Almanzo Wilder was 71, Laura 61, and Rose felt obligated to stay and help. To make life easier, she built them a new home, while she and Helen Boylston transformed the farmhouse into a rural writing retreat and filled it with visiting New Yorkers. Rose sold magazine stories to pay the bills for both households, and despite the subterranean tension between mother and daughter, life seemed good.Then came the Crash. Rose’s money vanished, the magazine market dried up, and the Depression darkened the nation. That’s when Laura wrote her autobiography, “Pioneer Girl,” the story of growing up in the Big Woods of Wisconsin, on the Kansas prairie, and by the shores of Silver Lake. The rest—the eight remarkable books that followed—is literary history.But it isn’t the history we thought we knew. For the surprising truth is that Laura’s stories were publishable only with Rose’s expert rewriting. Based on Rose’s unpublished diaries and Laura’s letters, A Wilder Rose tells the true story of the decade-long, intensive, and often troubled collaboration that produced the Little House books—the collaboration that Rose and Laura deliberately hid from their agent, editors, reviewers, and readers.Why did the two women conceal their writing partnership? What made them commit what amounts to one of the longest-running deceptions in American literature? And what happened in those years to change Rose from a left-leaning liberal to a passionate Libertarian?In this impeccably researched novel and with a deep insight into the book-writing business gained from her own experience as an author and coauthor, Susan Wittig Albert follows the clues that take us straight to the heart of this fascinating literary mystery.

    Stone Butch Blues traces a propulsive journey, powerfully evoking history and politics while portraying an extraordinary protagonist full of longing, vulnerability, and working-class grit. This once-underground classic takes the reader on a roller-coaster ride of gender transformation and exploration and ultimately speaks to the heart of anyone who has ever suffered or gloried in being different.

    The message of what can be accomplished by training through affection and joy will thrill all animal lovers." -- Betty White

    The brutal murder of the Russian Imperial family on the night of July sixteenth to seventeenth, 1918 has long been a defining moment in world history. The Last Days of the Romanovs reveals in exceptional detail how the conspiracy to kill them unfolded. In the vivid style of a TV documentary, Helen Rappaport reveals both the atmosphere inside the family's claustrophobic prison and the political maneuverings of those who wished to save--or destroy--them. With the watching world and European monarchies proving incapable of saving the Romanovs, the narrative brings this tragic story to life in a compellingly new and dramatic way, culminating in a bloody night of horror in a cramped basement room.

    The Rudomin family has been arrested by the Russians. They are "capitalists' enemies of the people." Forced from their home and friends in Vilna, Poland, they are herded into crowded cattle cars. Their destination: the endless steppe of Siberia.For five years, Esther and her family live in exile, weeding potato fields and working in the mines, struggling for enough food and clothing to stay alive. Only the strength of family sustains them and gives them hope for the future.

    Yet like millions of others who suffered during Stalin's reign of terror, she was arrested—on trumped-up charges of being a Trotskyist terrorist and counter-revolutionary—and sentenced to prison. With an amazing eye for detail, profound strength, and an indefatigable spirit, Ginzburg recounts the years, days, and minutes she endured in prisons and labor camps, including two years of solitary confinement. A classic account of survival, Journey into the Whirlwind is considered one of the most important documents of Stalin's regime ever written.

    The Smoky Mountain community of Cutter Gap feels suspended in time, trapped by poverty, superstitions, and century-old traditions.But as Christy struggles to find acceptance in her new home, some see her — and her one-room school — as a threat to their way of life. Her faith is challenged and her heart is torn between two strong men with conflicting views about how to care for the families of the Cove.Yearning to make a difference, will Christy’s determination and devotion be enough?

    Her first book, published in 1941, was titled Klee Wyck ("Laughing One"), in honour of the name that the Native people fo the west coast gave her as an intrepid young woman. The book was a hit with both critics and the public, won the prestigious Governor Generals' Award and has been in print ever since.Emily Carr wrote these twenty-one word sketches after visiting and living with Native people, painting their totem poles and villages, many of them in wild and remote areas. She tells her stories with beauty, pathos and a vivid awareness of the comedy of people and situations.A few years after Carr's death, signifcant deletions were made to her book for an educational edition. This new, beautifully designed keepsake volume restores Klee Wyck to its original published verison, making the complete work available for th e first tim in more than fifty years. In her intriguing introduction, archivist and writer Kathryn Bridge puts Klee Wyck into the context of Emily Carr's life and reveals the story behind the expurgations.

