Former Navy SEAL Adam Taylor, on a break between assignments for a global paramilitary security firm, is visiting his folks in his home town when he gets a new mission-provide security for a rock star who is in town for a St. Patrick's Day concert. Unknown to Adam, a team of American ISIS soldiers will soon arrive with a plan to wreak havoc on the Jersey Shore, and Adam will get caught up in a deadly game of wits between the terrorist menace and those tasked to protect the citizens of the homeland.

    A. Bayona (The Impossible), based on the acclaimed novel by Patrick Ness.A Monster Calls tells the story of Conor O’Malley (Lewis MacDougall), a young boy whose world has been turned upside down by his mother’s (Felicity Jones) terminal illness. Conor’s life is thrown further into disarray when he is visited by a gigantic monster, formed from the bark of a tree in a nearby churchyard. The monster vows to tell Conor three stories over several visits and demands that Conor must then tell his own story. As his mother’s health worsens and Conor struggles to deal with everyday life and the visits of the monster, he must confront his worst fears to survive. Also featuring the voice of Liam Neeson as the monster, plus an exceptional performance by Sigourney Weaver as Conor’s grandmother, A Monster Calls is an emotionally gripping tale delivered with style and panache by director J. A. Bayona, whose next film is the much-anticipated Jurassic World 2. This book tells the full story of the creation of A Monster Calls through revealing interviews with the cast and crew—including Bayona, MacDougall, Jones, Neeson, and Weaver—and stunning behind-the-scenes visuals, such as concept art and on-set stills. The Art of A Monster Calls also delves into the electrifying special effects that bring the titular behemoth to life and the creation of the unique animated segments that accompany the monster’s stories in the film. The ultimate companion to one of the most exceptional films of 2016, The Art of A Monster Calls is a must-have for film fans.

    She has spent her career on both sides of the auditioning process, both as an award-winning casting director who has worked with Harold Prince, Bernard Bertolucci, and James Ivory, and as an accomplished actor herself. In this highly informative and accessible book, Merlin provides everything the actor needs to achieve self-confidence and artistic honesty–from the most basic practical tips to an in-depth framework for preparing a part. Filled with advice from the most esteemed people in the business, such as James Lapine, Nora Ephron, and Stephen Sondheim, and charged with tremendous wisdom and compassion, this indispensable resource will arm the reader to face an actor's greatest challenge: getting the part.

    Two brothers live in a house in North Philly. Although adults, there is something child-like about these orphans. The eldest supports himself and his slightly retarded brother by petty thievery. One night he brings home a rich older man to get him drunk and rob him. It turns out that the man-Harold is very rich and on the lam from a hitman. Harold establishes the house as a base of operations and, in a strange, hilarious and moving way, becomes the father figure the boys have always yearned for. "A weird, wonderful thriller filled with suspense, pathos and packing an emotional wallop."-WMCA Radio "Keeps you transfixed."-New York Daily News

    Here you'll meet, among many others, the 20s film idols snorting cocaine from an illuminated glass dance floor on the bank of the Thames, the model who escaped Soho's gangsters to become the queen of the nudie flicks and the genteel Scottish comedienne who, at the age of fifty-five, reinvented herself as a star of exploitation cinema, and fondly remembers 'the one where I drilled in people's heads and ate their brains'. Welcome to the lost worlds of British cinema.

    It's easy to see why Mr. Martin, who wrote the film...was moved to reinvent this role...Mr. Martin's screenplay is bighearted and funny.' The New York Times

    [MacIvor is a writer with an angular sense of humour and an uncommon knack for probing basic elements and truths of human behaviour." ?Vit Wagner, Toronto StarThis Is a Play is a hilarious postmodern romp through the interior lives of actors in a bad play."Ingenious, whimsical, a lyrical lunacy in the writing, This Is A Play is a theatre experience comedy you might associate with Tom Stoppard." ?Liam Lacey, Globe and Mail

    

    Forcibly sent there by a mother intent on keeping up appearances, Mary has to cope with both the shame and with the dawning realization that she will have to give the baby up for adoption.

    His career in film started in John Boorman's atmospheric Excalibur and to date has included such highlights as Miller's Crossing (The Coen Brothers), Gothic (Ken Russell), In the Name of the Father (Jim Sheridan) which he also produced, The Usual Suspects (Brian Singer) and most recently Smila's Feeling for Snow and the Man in the Iron Mask. The range of roles is varied but always played with a brooding intensity.

    

    Winner of the Los Angeles Drama Critics Circle Award for Best Playwright, David Lindsay-Abaire's Kimberly-Akimbo focuses, with uncanny depth and quirky wit, on a sixteen-year-old girl suffering from a disease that causes her body to age nearly five times faster than it should.

