In this highly successful attempt to render Malory into Modern English, Steinbeck recreated the rhythm and tone of the original Middle English.

    Stella Rodney is one of those who chose to stay. But for her, the sense of impending catastrophe becomes acutely personal when she discovers that her lover, Robert, is suspected of selling secrets to the enemy, and that the man who is following him wants Stella herself as the price of his silence. Caught between these two men, not sure whom to believe, Stella finds her world crumbling as she learns how little we can truly know of those around us.

    Perhaps they married too young and started a family too early. Maybe Frank's job is dull. And April never saw herself as a housewife. Yet they have always lived on the assumption that greatness is only just around the corner. But now that certainty is now about to crumble. With heartbreaking compassion and remorseless clarity, Richard Yates shows how Frank and April mortgage their spiritual birthright, betraying not only each other, but their best selves.

    It provides a vivid, poignant picture of life in Germany just before Hitler's takeover and focuses on a young married couple struggling to survive in the country's nightmarish inflation.

    Then on her day off, she links up with two hiking companions who have inadvertently stumbledupon a scene of blood vengeance. And suddenly the life Nicola adores is in danger of coming to an abrupt, brutal, and terrifying end . .

    At night, music floated out over villages and gorges far into the early hours. Now the General's son has bestowed it upon the disciplined Sisters of Mary. Beginning work in the orchards and opening a school and a dispensary for the mountain people, the small band of Sisters are depended for help on the English agent, Mr Dean. But his charm and insolent candour are disconcerting. When he says bluntly 'This is no place for a nunnery', it is as if he already knows their destiny ...

    This is the English village of Fairacre: a handful of thatch-roofed cottages, a church, the school, the promise of fair weather, friendly faces, and good cheer -- at least most of the time. Here everyone knows everyone else's business, and the villagers like each other anyway (even Miss Pringle, the irascible, gloomy cleaner of Fairacre School). With a wise heart and a discerning eye, Miss Read guides us through one crisp, glistening autumn in her village and introduces us to a cast of unforgettable characters and a world of drama, romance, and humor, all within a stone's throw of the school. By the time winter comes, you'll be nestled snugly into the warmth and wit of Fairacre and won't want to leave.

    His cravings take him to Paris at age eighteen to try his hand at art, then back to London to study medicine. But even so, nothing can sate his nagging hunger for experience. Then he falls obsessively in love, embarking on a disastrous relationship that will change his life forever.…Marked by countless similarities to Maugham’s own life, his masterpiece is “not an autobiography,” as the author himself once contended, “but an autobiographical novel; fact and fiction are inexorably mingled; the emotions are my own.”

    The job is simple, to kill a man and get out of town immediately. Why would he stay? He hates Christmas, and hanging around after the crime could be dangerous, but a stranger's compassion forces him to question everything he's always believed, tempting him to stay just another day longer... First published in the Christmas edition of Ellery Queen's Mystery Magazine (Jan, 2004), this story was subsequently reviewed in Mystery Scene, which described it as "bordering on the magnificent". (Please note - this is a short story of approximately 45 Kindle pages.)

    His colleagues are an assortment of misfits, including Prendy (plagued by doubts) and captain Grimes, who is always in the soup (or just plain drunk). Then Sports Day arrives, and with it the delectable Margot Beste-Chetwynde, floating on a scented breeze. As the farce unfolds and the young run riot, no one is safe, least of all Paul. Taking its title from Edward Gibbon's Decline and Fall of the Roman Empire, Evelyn Waugh's first, funniest novel immediately caught the ear of the public with his account of an ingénu abroad in the decadent confusion of 1920s high society.

    She also introduces us to specific characters as well as 'types' who will appear and reappear in changing relationships as the years go by. There is the middle-aged woman centrally involved in the events and activities around her; here, Laura Morland, a happily widowed author of very successful 'good bad books' (Thirkell herself?). A disappointed suitor and/or a brief, ill-conceived infatuation of younger man with older woman. At least two romances to work out—an older couple and a younger one—with mild crises along the way. A closing of ranks among the women vs the intruder nicknamed 'the Incubus' resolves both affairs to the satisfaction of all. Especially delightful are the children, servants and other retainers; well defined characters in their own right; from motor-mouthed young Tony Morland and his model railways to housekeeper Stoker and her grapevine among the servants of the neighbourhood.

    Edith Wharton and Henry James wrote about the American girl abroad, but it was Elaine Dundy’s Sally Jay Gorce who told us what she was really thinking. Charming, sexy, and hilarious, The Dud Avocado gained instant cult status when it was first published and it remains a timeless portrait of a woman hell-bent on living.“I had to tell someone how much I enjoyed The Dud Avocado. It made me laugh, scream, and guffaw (which, incidentally, is a great name for a law firm).” –Groucho Marx[The Dud Avocado] is one of the best novels about growing up fast..." -The Guardian“A cheerfully uninhibited...variation on the theme of the Innocents Abroad...Miss Dundy comes up with fresh and spirited comedy....Her novel is enormous fun—sparklingly written, genuinely youthful in spirit.” —The Atlantic

    John H. Watson. In addition to its breathtaking account of their collaboration on a case of diabolic conspiracy in which the lives of millions hang in the balance, it reveals such matters as the real identity of the heinous professor Moriarty, the dark secret shared by Sherlock and his brother Mycroft Holmes, and the detective's true whereabouts during the Great Hiatus, when the world believed him to be dead.

    Eight years ago, her brother disappeared while fighting alongside Gypsy partisans in Spain. From his letters, Rose has just two clues to his whereabouts—his descriptions of the spectacular south slopes of the Sierra Nevada and his love for a woman who was carrying his child.In Spain, it has been eight years since Lola Aragon’s family was massacred. Eight years since she rescued a newborn girl from the arms of her dying mother and ran for her life. She has always believed that nothing could make her return…until a plea for help comes from a desperate stranger.Now, Rose, Lola, and the child set out on a journey from the wild marshes of the Camargue to the dazzling peaks of Spain’s ancient mountain communities. As they come face-to-face with war’s darkest truths, their lives will be changed forever by memories, secrets, and friendships.

    He was rich, respectable, happy; one day he abandoned his wife for the sake of a youthful mistress; he loved; was not loved; and his life ended in disaster." Thus begins Vladimir Nabokov's Laughter in the Dark; this, the author tells us, is the whole story except that he starts from here, with his characteristic dazzling skill and irony, and brilliantly turns a fable into a chilling, original novel of folly and destruction. Amidst a Weimar-era milieu of silent film stars, artists, and aspirants, Nabokov creates a merciless masterwork as Albinus, an aging critic, falls prey to his own desires, to his teenage mistress, and to Axel Rex, the scheming rival for her affections who finds his greatest joy in the downfall of others. Published first in Russian as Kamera Obskura in 1932, this book appeared in Nabokov's own English translation six years later. This New Directions edition, based on the text as Nabokov revised it in 1960, features a new introduction by Booker Prize-winner John Banville.