Anne Rice brings to life the exquisite and otherworldly society of the eighteenth-century castrati, the delicate and alluring male sopranos whose graceful bodies and glorious voices brought them the adulation of the royal courts and grand opera houses of Europe, men who lived as idols, concealing their pain as they were adored as angels, yet shunned as half-men.As we are drawn into their dark and luminous story, as the crowds of Venetians, Neopolitans, and Romans, noblemen and peasants, musicians, prelates, princes, saints, and intriguers swirl around them, Anne Rice brings us into the sweep of eighteenth-century Italian life, into the decadence beneath the shimmering surface of Venice, the wild frivolity of Naples, and the magnetic terror of its shadow, Vesuvius.

    The Ponte di Ghetto Nuovo, the bridge that leads to the ghetto, trembles under the weight of sacks of rotting vegetables, rancid fat, and vermin. Shapeless matter, perhaps animal, floats to the surface of Rio di San Girolamo and hovers on its greasy waters. Through the mist rising from the canal the cries and grunts of foraging pigs echo. Seeping refuse on the streets renders the pavement slick and the walking treacherous.  It was on such a night that the men came for Hannah.—Hannah Levi is known throughout sixteenth-century Venice for her skill in midwifery. When a Christian count appears at Hannah's door in the Jewish ghetto imploring her to attend his labouring wife, who is nearing death, Hannah is forced to make a dangerous decision. Not only is it illegal for Jews to render medical treatment to Christians, it's also punishable by torture and death. Moreover, as her Rabbi angrily points out, if the mother or child should die, the entire ghetto population will be in peril. But Hannah’s compassion for another woman’s misery overrides her concern for self-preservation. The Rabbi once forced her to withhold care from her shunned sister, Jessica, with terrible consequences. Hannah cannot turn away from a labouring woman again. Moreover, she cannot turn down the enormous fee offered by the Conte. Despite the Rabbi’s protests, she knows that this money can release her husband, Isaac, a merchant who was recently taken captive on Malta as a slave. There is nothing Hannah wants more than to see the handsome face of the loving man who married her despite her lack of dowry, and who continues to love her despite her barrenness. She must save Isaac.Meanwhile, far away in Malta, Isaac is worried about Hannah’s safety, having heard tales of the terrifying plague ravaging Venice. But his own life is in terrible danger. He is auctioned as a slave to the head of the local convent, Sister Assunta, who is bent on converting him to Christianity. When he won’t give up his faith, he’s traded to the brutish lout Joseph, who is renowned for working his slaves to death. Isaac soon learns that Joseph is heartsick over a local beauty who won’t give him the time of day. Isaac uses his gifts of literacy and a poetic imagination—not to mention long-pent-up desire—to earn his day-to-day survival by penning love letters on behalf of his captor and a paying illiterate public. Back in Venice, Hannah packs her “"birthing spoons”—secret rudimentary forceps she invented to help with difficult births—and sets off with the Conte and his treacherous brother. Can she save the mother? Can she save the baby, on whose tiny shoulders the Conte’s legacy rests? And can she also save herself, and Isaac, and their own hopes for a future, without endangering the lives of everyone in the ghetto?The Midwife of Venice is a gripping historical page-turner, enthralling readers with its suspenseful action and vivid depiction of life in sixteenth-century Venice. Roberta Rich has created a wonderful heroine in Hannah Levi, a lioness who will fight for the survival of the man she loves, and the women and babies she is duty-bound to protect, carrying with her the best of humanity’s compassion and courage.

    The vampires of the era have long sought to gain a foothold into Israel, but the faith of the local Jewish population has held them in check for centuries. When one of their own betrays them to follow a young rabbi from Galilee, the elders of the vampire race send Theron, a nine hundred year old assassin, to kill them both. The rabbi's name is Jesus. Killing him should be easy.

    Training to be the perfect nobleman’s wife, she relishes the prospect of a simple life. But everything changes when her father, Vlad Dracula, retrieves her on her eighteenth birthday. Securing her a marriage is the last thing he has in mind…After he performs a mysterious ritual over her, Ruxandra gains uncontrollable supernatural powers. Alone, terrified, and faced with an unknown future, she is left to forge a new life for herself. There’s only one thing she knows: if she doesn’t learn to control her unnatural instincts, she’ll destroy every last shred of her humanity.Princess Dracula is the first book in a dark fantasy horror series. If you like crisp writing, emotional gravitas, and intriguing retellings of classic tales, then you’ll love John Patrick Kennedy’s new twist on vampire lore.

