Haunted by the memory of her boyfriend’s death, she lives her life by one dangerous rule: Nothing matters. At least, that’s what Frankie tells herself after a reckless mistake forces her to leave her privileged life in the Heights to move in with her dad—an undercover cop. She transfers to a public high school in the Downs, where fistfights don’t faze anyone and illegal street racing is more popular than football.Marco Leone is the fastest street racer in the Downs. Tough, sexy, and hypnotic, he makes it impossible for Frankie to ignore him—and how he makes her feel. But the risks Marco takes for his family could have devastating consequences for them both. When Frankie discovers his secret, she has to make a choice. Will she let the pain of the past determine her future? Or will she risk what little she has left to follow her heart?

    For Alice, nothing could be scarier than falling for Tim. But Tim has never been known for making the smart choice, and Alice is starting to wonder if the “smart” choice is always the right one. When these two crash into each other, they crash hard. Then the unexpected consequences of Tim’s wild days come back to shock him. He finds himself in a situation that isn’t all it appears to be, that he never could have predicted . . . but maybe should have.And Alice is caught in the middle. Told in Tim’s and Alice’s distinctive, disarming, entirely compelling voices, this return to the world of My Life Next Door is a story about failing first, trying again, and having to decide whether to risk it all once more.

    Growing up, Mallory Dodge learned that the best way to survive was to say nothing. And even though it's been four years since her nightmare ended, she's beginning to worry that the fear that holds her back will last a lifetime. Now, after years of homeschooling, Mallory must face a new milestone—spending her senior year at a public high school. But she never imagined she'd run into Rider Stark, the friend and protector she hasn't seen since childhood, on her very first day. It doesn't take long for Mallory to realize that the connection she shared with Rider never really faded. Yet soon it becomes apparent that she's not the only one grappling with lingering scars from the past. And as she watches Rider's life spiral out of control, Mallory must make a choice between staying silent and speaking out—for the people she loves, the life she wants and the truths that need to be heard.

    They get the same pop culture references, order the same Chinese food, and hang out in the same places. Unfortunately, Lea is reserved, Gabe has issues, and despite their initial mutual crush, it looks like they are never going to work things out.  But somehow even when nothing is going on, something is happening between them, and everyone can see it. Their creative writing teacher pushes them together. The baristas at Starbucks watch their relationship like a TV show. Their bus driver tells his wife about them. The waitress at the diner automatically seats them together. Even the squirrel who lives on the college green believes in their relationship. Surely Gabe and Lea will figure out that they are meant to be together....

    That is, until the doorbell rings. Standing on her front step is a young man who looks so much like Max; same smile, same eyes, same age, same adorable bump in his nose; he could be Max's long-lost relation. He introduces himself as Paolo, an Italian editor of American coffee table books, and shows Shelley some childhood photos. Paolo tells her that the man in the photos, the bearded man who Paolo says is his grandfather though he never seems to age, is Max. Her Max. And he is alive and well.As outrageous as Paolo's claims seem; how could her husband be alive? And if he is, why hasn't he looked her up? Shelley desperately wants to know the truth. She and Paolo jet across the globe to track Max down; if it is really Max and along the way, Shelley recounts the European package tour where they had met. As she relives Max's stories of bloody Parisian barricades, medieval Austrian kitchens, and buried Roman boathouses, Shelley begins to piece together the story of who her husband was and what these new revelations mean for her "happily ever after." And as she and Paolo get closer to the truth, Shelley discovers that not all stories end where they are supposed to.

    Confined to her house during the day, her company is limited to her widowed father and her best (okay, only) friend. It isn't until after nightfall that Katie's world opens up, when she takes her guitar to the local train station and plays for the people coming and going.Charlie Reed is a former all-star athlete at a crossroads in his life - and the boy Katie has secretly admired from afar for years. When he happens upon her playing guitar one night, fate intervenes and the two embark on a star-crossed romance.As they challenge each other to chase their dreams and fall for each other under the summer night sky, Katie and Charlie form a bond strong enough to change them - and everyone around them - forever.

    She's grown accustomed to her brother, Peyton, being the focus of the family’s attention and, lately, concern. Peyton is handsome and charismatic, but seems bent on self-destruction. Now, after a drunk-driving accident that crippled a boy, Peyton’s serving some serious jail time, and Sydney is on her own, questioning her place in the family and the world.Then she meets the Chatham family. Drawn into their warm, chaotic circle, Sydney experiences unquestioning acceptance for the first time. There’s effervescent Layla, who constantly falls for the wrong guy, Rosie, who’s had her own fall from grace, and Mrs. Chatham, who even though ailing is the heart of the family. But it’s with older brother Mac—quiet, watchful, and protective—that Sydney finally feels seen, really seen, at last.Saint Anything is Sarah Dessen’s deepest and most psychologically probing novel yet, telling an engrossing story of a girl discovering friendship, love, and herself.

