Even at the age of six, lively, inquisitive Elizabeth Grace senses she’s a child of privilege, “a lucky fish.” Soothing her worries by raiding the sugar box, she scampers up into the sheltering arms of the lilac-blooming syringa tree growing behind the family’ s suburban Johannesburg home.Lizzie’s closest ally and greatest love is her Xhosa nanny, Salamina. Deeper and more elemental than any traditional friendship, their fierce devotion to each other is charged and complicated by Lizzie’s mother, who suffers from creeping melancholy, by the stresses of her father’s medical practice, which is segregated by law, and by the violence, injustice, and intoxicating beauty of their country. In the social and racial upheavals of the 1960s, Lizzie’s eyes open to the terror and inhumanity that paralyze all the nation’s cultures–Xhosa, Zulu, Jew, English, Boer. Pass laws requiring blacks to carry permission papers for white areas and stringent curfews have briefly created an orderly state–but an anxious one. Yet Lizzie’s home harbors its own set of rules, with hushed midnight gatherings, clandestine transactions, and the girl’s special task of protecting Salamina’s newborn child–a secret that, because of the new rules, must never be mentioned outside the walls of the house.As the months pass, the contagious spirit of change sends those once underground into the streets to challenge the ruling authority. And when this unrest reaches a social and personal climax, the unthinkable will happen and forever change Lizzie’s view of the world. When The Syringa Tree opened off-Broadway in 2001, theater critics and audiences alike embraced the play, and it won many awards. Pamela Gien has superbly deepened the story in this new novel, giving a personal voice to the horrors and hopes of her homeland. Written with lyricism, passion, and life-affirming redemption, this compelling story shows the healing of the heart of a young woman and the soul of a sundered nation.

    We are all women in our house. My grandmother, my Aunt Stella with her hopalong leg, and me. The men in our family are not worth much. They are the cross we have to bear. Some of us, like my mother, don't live here any more. People say she went on the Kimberley train to try for white and I mustn't blame her because she could get away with it even if we didn't believe she would.' Through the sharp yet loving eyes of eleven-year-old Lily we see the whole exotic, vivid, vigorous culture of the Cape Coloured community at the time when apartheid threatened its destruction. As Lily's beautiful but angry mother returns to Cape Town, determined to fight for justice for her family, so the story of Lily's past - and future - erupts. Dance with a Poor Man's Daughter is a powerful and moving tribute to a richly individual people.

    "Aké: The Years of Childhood" gives us the story of Soyinka's boyhood before and during World War II in a Yoruba village in western Nigeria called Aké. A relentlessly curious child who loved books and getting into trouble, Soyinka grew up on a parsonage compound, raised by Christian parents and by a grandfather who introduced him to Yoruba spiritual traditions. His vivid evocation of the colorful sights, sounds, and aromas of the world that shaped him is both lyrically beautiful and laced with humor and the sheer delight of a child's-eye view.A classic of African autobiography, "Aké" is also a transcendantly timeless portrait of the mysteries of childhood.

    It centers around a young Nigerian woman, Ada, who develops separate selves within her as a result of being born "with one foot on the other side." Unsettling, heartwrenching, dark, and powerful, Freshwater is a sharp evocation of a rare way of experiencing the world, one that illuminates how we all construct our identities.Ada begins her life in the south of Nigeria as a troubled baby and a source of deep concern to her family. Her parents, Saul and Saachi, successfully prayed her into existence, but as she grows into a volatile and splintered child, it becomes clear that something went terribly awry. When Ada comes of age and moves to America for college, the group of selves within her grows in power and agency. A traumatic assault leads to a crystallization of her alternate selves: Asụghara and Saint Vincent. As Ada fades into the background of her own mind and these selves--now protective, now hedonistic--move into control, Ada's life spirals in a dark and dangerous direction.Narrated by the various selves within Ada and based in the author's realities, Freshwater dazzles with ferocious energy and serpentine grace, heralding the arrival of a fierce new literary voice.

    This'll be the third boyfriend Ayoola's dispatched in, quote, self-defence and the third mess that her lethal little sibling has left Korede to clear away. She should probably go to the police for the good of the menfolk of Nigeria, but she loves her sister and, as they say, family always comes first. Until, that is, Ayoola starts dating the doctor where Korede works as a nurse. Korede's long been in love with him, and isn't prepared to see him wind up with a knife in his back: but to save one would mean sacrificing the other...My Sister, the Serial Killer is a blackly comic novel about how blood is thicker - and more difficult to get out of the carpet - than water...

    Apartheid is crumbling. Nelson Mandela has just been released from prison. And Spud Milton?thirteen-year-old, prepubescent choirboy extraordinaire?is about to start his first year at an elite boys-only boarding school in South Africa. Cursed with embarrassingly dysfunctional parents, a senile granny named Wombat, and a wild obsession for Julia Roberts, Spud has his hands full trying to adapt to his new home. Armed with only his wits and his diary, Spud takes readers of all ages on a rowdy boarding school romp full of illegal midnight swims, raging hormones, and catastrophic holidays that will leave the entire family in total hysterics and thirsty for more.Winner of South Africa's Booksellers? Choice Award 2006

    Long regarded Africa's preeminent Francophone novelist, Laye (1928-80) herein marvels over his mother's supernatural powers, his father's distinction as the village goldsmith, and his own passage into manhood, which is marked by animistic beliefs and bloody rituals of primeval origin. Eventually, he must choose between this unique place and the academic success that lures him to distant cities. More than autobiography of one boy, this is the universal story of sacred traditions struggling against the encroachment of a modern world. A passionate and deeply affecting record, The Dark Child is a classic of African literature.

