There's Alex, miserable in his cold and calmly professional marriage, unable to leave because of his two children. Next comes Andrew, recently home from ten years in America, leaving an ex-wife and a beloved daughter on the other side of the world. And finally there's Barbara, the enchanting and lustrous object of their affections, formally self-possessed but strangely aimless and unfulfilled.With elegance and acuity, Madeleine St John chronicles their progress through numerous false starts, reversals, and misapprehensions. The result is a deeper understanding of longing and its significant companion -- loss.

    They watch for control, for survival, for pleasure. We watch for survival, for fear, for love. A contemporary thriller of rebellion and surrender, love and war.‘This gem of a novel ticks all the boxes—a book of flaming affections and indefatigable loves, dystopian and convincing, a tale of pilgrimages and adventures, all beautifully textured and lovingly narrated.’ - Tom Keneally, winner of the Booker Prize The pressure of my blood, the beat of my heart, is a message to you. You read each second of my body's life. But watching goes both ways. You watch us: for control, for power, for pleasure. We watch you: for survival, for fear, for love.It is the present day. The foggy northern city of Port Angelsund, gateway to the last great fossil fuel reserves beneath the Arctic Ocean, is under occupation by the soldiers of Garrison. Sylvie is a young woman just trying to survive. She works in a harbourside café with her mother and little brother, and fears for her older brother, Jory, who fled when the enemy invaded. When Sylvie is singled out for punishment at a Garrison checkpoint, a young lieutenant rescues her from torture. Though she knows the terrible risks of collaboration, she cannot stop herself from falling in love. Watched closely by Garrison’s vast machinery of surveillance, Sylvie now discovers she is also under the protective and suspicious gaze of her lover.Brooding over the rim of the world, Coalition pledges to free Port Angelsund: storm is coming, they say, we are on our way. When Jory returns on a terrorist mission that will throw the city into chaos, Sylvie’s loyalties are tested beyond breaking point. Her deep bond with her brother and her illicit passion for her Garrison officer are loves that cannot coexist. Whatever she does is betrayal. In the spirit of Hiroshima Mon Amour and Suite Francaise, this sensual and heart-breaking novel brings the classic conflicts of war and occupation, devotion and treachery, up to the present minute. While the unimaginable power of modern warfare advances, Watch Over Me reminds us that the things at stake—survival, refuge and love—remain the things worth fighting for.

    Amelia's meeting a lot of men but once she gets the sex she wants from them, that's it for her; she can't connect further. A terrible thing happened to Daniel last year and it's stuck inside Amelia ever since, making her stuck too.Maybe being a cosmetician at her family's mortuary business isn't the best job for a young woman. It's not helping her social life. She loves her job, but she's not great at much else. Especially emotion.And then something happens to her mum and suddenly Amelia's got too many feelings and the only thing that makes any sense to her is running away.It takes the intervention of her two fathers and some hilariously wrong encounters with other broken people in a struggling Tasmanian BDSM club to help her accept the truth she has been hiding from. And in a final, cataclysmic scene, we learn along with Amelia that you need to feel another person's weight before you can feel your own.Deadpan, wise and heartbreakingly funny, New Animal is a stunning debut.

    In an overcrowded, underfunded medical system, she explores how more of us can be healthier, and how listening carefully to a patient’s experience can be as important as prescribing a pill. These dazzling essays show Hitchcock to be one of the most fearless and illuminating medical thinkers of our time – reasonable, insightful and deeply humane.

    He is broken in every way, and wants only to escape from the world. The best place to hide is one where you'll be left alone, or so Lex thinks until the small community of Merrigan starts taking an interest in him. Despite himself, he is soon drawn into the community in ways he could never have anticipated. He meets Callista Bennett, an artist with a hidden history, and enters into a friendship with her that is both volatile and difficult.What Lex does learn to trust is the beauty of the natural world, the strange comfort of the wild seascapes he sees from his windows, and the transfixing majesty of the whales that swim close to his house on the Point. He gives himself up to nature, swimming out among the whales, spending hours studying the ever-changing patterns of the sea and the play of light and shadow, storm and sunshine. This is one way he can connect with Callista, whose paintings reflect the natural world so vividly.Then a whale is stranded on a remote beach near Merrigan, and Lex, Callista and the townsfolk become involved in a tense and uncertain rescue that challenges their attitudes and beliefs. It is through the trials and emotions of this event that Lex and Callista see a way through their grief. But will their pasts let them go?The Stranding is a beautifully told story of loss and recovery, exile and belonging, and the redemptive power of the natural world.

    Yet Hannah is lucky. She can afford to go to school, has never had to skip a meal, and lives in a big house with her mum and their Shona housekeeper. Hannah is wealthy, she is healthy, and she is white. But money can’t always keep you safe.As the political situation becomes increasingly unstable and tensions within Hannah’s family escalate, her sheltered life is threatened. She is forced to question all that she’s taken for granted, including where she belongs.

