He is an eternal warrior destined to combat the Dark Lord through all time for dominion of the Earth. Follow him, servant of a great race, as he battles his enemy down the halls of time, from the caves of our ancestors to the final confrontation under the hammer of nuclear annihilation.

    But no agent could be sent to investigate and report back. All trips to the Warden worlds were one-way. There, a microscopic symbiont invaded all life forms, after which life became impossible outside the Warden system. The same organism destroyed any form of machinery, so no message could be beamed back by normal means.That called for extraordinary means, of course. One agent was chosen, then four men were stripped of their own minds and personalities, and his was imposed upon them. Hooked up properly, he could then receive their reports, without ever leaving safe territory.Each man was assigned one world to conquer. His mission was first to find the Overlord of that world and kill him, then to take over his link with the aliens. Of course all this must be done with no help beyond his own naked ability...This first book of Jack Chalker's epic tetralogy deals with Cal Tremon, who was sent to Lilith, a planet that was a paradise - but a paradise designed in hell!-from the back cover

    The excavation showed that the fossilized plesiosaur had been holding a placard which read, 'End Nuclear Testing Now'.That was nothing unusual.But then came a discovery of something which did intrigue Kin Arad.A flat earth was something new ...

    

    A child who feels no pain and who should not exist sees the future. Between them are truths that will shake worlds.In a distant future, no remnants of human beings remain, but their successors thrive throughout the galaxy. These are the offspring of humanity's genius-animals uplifted into walking, talking, sentient beings. The Fant are one such species: anthropomorphic elephants ostracized by other races, and long ago exiled to the rainy ghetto world of Barsk. There, they develop medicines upon which all species now depend. The most coveted of these drugs is koph, which allows a small number of users to interact with the recently deceased and learn their secrets.To break the Fant's control of koph, an offworld shadow group attempts to force the Fant to surrender their knowledge. Jorl, a Fant Speaker with the dead, is compelled to question his deceased best friend, who years ago mysteriously committed suicide. In so doing, Jorl unearths a secret the powers that be would prefer to keep buried forever. Meanwhile, his dead friend's son, a physically challenged young Fant named Pizlo, is driven by disturbing visions to take his first unsteady steps toward an uncertain future.

    Dosh has sold his good looks once too often to rough customers. He's so desperate to get off the planet and start a new life that he persuades friends Moke and Cass to sign a cybercinema contract--a decision that proves to be as dangerous as it is lucrative.

    The void has been filed by many different powers, ranging from the Eridani Caliphate to the Roman Catholic Church. When strange transmissions are received from beyond the fringes of human space, they reveal the existence of human settlements lost since the demise of the Confederacy, colonies that could shift the balance of power should they be claimed by the Caliphate. Thus begins a race between the most advanced ships in the Caliphate fleet and an expedition of mercenaries and scientists recruited by an AI who has a long history with the Confederacy. But when they reach the source of the transmission, Xi Virginis, they will uncover a threat far beyond the scope of anyone one human government . . .

