Playing off the book’s title, Manning demonstrates that no one is common or simple. Instead, he creates a detailed, complex, and poignant portrait—by turns serious and hilarious, philosophical and speculative, but ultimately tragic—of a fast-disappearing aspect of American culture. The Common Man’s accessibility and its enthusiastic and sincere charms make it the perfect antidote to the glib ironies that characterize much contemporary American verse. It will also help to strengthen Manning’s reputation as one of his generation’s most important and original voices.

    This cross-linguistic pun presents the queer, non-white body as both vulnerable ('flesh') and weaponised ('flèche'), and evokes the difficulties of reconciling one's need for safety alongside the desire to shed one's protective armour in order to fully embrace the world.Central to the collection is the figure of the poet's mother, whose fragmented memories of political turmoil in twentieth-century China are sensitively threaded through the book in an eight-part poetic sequence, combined with recollections from Chan's childhood. As complex themes of multilingualism, queerness, psychoanalysis and cultural history emerge, so too does a richly imagined personal, maternal and national biography. The result is a series of poems that feel urgent and true, dazzling and devastating by turns.

    Included are "The Dark Chateau," "The Witch," "The Ghost," and more.

    Arguably the central genre of Japanese literature, the 31-syllable lyric made up the great majority of Japanese poetry from the ninth to the nineteenth century and was the inspiration for such poetry as haiku and renga. Tanka has begun to attract considerable attention in North America in recent years. Modern Japanese Tanka is the first comprehensive collection available in English.Tanka retains the aesthetic sensibilities that circumscribe Japanese culture, but just as Japan has changed during this tumultuous century, tanka has undergone equally radical shifts. Responding to artistic and social movements of the West, tanka has incorporated influences ranging from Marxism to Avant-Garde.Modern Japanese Tanka includes four hundred poems by twenty of Japan's most renowned poets who have made major contributions to the hisotry of tanka in the late nineteenth and early twentieth centuries. With his graceful, eloquent translations, Makoto Ueda captures the distinct voices of these individual poets, providing biographical sketches of each as well as transliterating Japanese text below each poem. His introduction gives an excellent overview of the development of tanka in the last one hundred years.Tracing the contemporary tanka tradition from Yosana Tekkan in the late nineteenth century to the late twentieth-century poetry of such writers as Taware Machi, Modern Japanese Tankselegantly conveys an authentic sense of Japanese lyric to a Western audience.

    The title poem follows a nineteen-year-old girl in Shanghai who uploaded her suicide onto Instagram. Other poems cross into animated worlds, examine robot culture, and haunt a necropolis for electronic waste. A fascinating sequence spanning the collection speaks in the voice of the international icon and first Chinese American movie star Anna May Wong, who travels through the history of cinema with a time machine, even past her death and into the future of film, where she finds she has no progeny. With a speculative imagination and a sharpened wit, Mao powerfully confronts the paradoxes of seeing and being seen, the intimacies made possible and ruined by the screen, and the many roles and representations that women of color are made to endure in order to survive a culture that seeks to consume them.

    Nina Mingya Powles is a poet and zinemaker from Aotearoa New Zealand, currently living in London. She is the author of a food memoir, Tiny Moons: A Year of Eating in Shanghai (The Emma Press, 2020), and several poetry pamphlet collections including Luminescent (Seraph Press, 2017) and Girls of the Drift (Seraph Press, 2014). In 2018 she was one of three winners of the inaugural Women Poets' Prize, and in 2019 won the Nan Shepherd Prize for Nature Writing. She is the founding editor of Bitter Melon苦瓜, a risograph press that publishes limited-edition poetry pamphlets by Asian writers.

    When his family is murdered, he is thrust into a world that isn't as black and white as he has always believed. If he is to take his rightful place on his father's throne he must face the dangers of political ambition and a kingdom gripped by the realities of war.

    This includes many who have fled from the final stages of the Chinese Civil War, both Chinese and Europeans long settled in China.It portrays an insight into class and race prejudice that is as relevant today in Hong Kong as it was in the fifties. Although it is technically a novel, the book is strongly autobiographical. Han Suyin's real life lover was killed in The Korean War in 1950. Two years later, she married Leon F. Comber, a British officer in the Malayan Special Branch,

    Each day, victims are found stabbed with their clothes removed and their faces ripped off. A verse from the carol is daubed on the wall in blood. Will Quigg find the killer before he is forced to resign? Also, Quigg must choose between two women, or must he? And can he persuade the Chief to let Sergeant Begone be his partner on a permanent basis?