    Because so few believe in the old tales anymore, and with so many evil men no one will miss, the modern city of Seoul is the perfect place to hide and hunt.But after feeding one full moon, Miyoung crosses paths with Jihoon, a human boy, being attacked by a goblin deep in the forest. Against her better judgment, she violates the rules of survival to rescue the boy, losing her fox bead--her gumiho soul--in the process.Jihoon knows Miyoung is more than just a beautiful girl--he saw her nine tails the night she saved his life. His grandmother used to tell him stories of the gumiho, of their power and the danger they pose to humans. He's drawn to her anyway. With murderous forces lurking in the background, Miyoung and Jihoon develop a tenuous friendship that blossoms into something more. But when a young shaman tries to reunite Miyoung with her bead, the consequences are disastrous . . . forcing Miyoung to choose between her immortal life and Jihoon's.

    But her gorgeous sister Ava is. So when it's Ted who spotted by a model agency, at the same time that Ava is diagnosed with cancer, things have clearly gone very wrong. Ted isn't interested in modelling but Ava wants her to give it a try. Just how far will Ted go to please her sister? And what sacrifices will she have to make?

    Determined to follow in Da Vinci’s footsteps, she’s ready to tackle the one thing that will give her an advantage in a museum-sponsored scholarship contest: drawing actual cadavers. But when she tries to sneak her way into the hospital’s Willed Body program and misses the last metro train home, she meets a boy who turns her summer plans upside down.Jack is charming, wildly attractive, and possibly one of San Francisco’s most notorious graffiti artists. On midnight buses and city rooftops, Beatrix begins to see who Jack really is—and tries to uncover what he’s hiding that leaves him so wounded. But will these secrets come back to haunt him? Or will the skeletons in her family’s closet tear them apart?

    her stepfather, Dino Cavalli. To the public, Dino is a world-renowned violin player and composer. To Cassie, he’s an erratic, self-centered bully. And he’s getting worse. Dino no longer sleeps, and he grows increasingly paranoid. Before, Cassie was angry. Now she is afraid. Enter Ian Waters: a brilliant young violinist, and Dino’s first-ever student. The minute Cassie lays eyes on Ian she knows she’s doomed to fall head-over-heels in love with him. Cassie thought she understood that love could bring pain, but this union will have consequences she could not have imagined.

    It’s a form of Severe Combined Immunodeficiency, but basically, I’m allergic to the world. I don’t leave my house, have not left my house in fifteen years. The only people I ever see are my mom and my nurse, Carla.But then one day, a moving truck arrives. New next door neighbors. I look out the window, and I see him. He’s tall, lean and wearing all black—black t-shirt, black jeans, black sneakers and a black knit cap that covers his hair completely. He catches me looking and stares at me. I stare right back. His name is Olly. I want to learn everything about him, and I do. I learn that he is funny and fierce. I learn that his eyes are Atlantic Ocean-blue and that his vice is stealing silverware. I learn that when I talk to him, my whole world opens up, and I feel myself starting to change—starting to want things. To want out of my bubble. To want everything, everything the world has to offer.Maybe we can’t predict the future, but we can predict some things. For example, I am certainly going to fall in love with Olly. It’s almost certainly going to be a disaster.

    Archie's trying to cope with the lingering effects of his parents' divorce, Mari's considering an opportunity to contact her biological mother, Dante's working up the courage to come out to his friends, and Sam's clinging to a failing relationship. The four eventually embark on a cross-country road trip in an attempt to solve--or to avoid--their problems. Told in the narrative style of Akira Kurosawa's RASHOMAN, AN INFINITE NUMBER OF PARALLEL UNIVERSES is at turns geeky, funny, and lyrical as it tells a story about that time in life when friends need each other to become more than just people that hang out.

     For Wes and his best friend, Corey, jazz camp turns out to be lame. It’s pretty much all dudes talking in Jazz Voice. But then they jam with Ash, a charismatic girl with an unusual sound, and the three just click. It’s three and a half hours of pure musical magic, and Ash makes a decision: They need to hit the road. Because the road, not summer camp, is where bands get good. Before Wes and Corey know it, they’re in Ash’s SUV heading south, and The Haters Summer of Hate Tour has begun. In his second novel, Andrews again brings his brilliant and distinctive voice to YA, in the perfect book for music lovers, fans of The Commitments and High Fidelity, or anyone who has ever loved—and hated—a song or a band. This witty, funny coming-of-age novel is contemporary fiction at its best.

    Caleb is suffering from schizoaffective disorder, and Paul, who is about to start on his first office job in a long while, wants to make sure his brother takes his medication on time. Lillian, at first hesitant, accepts the job for the pay and the perks, but soon starts to wonder about the brothers she is working for. How come she can’t find any information online about the drugs Caleb is taking? And how come the national central database lists them as dead?