He writes human-interest pieces for British and American papers, avoiding the investigative journalism that could get him deported. But as war approaches, he faces the prospect of having to leave his son and his longtime girlfriend. Then, an acquaintance from his communist days approaches him to do some work for the Soviets. Russell is reluctant but ultimately unable to resist. He becomes involved in other dangerous activities, helping a Jewish family and an idealistic American reporter. When the British and the Nazis notice his involvement with the Soviets, Russell is dragged into the world of warring intelligence services.

    Time brings her ever closer to what seems an inevitable death and Two waits, uncaring, longing only for the next fix.That’s when Theroen arrives, beckoning to his Ferrari and grinning his inscrutable grin. He is handsome. Confident. Eager to help lift her out of the life that’s grinding her down.The only problem? Theroen is a vampire.His blood can cure her addiction, grant her powers she has never had, change her forever into something greater than she was. But when he sinks his teeth into her neck, Theroen also thrusts Two into a world of danger, violence, madness and despair. The powerful, twisted elder Abraham will use her arrival to shatter the uneasy peace that exists in his mansion, bringing an end to the dark game he has been playing for centuries.

    In the apartment of Oliver's old professor at Cambridge, there is a painting on the wall, a mysterious depiction of masked revelers at the Venice carnival. On this cold winter's night, the old professor has decided to reveal the painting's eerie secret. The dark art of the Venetian scene, instead of imitating life, has the power to entrap it. To stare into the painting is to play dangerously with the unseen demons it hides, and become the victim of its macabre beauty.By the renowned storyteller Susan Hill--whose first ghost story, The Woman in Black, has run for eighteen years as a play in London's West End--here is a new take on a form that is fully classical and, in Hill's able hands, newly vital. The Man in the Picture is a haunting tale of loss, love, and the very basest fear of our beings.

    She was tried as a vampire and became an inspiration for depraved murderers up to the present day.

    Determined to avenge the killing of her father, Francesca Giordano, defying all convention becomes the official poisoner of the head of the most notorious and dangerous family in Italy, Cardinal Rodrigo Borgia, the confidante of Lucrezia and the lover of Cesare while pursuing her father's murderer.

    The sole heir to the worlds’ most powerful vampire, her presence was bound to cause a stir. But nothing could have prepared her for this. Whispers follow everywhere she goes. So does trouble.Bodies start turning up in nearby Rutland and Katia is sucked into a twisted web of danger and deceit. Haunted by nightmares she can’t explain and a thirst for blood that is never sated, Katia will do whatever it takes to keep her past buried.Nothing at Crossroads is what it seems and Katia’s secrets may be the darkest of them all.

    But in 1914, the stifling restrictions of aristocratic British society and her mother’s rigid expectations forbid Lily from following her heart. When war breaks out, the spirited young woman seizes her chance for independence. Defying her parents, she moves to London and eventually becomes an ambulance driver in the newly formed Women’s Army Auxiliary Corps—an exciting and treacherous job that takes her close to the Western Front.Assigned to a field hospital in France, Lily is reunited with Robert Fraser, her dear brother Edward’s best friend. The handsome Scottish surgeon has always encouraged Lily’s dreams. She doesn’t care that Robbie grew up in poverty—she yearns for their friendly affection to become something more. Lily is the most beautiful—and forbidden—woman Robbie has ever known. Fearful for her life, he’s determined to keep her safe, even if it means breaking her heart.In a world divided by class, filled with uncertainty and death, can their hope for love survive. . . or will it become another casualty of this tragic war?

    For fans of Michelle Paver and Sarah Waters, this gothic tale will weave its way into your imagination and chill you to the bone.Maybe you've heard tales about Scarcross Hall, the house on the old coffin path that winds from village to moor top. They say there's something up here, something evil.Mercy Booth isn't afraid. The moors and Scarcross are her home and lifeblood. But, beneath her certainty, small things are beginning to trouble her. Three ancient coins missing from her father's study, the shadowy figure out by the gatepost, an unshakeable sense that someone is watching.When a stranger appears seeking work, Mercy reluctantly takes him in. As their stories entwine, this man will change everything. She just can't see it yet.

    Ten-year-old Virginia Wrathmell arrives at Salt Winds, a secluded house on the edge of a marsh, to meet her adoptive parents—practical, dependable Clem and glamorous, mercurial Lorna. The marsh, with its deceptive tides, is a beautiful but threatening place. Virginia’s new parents’ marriage is full of secrets and tensions she doesn’t quite understand, and their wealthy neighbor, Max Deering, drops by too often, taking an unwholesome interest in the family’s affairs. Only Clem offers a true sense of home. War feels far away among the birds and shifting sands—until the day a German fighter plane crashes into the marsh, and Clem ventures out to rescue the airman. What happens next sets into motion a crime so devastating it will haunt Virginia for the rest of her life. Seventy-five years later, she finds herself drawn back to the marsh, and to a teenage girl who appears there, nearly frozen and burdened by her own secrets. In her, Virginia might have a chance at retribution and a way to right a grave mistake she made as a child.  Elizabeth Brooks’s gripping debut mirrors its marshy landscape—full of twists and turns and moored in a tangle of family secrets. A gothic, psychological mystery and atmospheric coming-of-age story, The Orphan of Salt Winds is the portrait of a woman haunted by the place she calls home.