    She’s convinced her daughter is alive but cannot track her into the wilderness alone. Help arrives in the form of James Bailey, an agent of the crown sent to Boston to investigate the murder of Prudence’s husband and to covertly cause a disturbance that would give the king just cause to install royal governors. After his partner is murdered, James needs help too. He strikes a deal with Prudence, and together they traverse the forbidding New England landscape looking for clues. What they confront in the wilderness—and what they discover about each other—could forever change their allegiances and alter their destinies.

    When a mysterious accident transports Simon and his new assistant, Elizabeth West, back in time, Simon finally finds both the proof that he's been looking for, and the romance that he hasn't.In 1920s Manhattan, they find that are more than mobsters vying for power in the city's speakeasies. Will Simon and Elizabeth's developing relationship survive the vampires' teeth? Will they survive to make it back? Or will they be forever out of time?From the AuthorDon't miss the sequel,"When the Walls Fell", now available for Kindle. Look for more books in the Out of Time Series coming in 2012.

    My birth was, my father used to say, another miracle: He was not young at the time being forty years of age . . . My mother, whose great pleasure was tending her gardens, called me Damask, after the rose which Dr. Linacre, the King's physician, had brought into England that year."Thus begins the story narrated by Damask Farland, daughter of a well-to-do lawyer whose considerable lands adjoin those of St. Bruno's Abbey. It is a story of a life inextricably enmashed with that of Bruno, the mysterious child found on the abbey altar that Christmas morning and raised by the monks to become a man at once handsome and saintly, but also brooding and ominous, tortured by the secret of his origin which looms ever more menacingly over the huge abbey he comes to dominate.This is also the story of an engaging family, the Farlands. Of a fathr wise enough to understand "the happier our King is, the happier I as a true subject must be," a wife twenty years his junior, and a daughter whose intelligence is constantly to war with the strange hold Bruno has upon her destiny. What happens to the Farlands against the background of what is happening to King Henry and his court during this robust period provides a novel in which suspense and the highlights of history are wonderfully balanced.

    His father, John Dudley, saw his own father executed by Henry VIII when he ascended the throne, and suffered ignominy and obscurity as a result. But John is determined to rise high and see his family restored to its former glorious position. He places his sons in the Royal Household, and Robert spends his childhood years at the Royal Court, as playmate to King Henry's children, Prince Edward and the Lady Elizabeth. Robert sees his father gain power and influence, becoming the young King Edward VI's most important courtier. But when John tries to make his daughter-in-law, Lady Jane Grey, queen,the Catholic Mary Tudor proves she has the support of the people, and John is forced to renounce Jane and proclaim Mary queen. For their part in the Nine Days Queen affair, John and his sons are imprisoned in the Tower of London, to await trial and probable execution. Forced to admit that he erred in his belief in the New Religion, Protestantism, John, along with his son, Guildford who married Jane Grey, are executed, having their heads cut off on Tower Hill. One more brother dies of illness, and Queen Mary shows mercy and releases the remaining three brothers. Robert becomes desperate to restore the family's name and fortune, and persuades his brothers to join Queen Mary's husband, King Philip of Spain, in a war against the French. In France, the youngest Dudley brother, Henry, is killed, but Robert is mentioned in despatches as having fought valiantly, and the taint of attainder is removed from the Dudley family name. The Dudleys are not considered traitors any longer. But Robert is still not wanted at court, and he is forced to leave London and settle down with his wife, Amy Robsart, in Norfolk. But he soon grows tired of both the country and his wife, and hopes one day to be able to return to the court. His chance comes when Queen Mary dies and Elizabeth Tudor becomes queen. Abandoning his wife, Robert rushes to her side. Elizabeth soon falls in love with Robert, and sordid rumours spread throughout Europe about their relationship, made worse when Robert's wife dies in mysterious circumstances, and he is suspected of having her murdered. Exiled from the court, Robert has to wait in the country for the coroner's court to return a verdict of Accidental Death before Elizabeth allows him to return to her. Robert is now a free man, but Elizabeth, ever fearful of relinquishing her power, and haunted by the beheadings of her mother, Anne Boleyn, and her stepmother, Katherine Howard, will not agree to marry him, while jealously keeping him by her side. But Robert keeps hoping, and with his heart set on becoming king, he is forced to live a double life, keeping his mistress and illegitimate son secret to avoid Elizabeth's wrath. Until he falls in love with Elizabeth's cousin, the pretty and seductive, Lettice. Lettice demands marriage when she becomes pregnant, and Robert, tired of waiting for Elizabeth and wanting an heir to carry on the Dudley name, agrees. Meanwhile, his growing reputation as politician and staunch Protestant, means that Europe looks to him to solve their religious and territorial problems. Ever eager to improve his reputation and to prove that he is more than Elizabeth's favourite, he launches himself into war in the Netherlands, and is finally offered the governorship of the Dutch, making him a king in all but name. He accepts the Dutch offer but when Elizabeth hears of it, she is furious and insists that he renounce the title. Robert is forced to make a humiliating exit. He returns to England, disappointed and broken in body. Forced to become a soldier again when the Spanish launch their Armada, Robert is too ill to celebrate the English victory and dies en route to taking the spa waters at Buxton. When Elizabeth hears the news, she looks herself away in her room to grieve alone.

