It has received worldwide productions, whether as a study of parent-child relationships, as in its landmark 1976 production directed by Miller in Beijing, or as a critique of Western capitalism and has been filmed once for television and twice for movies.

    This new volume of three of Euripides' most celebrated plays offers graceful, economical, metrical translations that convey the wide range of effects of the playwright's verse, from the idiomatic speech of its dialogue to the high formality of its choral odes.

    Available individually, as well as in a boxed set, the four hardcover volumes have been specially bound with covers featuring images central to Beckett's works. Typographical errors that remained uncorrected in the various prior editions have now been corrected in consultation with Beckett scholars C. J. Ackerley and S. E. Gontarski."Poet, novelist, short–story writer, playwright, translator, and critic, Samuel Beckett created one of the most brilliant and enduring bodies of work in twentieth–century literature. In celebration of the one hundredth anniversary of his birth, the four volumes of this new edition bring together nearly every word Beckett published during his lifetime. Open anywhere and begin reading. It is an experience unequaled anywhere in the universe of words." — Paul Auster, from his Series Notes

    She is in love with young Artashes Otaryan, son of Elizbarov's late companion. Soon Artashes reveals to her the secret that his family has kept for years -- Elizbarov had stolen the fortune of his former companion; as a proof he presents to her Elizbarov's letters to his father. Margarita is appalled by her father's loss of honor, and is torn between her duty as a daughter and her sense of right and wrong.

    The first of the plays, The Real Inspector Hound, is the longer of the two; here the author has created a looking glass comedy of great suspense and intrigue about two drama critics. The second play, After Magritte, is 'a surrealist comedy in detective form-or is it a comedy in surrealist form? A husband and wife argue whether the figure they saw in the street was a one-legged football player with the ball under his arm, or a man in pajamas with a tortoise under his arm. The play shows that Stoppard is as amusing and clever as always.'

    It premiered in April 2000 at the Gielgud Theatre, Shaftesbury Avenue, London, starring Kathleen Turner as Mrs RobinsonCalifornia in the 60s. Benjamin's got excellent grades, very proud parents and, since he helped Mrs Robinson with her zipper, a fine future behind him… A cult novel, a classic film, a quintessential hit of the 60s, now Benjamin's disastrous sexual odyssey is brought vividly to life in this world stage premiere production."Terry Johnson is that rare creature: a moralist with wit. He writes with responsible gaiety" (Guardian)

    Howard, and Shakespearean Romance by Walter Cohen. Like its parent volume, this concise edition gives students the vibrant introductions, readable single-column format, helpful glosses and notes, and extensive reference materials maps, a timeline, annotated bibliographies and film lists, documents that have made The Norton Shakespeare, Second Edition the best-selling classroom edition worldwide."

    A 19th-century maritime classic brimming with courage, ingenuity, and daring.

    But as Moses Hadas writes in his introduction to this volume, 'His true claim upon our attention is as the most brilliant and artistic and thoughtful wit our world has known.' Includes The Acharnians, The Birds, The Clouds, Ecclesiazusae, The Frogs, The Knights, Lysistrata, Peace, Plutus, Thesmophoriazusae, and The Wasps.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Many have large casts and an equal mix of boy and girl parts. Set in the Malayan jungle in 1942, this play explores what happens when soldiers have to confront the reality of war.

    It is set in Ancient Greece during the events just before the trial and death of Greek philosopher Socrates. It is heavy with satire specifically at government authority and organized religion. The main characters besides the titular role is that of the priest Anitus, his entourage, Socrates' wife Xantippe, several judges, and some children Socrates has adopted as his own. Like more historical accounts by Herodotus, Plato, and Xenophon, the playwright shows Socrates as a moral individual charged with baseless accusations by a conspiracy of corrupt Athenians or Athenian officials although Voltaire implies that the wrongdoers are a select few. Unlike the historical account, Socrates deals with several judges, whereas his real life counterpart receives his punishment of death by hemlock by a jury of 500 Athenians. The presence or mention of Socrates' best-known students such as Plato, Antisthenes, Zeno of Citium, and others are replaced by unnamed disciples, delivering only a few token lines at the end of the play. Socrates is also portrayed as a monotheist and a victim of religious persecution, an interpretation that is not generally shared by modern scholars and historians. Generally, this is not the most well-known of his works in comparison with Letters on the English which Voltaire published in 1778 or the Dictionnaire philosophique published earlier in 1764. However, hints of his contempt for government and religion are apparent here which later influenced the leaders of the American Revolution and the French Revolution.

    . .""I tell of Merapi -- who was named Moon of Israel! -- and of her people, the Hebrews, who dwelt for long in Egypt and departed thence -- having paid us back in loss and shame for all the good and ill we gave them. ""And now I -- the King's Companion, the great scribe, the beloved of the Pharaohs who have lived beneath the sun with me -- tell of the war between the gods of Egypt and the god of Israel . . . I write of these matters now when I am very old in the reign of Rameses, before death takes me . . ."

    

    This play which won the author a Pulitzer Prize and a Tony award presents the lead character, Willy Loman (played over time by Lee J Cobb, George C Scott, Dustin Hoffman, and Brian Dennehy, among others), who has come to represent the middle-class struggle.