    It’s almost forty years since they left the convent and went their separate ways, but now the old school friends are planning to meet again.Bonnie, shattered by the death of her husband, is back in Australia after decades in Europe, and she’s discovering that while financial security eliminates worry, she seems not to have a life.Fran, long divorced, is a struggling freelance food writer, battling to balance her diet, her bank balance and her relationship with her adult children.And Sylvia, marooned in a long and sterile marriage to an ambitious Anglican minister, and facing a crisis that will crack her world wide open.They had almost forgotten how it feels confide in women friends, but back together again, sharing their past lives, their secrets, their aspirations and their deepest fears Sylvia, Fran and Bonnie embark on a creative venture that will challenge everything they thought they knew about themselves and will change their lives for ever.

    Is he evil? Or crazy? His violence is in fact a mirror for the brutality of Australian life - and is a dim reflection at that, in a country where atrocities by whites against blacks are so ingrained few question them.The effects of the rampage ripple out from the island to link the fates of those who witnessed it, across the north and down through the decades. It is a time when silence in the face of tyranny is at its loudest. When allegiance to English niceties is confounded by the landscape and by the weather. And change is a slow wind that brings little real difference.

    Here is a story that resonates long after reading.’ — Andrea Goldsmith‘I was captivated by this honest, beautiful story that fuses love and art with the most profound challenges of motherhood. Written with extraordinary emotional wisdom and intelligence.’ — Liz ByrskiCamille is a nurse specialising in supporting families through the difficult decision to donate the organs of their dying loved ones. Camille’s mother is a gifted but uncompromising transplant surgeon determined to make it in a man’s world until her own life falls apart. And Camille herself is a mother to Addie – five years old, critically ill and in desperate need of the very organs her mother and grandmother work with.

    Trapped in her grief, Erica retreats from Sydney to a sleepy hamlet on the south coast, near where Daniel is serving his sentence.There, in a rundown shack by the ocean, she obsesses over building a labyrinth. To create it—to navigate the path through her quandary—Erica will need the help of strangers. And that will require her to trust, and to reckon with her past.The Labyrinth is a story of guilt and denial, of the fraught relationship between parents and children. It is also an examination of how art can be ruthlessly destructive, and restorative. Mesmerising yet disquieting, it shows Amanda Lohrey to be at the peak of her powers.

    An Australian classic. Depicts the enduring hardships of life in the Australian outback and the battles against sexist and racial prejudices.

    John and Sunday's was a remarkable partnership that affected all those who crossed the threshold into Heide and which altered the course of art in Australia.

    Not even on their wedding day.Softie was sophisticated, a career woman, who owned a nice apartment overlooking St Kilda Beach. Garry had a few rough edges, plus one failed marriage and an assortment of jobs under his belt.But Softie's body clock was ticking, and Garry wanted children …So they got married, and produced the only thing they ever had in common.Matilda.Now, two years later, their golden-haired child is at the centre of a bitter custody battle. Both parents insist that her well-being is the only thing they care about.Yet, in truth, Matilda was always the one most likely to become lost.

    For bargeman Sam Scully, life in Cook’s Basin is nothing short of paradise. A wonderland of golden sand and turquoise waters, battered old tinnies and wonky pontoons, it’s a realm unspoilt by the modern world. But then a notice goes up in the Square that screams ‘EXCLUSIVE DEVELOPMENT! ’Paradise is about to be ripped apart. With plans underway to build a flash resort in the heart of their community, the residents leap into action - with Sam as their leader, and a twelve-foot papier-mache cockatoo as their mascot . . . But it'’s never going to be easy to turn the tide of ‘progress’. Meanwhile there'’s trouble brewing at the Briny Café. Kate Jackson is struggling to come to terms with the dreadful secret spilled on her mother'’s deathbed. And as for Kate'’s co-owner, Ettie Brookbank… Well, what is happening to Ettie?

    And like any good love song, it has two parts.In Australia, Arie Johnson waits impatiently for classical pianist Diana Clare to return from a world tour, hopeful that after seven years together she'll finally agree to marry him.On her travels, Diana composes a song for Arie. It's the perfect way to express her love, knowing they'll spend their lives together... Won't they?Then late one night, her love song is overheard, and begins its own journey across the world.In Scotland, Evie Greenlees is drifting. It's been years since she left Australia with a backpack, a one-way ticket and a dream of becoming a poet. Now she spends her days making coffee and her nights serving beer. And she's not even sure whether the guy she lives with is really her boyfriend or just a flatmate.Then one day she hears an exquisite love song. One that will connect her to a man with a broken heart...