Patriotic young men all over the world lined up to join the fight - including hundreds of Indigenous Australians.Shunned and downtrodden in their own country - and in fact banned by their own government from serving in the military - Aboriginal men stepped up to enlist. Undaunted, these bold souls took up arms to defend the free world in its time of greatest need. For them, facing the horror of war on a Gallipoli beach was an escape from the shackles of racism at home, at a time when Aboriginal people stood by, segregated, unable to vote, unable to act as their children were ripped from them. When the survivors came back from the war, there was no heroes’ welcome – just a shrug, and a return to drudgery and oppression.Black Diggers is the story of these men - a story of honour and sacrifice that has been covered up and almost forgotten.

    But as Eugenia learns more of the ruthlessly ambitious man she has married and the rugged land he has brought her to, the very elegance and delicacy her husband prized in her soon prove liabilities. She is appalled by many aspects of plantation life - the convict slave laborers, the suffocating summer heat, the merciless winters. It is a maid who seems to be the real mistress of Yarrabee.

    As a child, Cassandra didn't know this woman was Truganini, and that she was walking over the country of her clan, the Nuenonne, of whom she was the last.The name of Truganini is vaguely familiar to most Australians as 'the last of her race'. She has become an international icon for a monumental tragedy: the extinction of the original people of Tasmania within her lifetime. For nearly seven decades she lived through a psychological and cultural shift more extreme than most human imaginations could conjure. She is a hugely significant figure in Australian history and we should know about how she lived, not simply that she died. Her life was much more than a regrettable tragedy. Now Cassandra has examined the original eyewitness accounts to write Truganini's extraordinary story.A lively, intelligent, sensual young woman, Truganini managed to survive the devastating decade of the 1820s when the clans of south-eastern Tasmania were all but extinguished. Taken away from Bruny Island in 1830, she spent five years on a journey around Tasmania, across rugged highland and through barely penetrable forests, with the self-styled missionary George Augustus Robinson, who was collecting all the surviving people to send them into exile on Flinders Island. She managed to avoid a long incarceration on Flinders Island when Robinson took her to Victoria where she was implicated in the murder of two white men. Acquitted of murder, she was returned to Tasmania where she lived for another thirty-five years. Her story is both inspiring and heart-wrenching, and it is told in full in this book for the first time.‘For the first time a biographer who treats her with the insight and empathy she deserves. The result is a book of unquestionable national importance.’—Professor Henry Reynolds, University of Tasmania

    Y’know, it's not within the spirit of the game.’ Steve Smith was not to know it at Cape Town on 24 March 2018, but he was addressing his last press conference as captain of the Australian cricket team. By the next day morning he would be swept from office by a tsunami of public indignation involving even the prime minister. In a unique admission, Smith confessed to condoning a policy of sandpapering the cricket ball in a Test against South Africa. He, the instigator David Warner and their agent Cameron Bancroft returned home to disgrace and to lengthy bans. The crisis plunged Australian cricket into a bout of unprecedented soul searching, with Cricket Australia yielding to demands for reviews of the cricket team and of itself to restore confidence in their ‘culture’. In Crossing the Line, Gideon Haigh conducts his own cultural review – ‘less official and far cheaper but genuinely independent’. Studying the cricket team across a decade of radical change, he finds an accident waiting to happen, and a system struggling to cope with self-created challenges, on the field and in the boardroom. And he wonders: is there even any longer a spirit of the game to be within? Crossing the Line is the first instalment in Slattery Media Group’s Sports Shorts collection, a new series of sports essays published as small-format books. Sports Shorts has been created as a home for ambitious, lively and engaging writing and journalism on sport—work of a scale and scope not suited to the confines of day-to-day journalism. Every instalment will illuminate or entertain, all the while fitting into your back pocket on the way to the game.

    The old man was brought up expecting to marry the heiress to Kuran Station—a grand estate in the Australian Outback—only to be disappointed by his rejection and the selling off of the land. He has devoted his life to putting the estate back together and has moved into the once-elegant mansion.   McIvor tries to imbue William with his obsession, but his hold on the land is threatened by laws entitling the Aborigines to reclaim sacred sites. William’s mother desperately wants her son to become John McIvor’s heir, but no one realizes that William is ill and his condition is worsening.

    Incredibly accessible, it is packed with acute analysis of both Hitler and the German people and is a must-read for anyone interested in the literature of World War II.

    Evil is at play in a South African game reserve.A poacher vanishes into thin air, defying logic and baffling ace tracker Mia Greenaway.Meanwhile Captain Sannie van Rensburg, still reeling from a personal tragedy, is investigating the disappearance of two young girls who locals fear have been abducted for use in sinister traditional medicine practices.But poachers are also employing witchcraft, paying healers for potions they believe will make them invisible and bulletproof.When a tourist goes missing, Mia and Sannie must work together to confront their own demons and challenge everything they believe, and to follow a bloody trail that seems to vanish at every turn.

    He takes the child on the road with him to spite his wife, but months pass and still no word comes to ask for the little girl back. Strangers to each other at first, father and daughter drift aimlessly through the dusty towns of Australia, sleeping rough and relying on odd jobs for food and money. Buster's resilience and trust slowly erode Macauley's resentment, and when he's finally able to get rid of her, he realises he can't let his shiralee go. In evocative prose that vividly conjures images of rural Australia, The Shiralee reveal an understanding of the paradoxical nature of the burdens we carry, creates a moving portrait of fatherhood, told with gruff humour and a gentle pathos.

    It offers what Margo Neale calls ‘the third archive’. Aboriginal people use songlines to store their knowledge, while Western cultures use writing and technology. Aboriginal people now use a third archive – a combination of the two.The authors believe that the third archive offers a promise of a better way for everyone to store, maintain and share knowledge while gaining a much deeper relationship with it.