     In a city-state known for magnificence, where love affairs and conspiracies play out amidst brilliant painters, poets and musicians, the powerful and ambitious Alfonso d'Este, duke of Ferrara, takes a new bride. Half of Europe is certain he murdered his first wife, Lucrezia, the luminous child of the Medici. But no one dares accuse him, and no one has proof-least of all his second duchess, the far less beautiful but delightfully clever Barbara of Austria. At first determined to ignore the rumors about her new husband, Barbara embraces the pleasures of the Ferrarese court. Yet wherever she turns she hears whispers of the first duchess's wayward life and mysterious death. Barbara asks questions—a dangerous mistake for a duchess of Ferrara. Suddenly, to save her own life, Barbara has no choice but to risk the duke's terrifying displeasure and discover the truth of Lucrezia's death—or she will share her fate.

    Grace prides herself on her independence. She is a practical, sensible, self-reliant person, impatient with spirituality or mysticism and what she thinks of as wallowing in emotion. Having survived the Boxing Day tsunami, Grace knows how lucky she is to be alive. She looks forward, not back.But in York Grace discovers that the past cannot always be ignored. Her godmother, Lucy, has been dabbling in the occult, and it seems that she has raised an unquiet spirit, Hawise, who lived, loved and died in York over 400 years earlier. Hawise died believing that she has failed her daughter, and the more Grace is drawn into her life in the Elizabethan city, the more parallels she finds with her own life. For Grace, too, has failed a child.Is Grace possessed? Or is she suffering from Post Traumatic Stress Disorder? Either way, she learns that she cannot move on until she has come to terms with the past.

    In the years before the rise of Hitler, the Gerber family’s summer cottage was filled with laughter. Now, as deep drifts of snow blanket the Black Forest, German dissenter Franka Gerber is alone and hopeless. Fervor and brutality have swept through her homeland, taking away both her father and her brother and leaving her with no reason to live.That is, until she discovers an unconscious airman lying in the snow wearing a Luftwaffe uniform, his parachute flapping in the wind. Unwilling to let him die, Franka takes him to her family’s isolated cabin despite her hatred for the regime he represents. But when it turns out that he is not who he seems, Franka begins a race against time to unravel the mystery of the airman’s true identity. Their tenuous bond becomes as inseparable as it is dangerous. Hunted by the Gestapo, can they trust each other enough to join forces on a mission that could change the face of the war and their own lives forever?

    Now, she’s at risk to lose her sanctuary to Lord Nicolas Thornton, a twenty-seven-year-old mysterious and eccentric architect with designs on her humble estate. When she secretly witnesses him raging beside a grave, Juliet investigates, finding the name “Hawk” on the headstone and an unusual flower at the base. The moment Juliet touches the petals, a young English nobleman appears in ghostly form, singing a song only her deaf ears can hear. The ghost remembers nothing of his identity or death, other than the one name that haunts his afterlife: Thornton. To avenge her ghostly companion and save her estate, Juliet pushes aside her fear of society and travels to Lord Thornton’s secluded holiday resort, posing as a hat maker in one of his boutiques. There, she finds herself questioning who to trust: the architect of flesh and bones who can relate to her through romantic gestures, heartfelt notes, and sensual touches … or the specter who serenades her with beautiful songs and ardent words, touching her mind and soul like no other man ever can. As sinister truths behind Lord Thornton’s interest in her estate and his tie to Hawk come to light, Juliet is lured into a web of secrets. But it’s too late for escape, and the tragic love taking seed in her heart will alter her silent world forever.

    From class demands to being an outsider among her male cohorts, she'll have to go above and beyond to prove herself. So when she stumbles across what appears to be a faulty Bio-mechanical--one of the mechanized cadavers created to service the school--she jumps at the chance to fix it and get ahead in the program.Only this Bio-mechanical isn't like the others. Where they are usually empty-minded and perfectly obedient, this one seems to have thoughts, feelings... and self-awareness.Soon Lizzie realizes that it is Victor Frankenstein--a former student who died under mysterious circumstances. Victor, it seems, still has a spark of human intelligence inside him, along with memories of things he discovered before his untimely death.. .and a suspicion that he was murdered to keep that information from getting out. Suddenly Lizzie finds herself intertwined in dark secrets and sabotage that put her life, and the lives of Victor and their friends, in danger. But Lizzie's determined to succeed--even if that means fighting an enemy who threatens the entire British Empire.

    Since then, Octavia has enjoyed several careers as a celebrated soprano, taking on new identities to disguise her ageless beauty, and acquiring an assistant and companion in Ugo, a mysterious man who possesses a secret of his own. Together they travel the world for her performances at all the great opera houses. But during a run at La Scala, Octavia draws the attention of a secret vampire hunter who will do anything to make her talents his own.