Taking the allegorical figure of the veiled goddess Isis as a guide, and drawing on the work of both the ancients and later thinkers such as Goethe, Rilke, Wittgenstein, and Heidegger, Hadot traces successive interpretations of Heraclitus' words. Over time, Hadot finds, "Nature loves to hide" has meant that all that lives tends to die; that Nature wraps herself in myths; and (for Heidegger) that Being unveils as it veils itself. Meanwhile the pronouncement has been used to explain everything from the opacity of the natural world to our modern angst.From these kaleidoscopic exegeses and usages emerge two contradictory approaches to nature: the Promethean, or experimental-questing, approach, which embraces technology as a means of tearing the veil from Nature and revealing her secrets; and the Orphic, or contemplative-poetic, approach, according to which such a denuding of Nature is a grave trespass. In place of these two attitudes Hadot proposes one suggested by the Romantic vision of Rousseau, Goethe, and Schelling, who saw in the veiled Isis an allegorical expression of the sublime. "Nature is art and art is nature," Hadot writes, inviting us to embrace Isis and all she represents: art makes us intensely aware of how completely we ourselves are not merely surrounded by nature but also part of nature.

    How astonishing it was, then, that people should have come to believe that one particular victim of crucifixion-an obscure provincial by the name of Jesus-was to be worshipped as a god. Dominion explores the implications of this shocking conviction as they have reverberated throughout history. Today, the West remains utterly saturated by Christian assumptions. As Tom Holland demonstrates, our morals and ethics are not universal but are instead the fruits of a very distinctive civilization. Concepts such as secularism, liberalism, science, and homosexuality are deeply rooted in a Christian seedbed. From Babylon to the Beatles, Saint Michael to #MeToo, Dominion tells the story of how Christianity transformed the modern world.

    Anselm wrote this discourse, not from the perspective of an attempt to convince non-Christians of the truth of Christianity, but rather from the perspective of a believer seeking a rationale for faith. His original title for the discourse was Faith Seeking Understanding. The Proslogion is the source for Anselm's famous, highly controversial ontological argument for the existence of god--that is, the argument in favor of god's existence by definition. While opinions concerning the ontological argument vary widely, it is generally agreed that the argument is most convincing to Anselm's intended audience, Christian believers seeking a rational basis for their beliefs. The Argument--Dr. Scott H. Moore:"One can imagine a being than which none greater can be conceived. We know that existence in reality is greater than existence in the mind alone. If the being we imagine exists only in our mind, then it is not a "being than which none greater can be conceived". A being than which none greater can be conceived must also exist in reality. Failure to exist in reality would be failure to be a being than which none greater can be conceived. Thus a being than which none greater can be conceived must exist, & we call this being god."