       In turn-of-the-century South Africa, fourteen-year-old Lettie, her younger brother, and her mother are Dutch Afrikaner settlers who have been taken from their farm by British soldiers and are being held in a concentration camp. It is early in the Boer War, and Lettie’s father, grandfather, and brother are off fighting the British as thousands of Afrikaner women and children are detained. The camps are cramped and disease ridden; the threat of illness and starvation are ever present. Determined to dictate their own fate, Lettie and her family give each other strength and hope as they fight to survive amid increasingly dire conditions. Brave and defiant, Lettie finds comfort in memories of stargazing with her grandfather, in her plan to be a writer, and in surprising new friendships that will both nourish and challenge her. A beautiful testament to love, family, and sheer force of will, The Lost History of Stars was inspired by Dave Boling’s grandfather’s own experience as a soldier during the Boer War. Lettie is a figure of abiding grace, and her story is richly drawn and impossible to forget.

    1880 South Africa is a country torn apart by greed. In this remote and inhospitable land she becomes entangled with two very different men—one driven by ambition, the other by his ideals. Only when the rumor of a smallpox epidemic takes her into the dark heart of the diamond mines does she see her path to happiness.But this is a ruthless world of avarice and exploitation, where the spoils of the rich come at a terrible human cost and powerful men will go to any lengths to keep the mines in operation. Removed from civilization and disillusioned by her isolation, Frances must choose between passion and integrity, a decision that has devastating consequences.

    They are about the brutalization of the individual's mental processes, until madness, violence and despair become the normal state of affairs for families in black urban areas.

    It remains as fresh and exciting as it was when it was first written and is dedicated by Fitzpatrick to '...those keenest and kindest of critics, best of friends and most delightful of comrades the likkle people!'Jock's owner was a young transport rider in the rugged and colourful days of the Transvaal gold rush. Those were the days when big game roamed the land and each sunrise brought a new adventure.The story of the bull terrier who shared his master's life on the veld has been illustrated with lively sketches by Edmund Caldwell.

    Like every other child born in the hopelessness of apartheid, he learned to measure his life in days, not years. Yet Mark Mathabane, armed only with the courage of his family and a hard-won education, raised himself up from the squalor and humiliation to win a scholarship to an American university. This extraordinary memoir of life under apartheid is a triumph of the human spirit over hatred and unspeakable degradation. For Mark Mathabane did what no physically and psychologically battered "Kaffir" from the rat-infested alleys of Alexandra was supposed to do -- he escaped to tell about it.

    

    The eight-year-old narrator of "An Ex-Mas Feast" needs only enough money to buy books and pay fees in order to attend school. Even when his twelve-year-old sister takes to the streets to raise these meager funds, his dream can't be granted. Food comes first. His family lives in a street shanty in Nairobi, Kenya, but their way of both loving and taking advantage of each other strikes a universal chord. In the second of his stories published in a New Yorker special fiction issue, Akpan takes us far beyond what we thought we knew about the tribal conflict in Rwanda. The story is told by a young girl, who, with her little brother, witnesses the worst possible scenario between parents. They are asked to do the previously unimaginable in order to protect their children. This singular collection will also take the reader inside Nigeria, Benin, and Ethiopia, revealing in beautiful prose the harsh consequences for children of life in Africa. Akpan's voice is a literary miracle, rendering lives of almost unimaginable deprivation and terror into stories that are nothing short of transcendent.

    It's the dream and the possibility that give meaning to Yearsonend. . . . For years now it hasn't been about gold . . . it's been about much more than that. . . . Take Mario Salviati, for instance: once the gold is found, the general will let him go. We'd be able to leave the past where it belongs. . . . Secrets abound in the South African Karoo -- a remote landscape of mountains and desert, where legend weaves its way into daily life. A fabulous merman sculpture miraculously appears one morning in the yard of eccentric artist Jonty Jack, and Ingi Friedlander, a young art curator for the National Gallery at Cape Town, comes to Yearsonend to buy the masterpiece. When Jonty refuses her offer, Ingi resolves to stay and win him over. Intrigued by hints of the town's unusual history, Ingi persistently questions its inhabitants, who reveal that a mythical trove of gold is buried nearby. For several centuries gold fever has gripped the town and sent ripples of suspicion through those who live there. Tracing the roots of Yearsonend's violent and magical history of feuding families, troubled love, and corrosive greed, the narrative shuttles between the past and the present, linking two patriarchs with shadowy pasts, an earthy angel, a woman without a face, a ragtag band of soldiers, and a host of other colorful characters. As Ingi delves deeper into the mysteries of Yearsonend, she is inexplicably drawn to Mario Salviati, a deaf, dumb, and blind Italian stonecutter who holds the key to many of the town's secrets. A spectacular climax sheds light on many unanswered questions, and Ingi and the Yearsonenders learn thatthey are searching not only for their past, but also for the promise of the future. With extraordinary imagination and lyricism, Etienne van Heerden captures the essence of a land steeped in myth, and of a culturally diverse people, for whom storytelling and history are inextricably linked. In the rich magic-realism tradition of One Hundred Years of Solitude, The Long Silence of Mario Salviati is an unforgettable journey toward understanding and inspiration.