    Settling herself in the shadow of Slains Castle, she creates a heroine named for one of her own ancestors and starts to write.But when she discovers her novel is more fact than fiction, Carrie wonders if she might be dealing with ancestral memory, making her the only living person who knows the truth-the ultimate betrayal-that happened all those years ago, and that knowledge comes very close to destroying her...Please note: This novel has also been published under a different title: Sophia's Secret.Please note, this title is the original recording, which is now known as Sophia's Secret©2010 Susanna Kearsley (P)2011 Audible, Inc.

    He has wangled his appointment to be nearer his true love. And of course, he can use the money....Rich in atmosphere and packed with vivid real and fictional characters, few novels are as well imagined or as much fun as this romp through roguish courtiers, rival gangs, rustling, treason, and high ambition.

    Also included are a discussion of Stoker's working notes for the novel and "Dracula's Guest," the original opening chapter to Dracula. Reviews and Reactions reprints five early reviews of the novel. "Dramatic and Film Variations" focuses on theater and film adaptations of Dracula, two indications of the novel's unwavering appeal. David J. Skal, Gregory A. Waller, and Nina Auerbach offer their varied perspectives. Checklists of both dramatic and film adaptations are included.Criticism collects seven theoretical interpretations of Dracula by Phyllis A. Roth, Carol A. Senf, Franco Moretti, Christopher Craft, Bram Dijkstra, Stephen D. Arata, and Talia Schaffer.A Chronology and a Selected Bibliography are included.

    Former Bolshoi ballerina Nina Revskaya auctions off her jewelry collection and becomes overwhelmed by memories of her homeland, the friends she left behind amidst Stalinist aggression, and the dark secret that brought her to a new life in Boston.

    But when he meets the hauntingly pale, steely-eyed Joshua York, he is certain. For York doesn’t care that the icy winter of 1857 has wiped out all but one of Marsh’s dilapidated fleet. Nor does he care that he won’t earn back his investment in a decade. York has his own reasons for wanting to traverse the powerful Mississippi. And they are to be none of Marsh’s concern—no matter how bizarre, arbitrary, or capricious his actions may prove. Marsh meant to turn down York’s offer. It was too full of secrets that spelled danger. But the promise of both gold and a grand new boat that could make history crushed his resolve—coupled with the terrible force of York’s mesmerizing gaze. Not until the maiden voyage of his new sidewheeler Fevre Dream would Marsh realize he had joined a mission both more sinister, and perhaps more noble, than his most fantastic nightmare...and mankind’s most impossible dream. Here is the spellbinding tale of a vampire’s quest to unite his race with humanity, of a garrulous riverman’s dream of immortality, and of the undying legends of the steamboat era and a majestic, ancient river.

    1850. The Great Exhibition is being erected in Hyde Park and among the crowd watching the spectacle two people meet. For Iris, an aspiring artist, it is the encounter of a moment – forgotten seconds later, but for Silas, a collector entranced by the strange and beautiful, that meeting marks a new beginning. When Iris is asked to model for pre-Raphaelite artist Louis Frost, she agrees on the condition that he will also teach her to paint. Suddenly her world begins to expand, to become a place of art and love.But Silas has only thought of one thing since their meeting, and his obsession is darkening . . .

    a mother who mysteriously disappears, a stranger who stalks her around London, and even the noble English Grandmother who kicked Saira and her mother out of the family. But when an old graffiti tag in a tube station transports Saira to the 19th Century and she comes face-to-face with Jack the Ripper, she realizes she needs help after all. Saira meets Archer, a charming student who helps her blend in as much as a tall, modern American teen can in Victorian England. He reveals the existence of the Immortals: Time, Nature, Fate, War and Death, and explains to Saira that it is possible to move between centuries – if you are a Descendant of Time. Saira finds unexpected friendships at a boarding school for Immortal Descendants and a complicated love with a young man from the past. But time is running out for her mother, and Saira must embrace her new identity as she hides from Archer a devastating secret about his future that may cost him his life.