If each of five geriatrics relieve a rich relative of a costly trifle, they can turn her house into a hotel for the ton. Her nephew, Duke of Rowcester, is horrified, until he meets hotel chef Miss Harriet James, green-eyed beauty who remembers their waltz - before she lost parents and inherited debts.

    Initially repulsed by the ugliness of her new surroundings in the industrial town of Milton, Margaret becomes aware of the poverty and suffering of the local mill workers and develops a passionate sense of social justice. This is intensified by her tempestuous relationship with the mill-owner and self-made man, John Thornton, as their fierce opposition over his treatment of his employees masks a deeper attraction.In North and South, Elizabeth Gaskell skillfully fuses individual feeling with social concern, and in Margaret Hale creates one of the most original heroines of Victorian literature.

    Actual opening line of the novel is: "To J. Halford, Esq. Dear Halford, when we were together last..."This is the story of a woman's struggle for independence. Helen "Graham" has returned to Wildfell Hall in flight from a disastrous marriage. Exiled to the desolate moorland mansion, she adopts an assumed name and earns her living as a painter.

    But beautiful Kate was an impoverished orphan—and her only escape from a lecherous employer's embraces was to go upon the stage. It was dangerous enough that a charming French playwright wanted her as his leading lady, and an ambitious impresario demanded that she bare her charms to an eager audience. But when a magnificent marquess, Lord Henry Grayson, proposed that she join him in a masquerade of mating in a mock marriage, Kate found that putting on an act in public could be even more perilous in private...if the act was an act of love....

    But the new owner, the notorious Maxwell Longford, seemed genuinely interested in restoring her ruined estate -- and stealing her heart, as well...

    Her parents are the only ones who know, and now, seven years later, they are forced to put on a sham for Beatrice's late first Season. The plan, make Beatrice as mousy and ill-clothed as possible so no suitor would consider her. Then they can all escape back to their country home in Dorset to keep the terrible secret safe. But the unthinkable happens... Beatrice meets a man who gives her hope of a normal life, and Beatrice dares to love with horrible consequences.Captain Henry Gracechurch has resigned his commission after living through the horrors and waste of war. Recently returned from Spain, he is cajoled by his formidable godmother to make an appearance at one of her famous balls. When he sees a young woman abandoned on the dance floor, honour commands him to save the day. Nothing could have prepared him for meeting the person who is a balm to his soul and gives wings to his heart. But winning Beatrice Thornton will take every ounce of courage he has, and this is a war he will win, no matter the cost.

    First published in 1853, Villette is Brontë's most accomplished and deeply felt work, eclipsing even Jane Eyre in critical acclaim. Her narrator, the autobiographical Lucy Snowe, flees England and a tragic past to become an instructor in a French boarding school in the town of Villette. There she unexpectedly confronts her feelings of love and longing as she witnesses the fitful romance between Dr. John, a handsome young Englishman, and Ginerva Fanshawe, a beautiful coquette. The first pain brings others, and with them comes the heartache Lucy has tried so long to escape. Yet in spite of adversity and disappointment, Lucy Snowe survives to recount the unstinting vision of a turbulent life's journey - a journey that is one of the most insightful fictional studies of a woman's consciousness in English literature.

    Among her characters are some of the most remarkable portraits in English literature: Dorothea Brooke, the heroine, idealistic but naive; Rosamond Vincy, beautiful and egoistic: Edward Casaubon, the dry-as-dust scholar: Tertius Lydgate, the brilliant but morally-flawed physician: the passionate artist Will Ladislaw: and Fred Vincey and Mary Garth, childhood sweethearts whose charming courtship is one of the many humorous elements in the novel's rich comic vein.

    Rosa is no longer the gawky girl fresh from a Bath academy whom he first met ten years ago. Today, she intrigues him. But just as they begin to draw closer, she disappears—in very dubious circumstances. Julian cannot bring himself to believe the worst of Rosa, but if she is blameless the truth could be even more shocking, with far-reaching repercussions for his own family, especially Chloe.Later, driven by her concern for Chloe, Rosa accepts an invitation to spend some weeks at Castle Swanmere, home of Julian’s maternal grandfather. The widowed Meg Overton has also been invited and she is determined not to let the extremely eligible Julian slip through her fingers again.When a ghost from Rosa’s past returns to haunt her, and Meg discredits Rosa publicly, Julian must decide where his loyalties lie.

    Set in Shropshire in the 1800s, it is alive with the many moods of Nature, benevolent and violent and the many moods -- equally benevolent and violent -- of the people making lives there. Prue Sarn is an unlikely heroine, born with a facial disfiguration which the Fates have dictated will deny her love. But Prue has strength far beyond her handicap, and this woman, suspected of witchcraft by her fellow townspeople, rises above them all through an all-encompassing sweetness of spirit. Precious Bane is also the story of Gideon, Prue's doomed brother, equally strong-willed, but with other motives. Determined to defeat the poverty of their farm, he devotes all his energies to making money. His only diversion from this ambition, he abandons her for the stronger drive of his money lust. And finally, it is the story of Kester Woodseaves, whose steady love for all created things leads him to resist people's cruelty toward nature and each other, and whose love for Prue Sarn enables him to discern her natural loveliness beneath her blighted appearance. Rebecca West, a contemporary of Mary Webb, called her, simply, "a genius," and G. K. Chesterton, another contemporary, asserted: "the light in the stories . . . is a light not shining on the things but through them." Critic Hilda Addison summed up Precious Bane: "The book opens with one of those simple sentences which haunt the mind until the curiosity has been satisfied . . . It strikes a note which never fails throughout; it opens with a beauty which is justified to the last sentence." When the book was first published in 1926 in America, the New York Times Book Review predicted: " on some bookshelves, we feel sure, Precious Bane will find almost a hallowed place."

    But Gil's mother happily sees more to their bond than either yet realizes. And when the two innocents are caught in a deceptively compromising situation, she wastes no time in using it to her advantage -- and theirs....Soon enough, the pair find themselves no less than engaged -- and no less than panicked at the very idea. But in a case of mother knows best, what seems a tender trap may free two stubborn hearts....

    And though he's not happy about venturing our to the officer's country estate, the dashing rogue cannot deny the creature comforts of Palfry Park or his instant attraction to a mysterious woman in a Bath chair.Recovering from a carriage accident, and neglected by her family, Miranda Runyon spends her time alone...until Morgan enters her life. At first, Miranda rebuffs his advances. But when Morgan's attentions begin to transform Miranda in both body and soul, she risks her heart for a love like none she has ever imagined.

    The story follows thirty-something Emily who lives alone, humbly and happily, in a tiny apartment and on a meager income. She is the one that everyone counts on but no one goes out of their way to accommodate. Her fortune changes, however, and the second half chronicles her adaptation to her new life and the dangers that arise from those who stand to lose most from her new circumstances.

    Tarval. Tarval’s sister, Lady Kitty, is determined to write a dramatic Gothic to save her brother’s mortgaged estate-if she can reach London. Clarissa’s much-pursued cousin, Mr. Philip Devereaux, is inexplicably intrigued by Lady Kitty, who is doing her best to encourage the match between him and Clarissa, except that Clarissa is now betrothed to . . . Lord Wilburfolde.And so the madness of changing partners begins in the dance of love.

    Mesquerading as lovers, they must embark on a dangerous plan to smuggle gold through Napoleonic France in order to fund the advancing British army.