    Also known as "Jet of Blood".

    The day after the accident, while going through Cod’s papers, lawyer Wynona Vasquez discovers that he had been secretly engaged to a Thai immigrant who is arriving by train that evening. Elected by unanimous decision to be the welcoming committee, Weston arrives at the train station prepared for anything but the lovely forlorn creature he finds waiting in the rain. Though appearing waif-like, Song Phan-Rang is anything but fragile. Her mettle quickly rises to the surface in her determination to remain in Y-oh-ming. Forced together by their circumstances, Weston and Song are explosive. Used to solitude, Weston is driven crazy by the obliging Song. But as Song shows her prowess not only as a housekeeper and cook, but as a rider and rancher as well, Weston discovers that against his best efforts (and damned if he'll ever admit it) -- he's falling in love. The morning after the Christmas Cotillion, where cowboys by the dozen lined up for a dance with the exotic Song, and Weston wrangled the last one, she discovers her visa has expired. Pledging her Uncle Thieu's farm in Thailand as a dowry, Song asks Weston to marry her. Swearing that this is not a good idea at all -- he does. Song blossoms in America. Weston's sister Olive, a schoolteacher, helps Song with her English, and introduces her to the ideas of the Founding Fathers, most notably Tom Paine. Firebrand and activist Wynona employs Song in her office. Her first assignment is working with Shoshone shaman MAD BULL and Bull's young assistant, Jack Deerstalker as they fight a referendum that would allow gambling on their reservation. As winter melts into spring, Song and Weston continue to profess their marriage is simply one of convenience, though it is obvious to everybody that the two are in love. Obvious to everyone that is, but Jack Deerstalker who has fallen for her himself. One night as Weston returns earlier than expected from a rodeo, he finds Jack in his living room, alone with Song. Enraged, Weston explodes, throwing Jack out of the house. That night a fierce winter storm blows. The creek rises and floods, endangering thirty head of cattle caught on the other side. Song springs into action, riding side by side with Weston. When a baby calf slips into the icy creek, Song plunges in after it. Together, Weston and Song pull the animal free. Weston is knocked speechless by her bravery. Later, as he warms her by a roaring fire, Song and Weston make love for the first time. A few days later, Wynona and Song are introduced to the case of illegal immigrant Thai workers, forced to toil as slaves in the garment industry in El Segundo, California. Song becomes deeply involved with the workers and their plight – the search for a desperate promise of freedom. With her work, she discovers the power true freedom holds. But her work and growing sense of the true power of freedom begins to tear at the budding love between Weston and Song. Meanwhile, the referendum Jack, Wynona, and Song fought so hard against has been defeated. There will be no gambling on the reservation. Jack organizes a rodeo to raise money for an investment deal for the reservation. Weston agrees to ride – on one condition. Jack gets the bull, Baby Face that killed Cody.The night before the rodeo, Weston finds a letter Song has written to the garment workers she is helping. “We are, every one of us, entitled to a life with dignity. To life with honor. There are those who would attempt to steal our dignity, to seize our honor. But it is only when we allow this deepest core of our being to be ripped from us that we become enslaved. Remember, you, too, have been touched by God.”The next morning, Weston leaves for the rodeo without her. At the rodeo, in an eerie replay of Cody’s accident, the bull throws Weston. Song nurses Weston back to health, but still torn between freedom's power and her growing love, Song knows she must ultimately choose. Several weeks later, with Weston well on his way to mending, Song and Olive host a dinner party at Snowy Moon to celebrate Weston’s recovery. Along with Zeb, Jack Deerstalker and Mad Bull are there to join in the festivities. But in the middle of the revelry, the phone rings: it’s Jenny Chang and it’s about the case of the immigrant workers.Song knows she must go.The next day, Weston drives her to the train station.Returning to the ranch, Weston, still suffering from his injuries, limps painfully to the corral, and saddles up his horse. He rides across the rolling plains to the waterfall where he and Song had spent so much time in happier times now long gone by. Watching the water tumble by like his lost hope, suddenly, Weston picks up a stone, and fires it into the tumultuous fall. He whistles for his horse, and throws himself into the saddle.Across the plains, the train continues to roll. Inside, an uproar arises among the passengers. Song forces her way to the window. Outside, riding like hell, is Weston.Song’s heart begins to pound.And suddenly, she knows….Finally, she knows.Song grabs her suitcase, and elbows her way through the crowd.Before the train fully stops, she is bounding from the platform…and rushing into Weston’s arms.