    In the sparsely populated northern Queensland town of Desperance, loyalties run deep and battle lines have been drawn between the powerful Phantom family, leaders of the Westend Pricklebush people, and Joseph Midnight's renegade Eastend mob, and their disputes with the white officials of neighboring towns. Steeped in myth and magical realism, Wright's hypnotic storytelling exposes the heartbreaking realities of Aboriginal life. By turns operatic and everyday, surreal and sensational, the novel teems with extraordinary, larger-than-life characters. From the outcast savior Elias Smith, religious zealot Mossie Fishman, and murderous mayor Bruiser to activist Will Phantom and Normal Phantom, ruler of the family, these unforgettable characters transcend their circumstances and challenge assumptions about the downtrodden "other." Trapped between politics and principle, past and present, the indigenous tribes fight to protect their natural resources, sacred sites, and above all, their people. Already an international bestseller, Carpentaria has garnered praise from around the world.

    But Maxine bursts the barricade that separates dream from reality and hacks a path for all of them to the future.

    Love, politics and other things you shouldn't talk about at dinnerCharlotte Gibson is a lawyer with a brilliant career ahead of her. As her father Ray says, she could be the next female Indigenous Waleed Aly. But she has other ideas. First of all, it's Christmas. Second of all, she's in love.The thing is, her fiance, Francis Smith, is not what her family expected - he's unemployed, he's an experimental composer ... and he's white! Bringing him and his conservative parents to meet her family on their ancestral land is a bold move. Will he stand up to the scrutiny? Or will this romance descend into farce?Love is never just black and white. It's complicated by class, politics, ambition, and too much wine over dinner. But for Charlotte and Francis, it's mostly complicated by family. Secrets are revealed, prejudices outed and old rivalries get sorted through. What can't be solved through diplomacy can surely be solved by a good old-fashioned dance-off. They're just that kind of family.

    But when the facts refuse to give up their secrets, she follows the threads of history and memory into imagination. There she teases out the story of Poppy, who married at twenty and sang to her children, until suddenly one day in 1959, she was taken away to a sanatorium.What had gone wrong in a family that everyone described as happy? What pulled Poppy through the years of shock treatment and despair? These are some of the questions the daughter must ask before she can make peace with her own past.

    When Mildred and Richard Loving wed in 1958, they were ripped from their shared bed and taken to court. Their crime: miscegenation, punished by exile from their home state of Virginia. The resulting landmark decision of Loving v. Virginia ended bans on interracial marriage and remains a signature case--the first to use the words "white supremacy" to describe such racism.Drawing from the earliest chapters in US history, legal scholar Sheryll Cashin reveals the enduring legacy of America's original sin, tracing how we transformed from a country without an entrenched construction of race to a nation where one drop of nonwhite blood merited exclusion from full citizenship. In vivid detail, she illustrates how the idea of whiteness was created by the planter class of yesterday and is reinforced by today's power-hungry dog-whistlers to divide struggling whites and people of color, ensuring plutocracy and undermining the common good.Cashin argues that over the course of the last four centuries there have been "ardent integrators" and that those people are today contributing to the emergence of a class of "culturally dexterous" Americans. In the fifty years since the Lovings won their case, approval for interracial marriage rose from 4 percent to 87 percent. Cashin speculates that rising rates of interracial intimacy--including cross-racial adoption, romance, and friendship--combined with immigration, demographic, and generational change, will create an ascendant coalition of culturally dexterous whites and people of color.Loving is both a history of white supremacy and a hopeful treatise on the future of race relations in America, challenging the notion that trickle-down progressive politics is our only hope for a more inclusive society. Accessible and sharp, Cashin reanimates the possibility of a future where interracial understanding serves as a catalyst of a social revolution ending not in artificial color blindness but in a culture where acceptance and difference are celebrated.

    It is not hard to see why Mark Dapin’s stylish novel, set in Nineties Sydney, was such a critical success in Australia. The writing has real freshness and, apart from the odd hiccup, the story glides effortlessly from an intriguing start to a heart-warming resolution.David, who narrates, is a bright 13 year-old from Sydney whose parents have just split up. While his father gets his jollies with the “Woman in White”, and his mother experiences teething problems with the “Dark Man”, David is parked on his Jewish grandmother and her eccentric husband Jimmy, a war veteran haunted by his experiences in south-east Asia during the Second World War. It is an education in life that makes the classroom seem very dull.Jimmy and his grizzled Jewish cronies – Solomon the tailor, Myer the optician and Ernie the former war artist – are worth the cover price of the book in their own right, wisecracking their way non-stop through the day, as if to avoid dwelling on the horrors of the past. “Ernie is an aesthete,” Solomon explains to David. “That means he doesn’t believe in God.” “You’re thinking of an anaesthetist,” says Myer. Without emotional ballast, the friends’ badinage would quickly pall; but there is ballast aplenty in the harrowing stories of the war, which David coaxes out of his initially reluctant grandfather.The descriptions of life in Japanese captivity are beautifully done. Accounts of brutal beatings pull no punches, but there is also room for tenderness and humour. One of the strongest strands features Townsville Jack, a cussed so-and-so who is damned if he is going to let the war stop him organising frog-racing and other entertainments. He is a figure built on such a heroic scale that his downfall, when it comes, has tragic resonance.The spirit house of the title is an altar that Jimmy erects in his Bondi bungalow, with help from David, as his way of laying to rest the ghosts of the past. It does just that, bringing acceptance after years of troubled nights. As he does throughout the book, Dapin impresses with the understated authority of his storytelling.