Collected here are sixteen stories penned by authors from Thailand, the Philippines, China, Israel, Pakistan, Serbia, Croatia, Malaysia, and other countries across the globe. Each one tells a tale breathtakingly vast and varied, whether caught in the ghosts of the past or entangled in a postmodern age. Among the spirits, technology, and deep recesses of the human mind, stories abound. Kites sail to the stars, technology transcends physics, and wheels cry out in the night. Memories come and go like fading echoes and a train carries its passengers through more than simple space and time. Dark and bright, beautiful and haunting, the stories herein represent speculative fiction from a sampling of the finest authors from around the world. Table of Contents S.P. Somtow(Thailand)-"The Bird Catcher" Jetse de Vries(Netherlands)-"Transcendence Express" Guy Hasson (Israel)-"The Levantine Experiments" Han Song (China)-"The Wheel of Samsara" Kaaron Warren (Australia/Fiji)-"Ghost Jail" Yang Ping (China)-"Wizard World" Dean Francis Alfar (Philippines)-"L'Aquilone du Estrellas (The Kite of Stars)" Nir Yaniv (Israel)-"Cinderers" Jamil Nasir (Palestine)-"The Allah Stairs" Tunku Halim (Malaysia)-"Biggest Baddest Bomoh" Aliette de Bodard (France)-"The Lost Xuyan Bride" Kristin Mandigma (Philippines)-"Excerpt from a Letter by a Social-realist Aswang" Aleksandar iljak (Croatia)-"An Evening In The City Coffehouse, With Lydia On My Mind" Anil Menon (India)-"Into the Night" Melanie Fazi (France, translated by Christopher Priest)-"Elegy" Zoran ivkovic (Serbia, translated by Alice Copple-To ic)-"Compartments""

    In "A Temporary Matter," published in The New Yorker, a young Indian-American couple faces the heartbreak of a stillborn birth while their Boston neighborhood copes with a nightly blackout. In the title story, an interpreter guides an American family through the India of their ancestors and hears an astonishing confession. Lahiri writes with deft cultural insight reminiscent of Anita Desai and a nuanced depth that recalls Mavis Gallant.

    Arrogant and bombastic, he comes down the mountain expecting an easy conquest: the wealthy, spectacular city state of Kathmandu, ruled by the all-knowing, all-seeing tyrant AI Karma. To his surprise, he finds that Kathmandu is a cut-price paradise, where citizens want for nothing and even the dregs of society are distinctly unwilling to revolt.Everyone seems happy, except for the old Gurkha soldier Bhan Gurung. Knife saint, recidivist, and mass murderer, he is an exile from Kathmandu, pursuing a forty-year-old vendetta that leads to the very heart of Karma. Pushed and prodded by Gurung, Melek Ahmer finds himself in ever deeper conflicts, until they finally face off against Karma and her forces. In the upheaval that follows, old crimes will come to light and the city itself will be forced to change.

    Where the Wild Ladies Are is populated by these and many other spirited women—who also happen to be ghosts. This is a realm in which jealousy, stubbornness, and other excessive "feminine" passions are not to be feared or suppressed, but rather cultivated; and, chances are, a man named Mr. Tei will notice your talents and recruit you, dead or alive (preferably dead), to join his mysterious company.In this witty and exuberant collection of linked stories, Aoko Matsuda takes the rich, millennia-old tradition of Japanese folktales—shapeshifting wives and foxes, magical trees and wells—and wholly reinvents them, presenting a world in which humans are consoled, guided, challenged, and transformed by the only sometimes visible forces that surround them.