    After all, he was the heir to the biggest clay works in all of Cornwall, and she was but the daughter of one of their workmen.For just as an unexpected passion began to blossom between Morwen Tremayne and Ben Killigrew, the fates seemed determined to stifle its growth. A long, bitter struggle between owner and workforce brought about Charles Killigrew’s sudden illness, and with it Ben’s summons to the head of the family firm.Morwen and Ben, innocent victims of other men’s antagonisms, find themselves party to a conflict not of their making, that threatens to cut them off not only from their families, but from each other…A touching, heartbreaking tale of a love that conquers all, Killigrew Clay is perfect for fans of Rosie Goodwin, Lesley Pearse and Linda Finlay

    Plus A Ruby Glows, the prequel, as a bonus! Prequel A Ruby Glows Ruby’s heart froze as she threw her dead husband over the cliff. When Beau walks into her life, one glance has her running from her past. He couldn’t want someone like her. It should be easy to avoid his quiet charm. If he can convince her she’s a prize, not prey, he might have a chance. Beau’s captivated when Ruby scrambles from him whenever he gets too close. Her sweetness is an allure he can’t fight. Can Beau convince Ruby she is beloved? Book 1 Dreams in Deadwood He has a vice as bad as her father. Jennie Arnsby wants nothing more than to turn around and go home. Her family is on their way to Deadwood, SD, when Aiden finds his way to their small wagon train. His teasing and banter leave her wanting to toss him out the back and in the dust. When they are separated outside the city, she is left wondering if she’ll ever see him again. Aiden Bradly wants to find his gold and return home. Nothing more. He can’t afford to get tangled with a woman. He’s doing just that until he meets the feisty Jennie. She gets him thinking about his past and forgiveness, but what’s more important, his past or his new future? Aiden will either redeem his past or claim a treasure greater than he could ever imagine, but he must choose one. Book 2 Kisses in Keystone Hattie Arnsby’s been a slave to men and whiskey for the last year. She’s drowned herself in drink to avoid her life at the Red Garter Saloon in Keystone, SD. When a handsome deputy finds her after a year of searching, she finally sees a sliver of hope. Hugh Bradley is deputized to find Hattie and bring her home, but her captors aren’t ready to set her free. He must help her be rid of the drink and the binds of the brothel. But when Hattie’s handed temptation, will she run back to her past or embrace the love growing between them? Book 3 Love in Lead He found her at her worst, can she love him at his? Eva Arnsby can’t stay indoors, her need to draw the woodland creatures around her home near Lead, South Dakota gets her in a heap of trouble. And none more troublesome than a shadowy stranger who steals her notebook and her spirit. Ranger, Captain George Roth, is suspicious when he finds a small woman in man’s trousers sneaking around in the woods. Determined to discover the woman’s secrets, he takes on an assignment, ready to investigate her under the guise of a harmless town dandy. A chameleon in a suit, Mr. George Roth is asking too many questions, and wearing too many masks. Despite Eva’s reluctance, they work together, and soon, she sees parts of George she can’t resist. Shouldn’t she follow her heart? But when the mask slips, and Eva realizes George isn’t who she thinks he is, the damage to her heart may never be mended. One lie will break them apart, and George must convince her that the man she fell for in Lead is the same man who loved her in the woods. Save now when you buy this set. Scroll up to get your copy! Other Books by Kari Trumbo: Brothers of Belle Fourche Teach Me to Love What the Heart Holds Deep Longing of the Soul Seven Brides of South Dakota Dreams in Deadwood

    The stars may collude to bring you down. But God has a plan, always the best one for you. You need to trust it, live it and enjoy it.Amrit, an accomplished doctor with a fetching personality, blames himself for his wife Niharika’s death. He is stuck in his past.Arpita, a simple girl, fighting many complexes, cheated in her marriage, is not ready to trust anyone in life.The Stars, ever conspiring, bring them together. But can they be together for a lifetime? Is it facile for Amrit to let go off past? Is it possible for Arpita to trust someone again? Will Arpita ever be able to see herself through Amrit’s eyes? How do the stars conspire bring Niharika into their lives?Does the destiny unite them finally or push them away forever?