Clerks was the independent film success story of 1994, winning the Prix de la Jeunesse and the International Critics Week Award at Cannes, and the Filmmakers' Trophy at Sundance. Set in the everyday world of a New Jersey QuickStop and its adjacent video store, the film revolves around the obsessions, love lives, and friendships of the clerks. Janet Maslin of the New York Time called it "a buoyant comedy...and exuberant display of ingenuity," and Kenneth Turan of the Los Angeles Times raves, "Clerks is boisterous and irreverently funny...an example of what is best and most hopeful about the American independent film scene."

    . ."It is a period of civil war. Rebel spaceships, striking from a hidden base, have won their first victory against the evil Galactic Empire."INTERIOR: REBEL BLOCKADE RUNNER--MAIN HALLWAYThe awesome seven-foot-tall Dark Lord of The Sith makes his way into the blinding light of the main passageway. This is Darth Vader, right hand of the Emperor.VADER: Commander, tear this ship apart until you've found those plans and bring me the Ambassador. I want her alive! *****Even the best actors, the most talented director, and the most amazing special effects can't make a great movie without a superb story to build on. Now here is the complete screenplay of the cornerstone  film that launched a science fiction phenomenon. Experience the capture of Princess Leia by Lord Darth Vader and the evil minions of the Empire . . . Farmboy Luke Skywalker's discovery of her desperate message hidden in the droid R2-D2 . . . Luke's fateful meetings with legendary Jedi Knight Obi-Wan Kenobi and intergalactic smuggler Han Solo . . . And the climactic battle to destroy the sinister Death Star. Fully illustrated with the original storyboard art--and featuring hightlights of the famous Rolling Stone interview with George Lucas--this definitive volume is a must for every Star Wars library.

    It premiered in April 2000 at the Gielgud Theatre, Shaftesbury Avenue, London, starring Kathleen Turner as Mrs RobinsonCalifornia in the 60s. Benjamin's got excellent grades, very proud parents and, since he helped Mrs Robinson with her zipper, a fine future behind him… A cult novel, a classic film, a quintessential hit of the 60s, now Benjamin's disastrous sexual odyssey is brought vividly to life in this world stage premiere production."Terry Johnson is that rare creature: a moralist with wit. He writes with responsible gaiety" (Guardian)

    Lovett, Sweeney's amorous accomplice, who creates diabolical meat pies... The cast also includes Alan Rickman,Timothy Spall and Sacha Baron Cohen.Produced in close co-operation with Tim Burton and the production team, this lavish, full colour hardcover official companion volume to the film will include a Foreword by Tim Burton, over 200 photos, concept drawings and production designs, extracts from the screenplay and interviews with the cast and crew.

    

    Of the scripts included here, Barton Fink--an intense look at the psychological ruin of a New York playwright trying to make it in 1940s Hollywood--is a masterful culmination of these themes.

    When his tentative efforts at a relationship with elegant political campaign worker Betsy come to naught, Travis conceives of an assassination attempt upon her boss, Senator Charles Palantine. But as he cruises the streets at night, Travis encounters a hapless child prostitute, Iris, and her sinister pimp, sport. Travis's mounting psychosis acquires a new focus, and violence erupts . . .One of the key films of the 1970s and winner of the Palme d'Or at the 1976 Cannes Film Festival, Taxi Driver was the first of several potent collaborations between Paul Schrader and director Martin Scorsese. Inspired by Ford's The Searchers, Bresson's Diary of a Country Priest, the diaries of real-life gunman Arthur Bremer, and an especially tormented period in Schrader's own life, Taxi Driver remains a devastating portrait of a man in urban purgatory.

    The storyline follows five teenagers (each a member of a different high school cliques) as they spend a Saturday in detention together and come to realize that they are all deeper than their respective stereotypes.

    legal system. The play centers on Juror Eight, who is at first the sole holdout in an 11-1 guilty vote. Eight sets his sights not on proving the other jurors wrong but rather on getting them to look at the situation in a clear-eyed way not affected by their personal prejudices or biases. Reginald Rose deliberately and carefully peels away the layers of artifice from the men and allows a fuller picture to form of them—and of America, at its best and worst.   After the critically acclaimed teleplay aired in 1954, this landmark American drama went on to become a cinematic masterpiece in 1957 starring Henry Fonda, for which Rose wrote the adaptation. More recently, Twelve Angry Men had a successful, and award-winning, run on Broadway.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    In this study, Yvonne Tasker explores the way the film weaves together gothic, horror and thriller conventions to generate both a distinctive variation on the cinematic portrayal of insanity and crime, and a fascinating intervention in the sexual politics of genre.

    Maria was young and innocent and had never known love—until Tony. And he, who had been seeking something beyond the savagery of the streets, discovered it with her. But Maria’s brother was leader of the Sharks and Tony had once led the rival Jets. Now both gangs were claiming the same turf. Tony promised Maria that he would stay out of it. Would he be able to keep his word? Or would their newfound love be destroyed by sudden death?

    This collection of three screenplays displays his defiantly unorthodox approach to film form, as well as the unclassifiable imaginative energy that drives all of his work.

    THE LAW OF THE LAST MAN STANDING.   His country burning with war, his family shattered, a young man strikes off on his own and builds a legend with his fists, a pistol, knife, and long gun. This collection includes the classic westerns Trail of the Mountain Man and Return of the Mountain Man, long unavailable and here together for the first time in one action-packed volume …   Where There’s Gold, There’s Blood, Bullets, and Smoke   When the Missouri farm boy named Jensen came west, he started fighting, surviving, and learning every brutal step of the way. He learned from a mountain man named Preacher. He learned from Indians. And from outlaws. And he learned that nothing burns the souls of men faster than the lure of glimmering gold.   From one ramshackle frontier mountain town to another, Smoke sees gold strikes—and gold fever—drawing crooks and cold-blooded killers from across the nation. Faced with an explosion of horrifying violence—along with some demons from his past—Smoke has no choice but to lay down the law. Once he does, it doesn’t matter how many men and guns the outlaws bring. Because if Smoke Jensen has learned anything, it’s this: in a vast, savage land, you don’t back down, don’t give up, and don’t stop shooting until the last bad man goes to his Maker.

    It also provides cast and performance information from every production of Gypsy. Titles include: Let Me Entertain You * Some People * If Momma Was Married * Everything's Coming Up Roses * Together Wherever We Go * Rose's Turn and more.

    At a screening at Cannes in May 1979, Francis Ford Coppola said simply, "There wasn't a truthful thing written about [the film] in four years." That year at Cannes, Apocalypse Now won the Palme d'Or, going on from there to worldwide acclaim and etching itself in the memories of audiences with unforgettable sequences like the dawn helicopter attack scored to Wagner's "Ride of the Valkyries" or Lt. Colonel Kilgore's chilling "I love the smell of napalm in the morning." Here, generously illustrated with evocative stills from the film and revealing photographs from the set, is the story behind the movie where Vietnam met Joseph Conrad's Heart of Darkness. It is the extraordinary saga of Coppola and his crew and actors-who included Marlon Brando, Robert Duvall, Harvey Keitel, Martin Sheen, Dennis Hopper, and Harrison Ford -- battling hurricanes in the jungles of the Philippines, the calamity of a lead actor's heart attack, and crises both psychological and financial . . . in the end giving rise to a modern film classic.