    Married at 19 to John Ruskin, she found herself trapped in an unconsummated union. She would fall in love with her husband’s protégé, John Everett Millais, and inspire some of his most memorable art, but controversy and tragedy continued to stalk her.Suzanne Fagence Cooper has gained exclusive access to Effie’s family letters and diaries to show the rise and fall of the Pre-Raphaelite circle from a new perspective, through the eyes of a woman whose charm and ambition helped to shape the careers of both her husbands. Effie Gray is a compelling portrait of the extraordinary woman behind some of the greatest paintings of the Victorian era.

    It has been translated into fifteen languages, sold more than 12 million copies, and is the basis for an award-winning German entry at the 2002 Cannes Film Festival. Recounting an incredible real-life adventure, it tracks the destiny of German soldier Clemens Forrell who, in the aftermath of WWII, was sentenced to twenty-five years of forced labor in a lead mine in the barren eastern reaches of Siberia.Subjected to the brutality of the camp and the climate, Forrell dreamed continuously of escape—and then daringly effected it. From East Cape across the vast trackless wastes of Siberia, for thousands of miles and three years, with fear as his most intimate companion, Forrell fled treachery and endured some of the most inhospitable conditions on earth. In a long series of taped interviews with esteemed German author Josef M. Bauer, Forrell unfolded his remarkable story of survival. Bauer not only reconstructs Forrell's arduous journey to the Iranian frontier and freedom; he also poignantly evokes the emotional content of Forrell's brave quest—emerging as an affecting portrait of a man who strove and triumphed against all odds.

    . . and an East Texas honky-tonk . . . and, without a doubt, inside the heart of God. It unfolds at a Hollywood hacienda . . . an upscale New York gallery . . . a downtown dumpster . . . a Texas ranch.Gritty with betrayal, pain, and brutality, it also shines with an unexpected, life-changing love.Bonus material in this special movie edition includes:

    Now with a new afterword by the author and photographs taken by him during the conflict, this straight-from-the-shoulder account tells the electrifying truth about the helicopter war in Vietnam. This is Robert Mason’s astounding personal story of men at war. A veteran of more than one thousand combat missions, Mason gives staggering descriptions that cut to the heart of the combat experience: the fear and belligerence, the quiet insights and raging madness, the lasting friendships and sudden death—the extreme emotions of a "chickenhawk" in constant danger.

    White's stroll around Manhattan remains the quintessential love letter to the city, written by one of America's foremost literary figures. The New York Times has named Here is New York one of the ten best books ever written about the metropolis, and The New Yorker calls it "the wittiest essay, and one of the most perceptive, ever done on the city.

    A collective cry for help from a generation who have come of age entrenched in the culture of divorce, economic instability, and AIDS, here is the intensely personal story of a young girl full of promise, whose mood swings have risen and fallen like the lines of a sad ballad.

    Nevertheless, her initial reaction to the birth of Princess Victoria of Wales belied the genuine concern that Queen Victoria felt for each of her twenty-two granddaughters. ‘As a rule,’ she wrote, ‘I like girls best,’ and she devoted a great deal of time to their wellbeing and happiness, showering them with an affection she had seldom shown her own children.By 1914, through a series of dynastic marriages, the Queen’s granddaughters included the Empress of Russia, the Queens of Spain, Greece and Norway, and the Crown Princesses of Roumania and Sweden. As their brothers and cousins occupied the thrones of Germany, Britain and Denmark, Prince Albert’s dream of a peaceful Europe created through bonds of kinship seemed a real possibility. Yet in little more than a decade after Queen Victoria’s death, the Prince Consort’s dream would lie shattered in the carnage of the First World War. Royal cousins and even siblings would find themselves on opposing sides; two of them would die horrifically at the hands of revolutionaries and several others would be ousted from their thrones. They had lived through the halcyon days of the European monarchies but their lives, like the lives of millions of their peoples, would be changed forever by the catastrophe played out on the battlefields of France.Through all the upheavals, tragedies and conflicts one person had bound them together and, even when wars had divided their nations, to the end of their lives, they would look back and remember ‘dearest grandmama’ with love.