    Standouts include "Kirinyaga" and "For I Have Touched the Sky," two installments from Resnick's well-regarded Kirinyaga series, set on an orbital space habitat modeled on a pre-colonial African culture. Contentsxi • Foreword: The Man Who Hated Short Stories • (1992) • essay by Mike Resnick1 • Introduction: Will the Last Person to Leave the Planet Please Shut off the Sun? • (1992) • essay by Mike Resnick3 • Will the Last Person to Leave the Planet Please Shut off the Sun? • (1992) • shortstory by Mike Resnick7 • Introduction: Kirinyaga • (1992) • essay by Mike Resnick8 • Kirinyaga • [Kirinyaga • 2] • (1988) • novelette by Mike Resnick31 • Introduction: Me and My Shadow • (1992) • essay by Mike Resnick32 • Me and My Shadow • (1984) • shortstory by Mike Resnick51 • Introduction: Mrs. Hood Unloads • (1992) • essay by Mike Resnick52 • Mrs. Hood Unloads • (1991) • shortfiction by Mike Resnick57 • Introduction: Over There • (1992) • essay by Mike Resnick58 • Over There • [Teddy Roosevelt] • (1991) • novelette by Mike Resnick85 • Introduction: The Last Dog • (1992) • essay by Mike Resnick86 • The Last Dog • (1977) • shortstory by Mike Resnick95 • Introduction: King of the Blue Planet • (1992) • essay by Mike Resnick96 • King of the Blue Planet • (1988) • shortstory by Mike Resnick111 • Introduction: Watching Marcia • (1992) • essay by Mike Resnick112 • Watching Marcia • (1981) • shortstory by Mike Resnick125 • Introduction: Death Is an Acquired Trait • (1992) • essay by Mike Resnick126 • Death Is an Acquired Trait • (1988) • shortstory by Mike Resnick133 • Introduction: The Crack in the Cosmic Egg • (1992) • essay by Mike Resnick134 • The Crack in the Cosmic Egg • (1988) • shortstory by Mike Resnick137 • Introduction: Revolt of the Sugar Plum Fairies • (1992) • essay by Mike Resnick138 • Revolt of the Sugar Plum Fairies • (1992) • shortstory by Mike Resnick151 • Introduction: For I Have Touched the Sky • (1992) • essay by Mike Resnick152 • For I Have Touched the Sky • [Kirinyaga • 3] • (1989) • novelette by Mike Resnick183 • Introduction: Frankie the Spook • (1992) • essay by Mike Resnick184 • Frankie the Spook • (1990) • shortstory by Mike Resnick203 • Introduction: Beibermann's Soul • (1992) • essay by Mike Resnick204 • Beibermann's Soul • (1988) • shortstory by Mike Resnick209 • Introduction: Balance • (1992) • essay by Mike Resnick210 • Balance • [Susan Calvin (Robot)] • (1989) • shortstory by Mike Resnick217 • Introduction: Posttime in Pink • (1992) • essay by Mike Resnick218 • Posttime in Pink • (1991) • novelette by Mike Resnick249 • Introduction: Beachcomber • (1992) • essay by Mike Resnick250 • Beachcomber • (1980) • shortstory by Mike Resnick255 • Introduction: Blue • (1992) • essay by Mike Resnick256 • Blue • (1979) • shortstory by Mike Resnick261 • Introduction: Stalking the Unicorn with Gun and Camera • (1992) • essay by Mike Resnick262 • Stalking the Unicorn with Gun and Camera • (1986) • shortstory by Mike Resnick271 • Introduction: Monsters of the Midway • (1992) • essay by Mike Resnick272 • Monsters of the Midway • (1991) • shortstory by Mike Resnick279 • Introduction: Malish • (1992) • essay by Mike Resnick280 • Malish • (1991) • shortstory by Mike Resnick285 • Introduction: The Light that Blinds, the Claws that Catch • (1992) • essay by Mike Resnick286 • The Light that Blinds, the Claws that Catch • [Teddy Roosevelt] • (1992) • shortstory by Mike Resnick295 • Introduction: His Award-Winning Science Fiction Story • (1992) • essay by Mike Resnick296 • His Award-Winning Science Fiction Story • (1988) • shortstory by Mike Resnick309 • Introduction: Was It Good For You, Too? • (1992) • essay by Mike Resnick310 • Was It Good For You, Too? • (1989) • shortstory by Mike Resnick317 • Introduction: God and Mr. Slatterman • (1992) • essay by Mike Resnick318 • God and Mr. Slatterman • (1984) • shortstory by Mike Resnick327 • Introduction: The Fallen Angel • (1992) • essay by Mike Resnick328 • The Fallen Angel • (1984) • shortfiction by Mike Resnick331 • Introduction: How I Wrote the New Testament, Ushered in the Renaissance, and Birdied the 17th Hole at Pebble Beach • (1992) • essay by Mike Resnick332 • How I Wrote the New Testament, Ushered in the Renaissance, and Birdied the 17th Hole at Pebble Beach • (1990) • shortstory by Mike Resnick339 • Introduction: Winter Solstice • (1992) • essay by Mike Resnick340 • Winter Solstice • (1991) • shortstory by Mike Resnick

    On an island with a glass shore - relic of some even more ancient conflict - she discovers she is to be hunted by the Huhsz, a religious cult which believes she is the last obstacle before their faith's apotheosis. She has to run, knowing her only hope of finally escaping the Huhsz is to find the last of the ancient, apocalyptically powerful but seemingly cursed Lazy Guns. But that is just the first as well as the final step on a search that takes her on an odyssey through the exotic Golterian system and results in both a trail of destruction and a journey into her own past, as well as that of her family and the system itself; a journey that changes everything.

