They talk like it is, but really and truly it's black against white, young against old, authorities against the rest. It's countless of things. There's bare reasons for feeling vexed right now. Growing up on a south London estate and excluded from every school that would take her, Alesha is the poster girl for the nation's 'feral youth'. When a young teacher makes an unexpected reappearance in the 15-year-old's life, opening the door to a world of salaries, pianos and middle-class housemates, Alesha's instinct is to pull up her hood and return to the streets. But fuelled by a need to survive, she falls into a cycle of crime, violence and drug-dealing, her one true ally deserting her when she needs him most. While everyone around her is rallying against the authorities in a war of haves and have-nots, Alesha finds herself caught in the crossfire, inextricably linked to the people she is trying to fight against. Can she see a way out? And as riots sweep the nation, whose side will she take? Born in South London and a resident of Ealing, an area affected by the London riots, Polly wrote Feral Youth 'to give a voice to the thousands of frustrated youths who, like Alesha, feel marginalised and ignored by the rest of society'. She believes that the real causes of the riots have not gone away and that further unrest will happen in a matter of time. Feral Youth is a work of contemporary adult fiction that covers various topical themes, including the riots, youth culture, gangs and knife and gun crime. It is aimed primarily at the adult reader and provides an alternative perspective on a world we think we know.

    Now he's missing.No note. No sign of self-harm.No trace of him at all. Ali and her friends know something, but they've vowed to keep quiet.Why? And will anybody ever know what really happened to him?

    Her homelife is somewhat strange (her father, Bob, insists on naked calisthenics every morning for the whole family and her gray-haired mother placidly goes along), she has no real friends (and therefore lives in her imagination much of the time) and yearns to be popular, more normal. And then her already off-center world is thrown completely topsy-turvy when she learns that her supposed parents are really her grandparents, that her mother fled years ago, and that, worse yet for someone about to turn thirteen, her real birthday is now much later in the year. Seeking escape both in her fantasies - her favorite book has long been Alice in Wonderland - and in real life - through her friendship with her obsequious new schoolmate, Bronwyn, and with the sinister Johnny, who dwells in a forgotten, never-consecrated church - Jennifer is about to undergo her own adventures in her own wonderland, with terrifing and final consequences she cannot (yet) even imagine.

    Winner of the Time Out Live Award for Best Play In 18th-century Gloucestershire, the evil Otis Gardner preys on unmarried mothers, promising to take their babies (and their money) to Thomas Coram's hospital for foundling children. Instead, he buries the babies and pockets the loot. But Otis's downfall is set in train when his half-witted son Meshak falls in love with a young girl, Melissa, and rescues the unwanted son she has had with a disgraced aristocrat. The child is brought up in Coram's hospital, and proves to have inherited the startling musical gifts of his father - gifts that ultimately bring about his father's redemption and a heartbreaking family reunion. 'a rich and almost Gothic drama' - Philip Pullman 'a triumph... can still make your heart soar' - The Times 'the story has a gripping intensity... there is a tremendous sense of momentum' - Independent 'Family shows don't come much more harrowing than this - but nor do they come any finer... as gripping, terrifying, beautiful and moving as anything you will see in the theatre this year... Helen Edmundson's adaptation does full justice to the dark power of the original, while also transforming it into a thrilling piece of theatre' - Daily Telegraph 'a highly superior show that should appeal to adults and children alike' - Guardian