporary accommodation on the outskirts of the city, on the TV news in borrowed clothes, or remembered in flyers on a cafe wall.A Constant Hum grapples with the aftermath of disaster with an eye for telling detail. Some of these stories cut to the bone; others are empathetic stories of survival, even hope.All are gripping and beautifully written, heralding the arrival of an important new voice in literary fiction.

    In Zimbabwe, Darling and her friends steal guavas, try to get the baby out of young Chipo's belly, and grasp at memories of Before. Before their homes were destroyed by paramilitary policemen, before the school closed, before the fathers left for dangerous jobs abroad.But Darling has a chance to escape: she has an aunt in America. She travels to this new land in search of America's famous abundance only to find that her options as an immigrant are perilously few. NoViolet Bulawayo's debut calls to mind the great storytellers of displacement and arrival who have come before her--from Junot Diaz to Zadie Smith to J.M. Coetzee--while she tells a vivid, raw story all her own.

    But failed efforts to win a fortune at the racetracks turned Emmett into a broken down gambling drunk who terrorized his wife and children. Starting at Emmett’s funeral and reflecting back, the two eldest Brown children—Louise and Rob—recount the rise and fall of their family. Each of Emmett’s children must address the fallout of Emmett, and each comes to discover that they loved and learnt from their father in both his golden and his dark days.

    Sara’s grandmother, Nina Barsova, a Russian post-war immigrant, lovingly raised Sara in the cottage at the foot of Mt Wellington but without ever explaining why Sara’s own mother, Helena, abandoned her as a baby. Sara, a geneticist, also longs to know the identity of her father, and Helena won’t tell her. Now, estranged not only from her mother but also from her husband, Sara raises her daughter, Ellie, with a central wish to spare her the same feeling of abandonment that she experienced as a child. When Sara meets an Afghani refugee separated from his beloved wife and family, she decides to try to repair relations with Helena – but when a lie told by her grandmother years before begins to unravel, a darker truth than she could ever imagine is revealed.Matryoshka is a haunting and beautifully written story about the power of maternal love, and the danger of secrets passed down through generations.

    Amelia's meeting a lot of men but once she gets the sex she wants from them, that's it for her; she can't connect further. A terrible thing happened to Daniel last year and it's stuck inside Amelia ever since, making her stuck too.Maybe being a cosmetician at her family's mortuary business isn't the best job for a young woman. It's not helping her social life. She loves her job, but she's not great at much else. Especially emotion.And then something happens to her mum and suddenly Amelia's got too many feelings and the only thing that makes any sense to her is running away.It takes the intervention of her two fathers and some hilariously wrong encounters with other broken people in a struggling Tasmanian BDSM club to help her accept the truth she has been hiding from. And in a final, cataclysmic scene, we learn along with Amelia that you need to feel another person's weight before you can feel your own.Deadpan, wise and heartbreakingly funny, New Animal is a stunning debut.

    The evidence insists that Aboriginal people right across the continent were using domesticated plants, sowing, harvesting, irrigating and storing – behaviours inconsistent with the hunter-gatherer tag. Gerritsen and Gammage in their latest books support this premise but Pascoe takes this further and challenges the hunter-gatherer tag as a convenient lie. Almost all the evidence comes from the records and diaries of the Australian explorers, impeccable sources.