    Now, in search of some new pets to satisfy his cruel pursuit of amusement, Simon finds a new shop in the city where he is intrigued by a new lifeform he has never heard of before... a collection of multi-colored sandkings. The curator explains that the insect-like animals, no larger than Simon's fingernails, are not insects, but animals with a highly-evolved hive intelligence capable of staging wars between the different colors, and even religion - in the form of worship of their owner. The curator's warning to Simon about the regularity of their feeding, unfortunately, was not taken seriously...Contents:- The Way of Cross and Dragon (1979)- Bitterblooms (1977)- In the House of the Worm (1976)- Fast-Friend (1976)- The Stone City (1977)- Starlady (1976)- Sandkings (1979)Cover illustration by Michael Whelan

    He's also expendable - at least in the eyes of the Secretary of Traffic for the Nation of California. Tanner doesn't care much for those eyes. You'd also never mistake Hell Tanner for a humanitarian. Facing life in prison for his various crimes, he's given a choice; rot away his remaining years in a tiny jail cell, or drive cross-country and deliver a case of antiserum to the plague-ridden people of Boston, Massachusetts...if anyone is still alive there to receive it, that is. The chance of a full pardon does wonders for getting his attention. And don't mistake this mission of mercy for any kind of normal road trip - not when there are radioactive storms, hordes of carniverous beasts, and giant, mutated scorpions to be found along every deadly mile between Los Angeles and the East Coast. But then, this is no normal part of America, you see. This is DAMNATION ALLEY...

    The first subject chosen for treatment is Jeff Baker, the father of the datasphere (which replaced the Internet) and philanthropist extraordinaire. After 18 months in a German medical facility, the 78-year-old patient returns home looking like a healthy 20-year-old. "Misspent Youth" follows the effect his reappearance has on his friends and family -- his young ex-model wife Sue, his teenage son Tim, and his long term pals, themselves all pensioners, who are starting to resent what Jeff has become.

    Now, Varley takes another leap into the great unknown with Mammoth...In a barren province of Canada, a mammoth hunter has made the discovery of a lifetime: an intact frozen woolly mammoth. But what he finds during the painstaking process of excavating the huge creature boggles the mind. Huddled next to the mammoth is the mummified body of a Stone Age man around 12,000 years old. And he is wearing a wristwatch.

    The reigning master of short fiction reinvents science fiction and fantasy in a dazzling new collection unlike anything you’ve ever read. Time-traveling dinosaurs wreak havoc on a placid Vermont town. An ogre is murdered in a locked room in Faerie. An uncanny bordello proves as dangerous as it is alluring. Language is stolen from the builders of babel. Those strangely loveable Post-Utopion scoundrels and con men, Darger and Surplus, swindle their way through London, Paris, and Arcadia.The Dog Said Bow-Wow includes three Hugo Award-winning stories and an original novelette of swashbuckling romance and adventure, “The Skysailor’s Tale.” Ranging from the hardest of science fiction to the highest of fantasy, this irresistible collection amuses and enlightens as only Michael Swanwick can.

    But when he wakes up, his world will never be the same. Televisions and computers no longer work, but a strange language streams across their screens. Everyone’s behaving oddly. It’s as if Kyle doesn’t exist. Is this nightmare a result of the hypnosis? Will Kyle wake up with a snap of fingers to roars of laughter? Or is this something much more sinister?Narrated on a set of found cassette tapes at an unspecified point in the future, Human.4 is an absolutely chilling look at technology gone too far.